The Voice of the Masters: Writing and Authority in Modern Latin American Literature

1986 ◽  
Vol 60 (4) ◽  
pp. 610
Author(s):  
Malva E. Filer ◽  
Roberto González Echevarría
Hispania ◽  
1987 ◽  
Vol 70 (2) ◽  
pp. 293
Author(s):  
Frank Dauster ◽  
Roberto Gonzalez Echevarria

1987 ◽  
Vol 4 (4) ◽  
pp. 115
Author(s):  
Melvin S. Arrington ◽  
Roberto Gonzalez Echevarria

1987 ◽  
Vol 55 (1) ◽  
pp. 140
Author(s):  
Barbara B. Aponte ◽  
Roberto Gonzalez Echevarria

2020 ◽  
Vol 8 (14) ◽  
pp. 164-184
Author(s):  
Julieta Viú Adagio

Juan Villoro, consecrated in Latin American Literature as a fiction narrator and prominent author in the Children's Literature publishing market, has developed in parallel a remarkable chronological production that has received little critical attention. The reading of these chronicles in conjunction with interviews given by the author allowed us to notice a self-representation as a chronicler versed in the art of listening. Theme that is the excuse to review part of his production with the focus on his ear attentive to the expressions and manifestations of mass culture. It is interesting to approach chronic listening, a characteristic aspect of its aesthetics, from analyzing the priority place of the voice of the soccer announcer Ángel Fernández, the links with the Mexican counterculture and the construction of a myth of origin that draws on mass culture.


Author(s):  
Jeffrey Lawrence

This chapter turns from a historical account of the development of the US literature of experience and the Latin American literature of reading to a textual analysis of the US and Latin American historical novel. Hemispheric/inter-American scholars often cite William Faulkner’s Absalom, Absalom! (1936), Gabriel García Márquez’s One Hundred Years of Solitude (1967), and Toni Morrison’s Song of Solomon (1977) as exemplifying instances of literary borrowing across the North–South divide. As I demonstrate, however, each of the later texts also realigns its predecessor’s historical imaginary according to the dominant logics of the US and Latin American literary fields. Whereas the American works foreground experiential models of reconstructing the past and conveying knowledge across generations, García Márquez’s Latin American novel presents reading as the fundamental mode of comprehending and transmitting history.


Author(s):  
Jeffrey Lawrence

Anxieties of Experience: The Literatures of the Americas from Whitman to Bolaño offers a new interpretation of US and Latin American literature from the nineteenth century to the present. Revisiting longstanding debates in the hemisphere about whether the source of authority for New World literature derives from an author’s first-hand contact with American places and peoples or from a creative (mis)reading of existing traditions, the book charts a widening gap in how modern US and Latin American writers defined their literary authority. In the process, it traces the development of two distinct literary strains in the Americas: the “US literature of experience” and the “Latin American literature of the reader.” Reinterpreting a range of canonical works from Walt Whitman’s Leaves of Grass to Roberto Bolaño’s 2666, Anxieties of Experience shows how this hemispheric literary divide fueled a series of anxieties, misunderstandings, and “misencounters” between US and Latin American authors. In the wake of recent calls to rethink the “common grounds” approach to literature across the Americas, the book advocates a comparative approach that highlights the distinct logics of production and legitimation in the US and Latin American literary fields. Anxieties of Experience closes by exploring the convergence of the literature of experience and the literature of the reader in the first decades of the twenty-first century, arguing that the post-Bolaño moment has produced the strongest signs of a truly reciprocal literature of the Americas in more than a hundred years.


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