Indian Writing in English

Books Abroad ◽  
1974 ◽  
Vol 48 (2) ◽  
pp. 419
Author(s):  
Laurence S. Fallis ◽  
K. R. Srinivasa Iyengar
Keyword(s):  
Indian Writing In English

Introduction

2020 ◽  
pp. 1-20
Author(s):  
Susmita Roye
Keyword(s):  
Women Writers ◽  
Women's Fiction ◽  
Male And Female ◽  
Vast Amount ◽  
Indian Writing In English

Indian Writing in English (IWE) today boasts of internationally renowned writers, both male and female. In comparison to the vast amount of critical work on contemporary women writers, the roots of Indian women’s fiction in English are still gravely understudied. The aim of this book is partly to fight that amnesia and draw some of the early works by women out from their long, undeserved eclipse.

Panorama on Indian Writing in English

2016 ◽  
Author(s):  
R.S Regin Silvest ◽  
◽  
B.S Deepa ◽  
Keyword(s):  
Indian Writing In English

Indian Writing in English and the Discrepant Zones of World Literature

2017 ◽  
Vol 135 (1) ◽  
pp. 122-139
Author(s):  
Dirk Wiemann
Keyword(s):  
World Literature ◽  
The Other ◽  
International Visibility ◽  
Other Hand ◽  
Wide Range ◽  
Indian Writing In English ◽  
The One

AbstractFor world literature studies, Indian writing in English offers an exceptionally rich and variegated field of analysis: On the one hand, a set of prominent Indian or diasporic writers accrues substantial literary capital through metropolitan review circuits and award systems and thus maintains the high international visibility that Indian writing in English has acquired ever since the early 1980s. Addressing a readership that spans countries and continents, this kind of writing functions as a viable tributary to world literature. On the other hand, a new boom of Indian mass fiction in English has emerged that, while targeting a strictly domestic audience, is always already implicated in the dynamics of world literature as well, albeit in a very different way: As they deploy, appropriate and adopt a wide range of globally available templates of popular genres, these texts have globality inscribed into their very textures even if they do not circulate internationally.

Indian Writing in English and Its Audience

1981 ◽  
Vol 55 (1) ◽  
pp. 182
Author(s):  
S. M. Asnani ◽  
G. A. Reddy
Keyword(s):  
Indian Writing In English

scholarly journals Conjugal Strife in Anita Desai's “Cry, The Peacock”

2019 ◽  
Vol 7 (11) ◽  
pp. 9
Author(s):  
Mallavarapu Jhansi ◽  
Dr Madupalli Sureshkumar
Keyword(s):  
Social Organization ◽  
Initial Phase ◽  
Contemporary Fiction ◽  
Anita Desai ◽  
Patriarchal Society ◽  
The Family ◽  
Indian Writing In English ◽  
Women In India

Marriage is a supposedly sacrosanct establishment in each community. It is the perceived social organization for building up and keeping up the family as well as for making and supporting the ties of connection. Conjugal disharmony is characterized as a battle between individuals with contradicting needs, thoughts, convictions, qualities, or goals. The disharmonized character's quest for satisfaction is a typical theme in contemporary fiction. Anita Desai is considered an authority on uncovering the issue of present-day women in India. She is increasingly worried about the inward situation of her estranged protagonist in the modern, patriarchal society. In her novels, she has depicted the man-lady relationship and the untold sufferings of ladies out of the connubial disharmony. Desai's novel Cry, the Peacock is considered as the initial phase toward mental fiction in Indian writing in English. This paper talks about the connubial disharmony between Maya and Gautama and its outcomes in Anita Desai's Cry, the Peacock.

Sign in / Sign up

Export Citation Format

Share Document