The Avoidance of Inner-Voice Entries: Perceptual Evidence and Musical Practice
1989 ◽
Vol 7
(1)
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pp. 43-47
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Keyword(s):
Experimental evidence has shown that entries of inner voices are more difficult to perceive than entries of outer voices in multivoiced music. A study of voice entries in 75 fugues by J. S. Bach shows no significant avoidance of inner-voice entries in three- and four-voice textures. However, in the case of five-voice textures, Bach does demonstrate a significant reluctance to have a voice enter in an inner-voice position. This finding is consistent with the hypothesis that Bach endeavors to minimize perceptual confusion in his polyphonic works as the textural density increases.
2004 ◽
Vol 94
(3_suppl)
◽
pp. 1455-1455
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1991 ◽
Vol 9
(1)
◽
pp. 93-103
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1997 ◽
Vol 161
◽
pp. 437-442
1972 ◽
Vol 30
◽
pp. 388-389
Keyword(s):
1980 ◽
Vol 38
◽
pp. 598-599
1984 ◽
Vol 127
(1-3)
◽
pp. 366-377
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Keyword(s):
Keyword(s):
Keyword(s):