Kenneth M. Jensen, editor. Origins of the Cold War The Novikov, Kennan, and Roberts “Long Telegrams” of 1946. Washington D.C.: United States Institute of Peace. 1991. Pp. xviii, 70. $9.95 paper. - P. M. H. Bell. John Bull and the Bear: British Public Opinion, Foreign Policy and the Soviet Union 1941–1945. London: Edward Arnold; distributed by Routledge, Chapman & Hall, New York, N.Y. 1990. Pp. x, 214. $45.00.

1992 ◽  
Vol 24 (2) ◽  
pp. 372-375
Author(s):  
Keith Neilson
Keyword(s):  
United States ◽  
New York ◽  
Foreign Policy ◽  
Cold War ◽  
Public Opinion ◽  
Soviet Union ◽  
The Soviet Union ◽  
The Cold War

scholarly journals Determinants of U.S. Foreign Policy foreign policy during the Cold War The Intra-American Perspective

2020 ◽  
Vol 31 ◽  
pp. 123-144
Author(s):  
Katarzyna Czornik
Keyword(s):  
United States ◽  
Foreign Policy ◽  
Cold War ◽  
Soviet Union ◽  
The United States ◽  
Global Scale ◽  
American Perspective ◽  
The Soviet Union ◽  
The Usa ◽  
The Cold War

The U.S. accession to the Second World War and indisputable victory initiated a new stage in the history of the United States. The country took a superpower position next to the USSR. The USA became the leading force of the democratic and capitalist world. During the Cold War, competing with the Soviet Union for influence in the global scale, the United States effectively spread its ideology, political system model, and value system. A number of determinants of an internal nature, both objective and subjective, influenced the shape of the foreign policy of the USA during the Cold War.

The Moralities of Negotiation

Worldview ◽  
1959 ◽  
Vol 2 (11) ◽  
pp. 3-6
Author(s):  
E. Raymond Platig
Keyword(s):  
United States ◽  
Cold War ◽  
Public Opinion ◽  
Soviet Union ◽  
International Law ◽  
The United States ◽  
The Political ◽  
The Soviet Union ◽  
The World ◽  
The Cold War

Many well-intentioned people have long recognized the absence in our century of any effective international law, government and mores. They have also wasted a lot of time attempting to conjure up constitutional governments for the world, to codify, revise and extend international law, and to call forth a mostly non-existent world public opinion. In a world rent by such basic ideological and cultural splits as is ours, these efforts are foredoomed to failure.The much more relevant question for one interested in peace in this nuclear-missile’ age is whether or not the United States and the Soviet Union can settle through negotiation some of the political problems of the Cold War. If they cannot agree to “live and let live” as sovereign states in a world of sovereign states, on what basis can we expect that they will engage in that much more intimate collaboration out of which mores, law and government can grow?

Trust, but Verify

2016 ◽  
Keyword(s):  
United States ◽  
Cold War ◽  
Soviet Union ◽  
International Relations ◽  
Arms Control ◽  
The United States ◽  
The Soviet Union ◽  
The Cold War ◽  
East West

This book uses trust—with its emotional and predictive aspects—to explore international relations in the second half of the Cold War, beginning with the late 1960s. The détente of the 1970s led to the development of some limited trust between the United States and the Soviet Union, which lessened international tensions and enabled advances in areas such as arms control. However, it also created uncertainty in other areas, especially on the part of smaller states that depended on their alliance leaders for protection. The chapters in this volume look at how the “emotional” side of the conflict affected the dynamics of various Cold War relations: between the superpowers, within the two ideological blocs, and inside individual countries on the margins of the East–West confrontation.

Ballet in the Cold War

2020 ◽  
Author(s):  
Anne Searcy
Keyword(s):  
United States ◽  
Cold War ◽  
Soviet Union ◽  
Cultural Exchange ◽  
The United States ◽  
Performing Artists ◽  
Exchange Programs ◽  
The Soviet Union ◽  
History Of ◽  
The Cold War

During the Cold War, the governments of the United States and the Soviet Union developed cultural exchange programs, in which they sent performing artists abroad in order to generate goodwill for their countries. Ballet companies were frequently called on to serve in these programs, particularly in the direct Soviet-American exchange. This book analyzes four of the early ballet exchange tours, demonstrating how this series of encounters changed both geopolitical relations and the history of dance. The ballet tours were enormously popular. Performances functioned as an important symbolic meeting point for Soviet and American officials, creating goodwill and normalizing relations between the two countries in an era when nuclear conflict was a real threat. At the same time, Soviet and American audiences did not understand ballet in the same way. As American companies toured in the Soviet Union and vice versa, audiences saw the performances through the lens of their own local aesthetics. Ballet in the Cold War introduces the concept of transliteration to understand this process, showing how much power viewers wielded in the exchange and explaining how the dynamics of the Cold War continue to shape ballet today.

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