A Symbol of Wilderness: Echo Park and the American Conservation Movement. By Mark W.T.Harvey

1995 ◽  
Vol 19 (3) ◽  
pp. 86-87
Author(s):  
Alfred Runte
Keyword(s):  
Conservation Movement ◽  
Echo Park

A Symbol of Wilderness: Echo Park and the American Conservation Movement

1995 ◽  
Vol 26 (4) ◽  
pp. 543
Author(s):  
Nelson van Valen ◽  
Mark W. T. Harvey
Keyword(s):  
Conservation Movement ◽  
Echo Park

Civic Engagement and Environmentalism in Emerging Adulthood

2018 ◽  
Author(s):  
Michael W. Pratt ◽  
M. Kyle Matsuba
Keyword(s):  
Civic Engagement ◽  
Emerging Adults ◽  
Life Story ◽  
The United States ◽  
Research Literature ◽  
John Muir ◽  
Conservation Movement ◽  
Key Points ◽  
Positive Engagement

Chapter 9 focuses on contexts of positive engagement in the domain of the wider society among emerging adults. The authors examine the growing research literature on civic engagement and volunteering, covering patterns of development and change during emerging to young adulthood, describing how this development is linked to the three personality levels of the McAdams and Pals model. They also describe work on one salient contemporary type of civic engagement, environmentalism, and review what is known on this particular topic in youth. The authors cover the evidence on both of these domains from their Futures Study sample, using both questionnaire and narrative material to expand these findings. As a way of illuminating the key points, the chapter ends with a case study of the early life story of John Muir, an important founder of the environmental and conservation movement in the United States.

Maintenance and Destruction of an East Side Los Angeles Indie Rock Scene

2020 ◽  
Author(s):  
Timothy D. Taylor
Keyword(s):  
Los Angeles ◽  
Ethnographic Study ◽  
East Side ◽  
Exchange Value ◽  
Echo Park ◽  
Indie Rock

This article is based on an ethnographic study of the independent (indie) rock scene in the east side Los Angeles neighborhood of Echo Park. There is very little money derived from music circulating in this scene (musicians are routinely paid only about $35–40 for a show), and musicians, indie label owners, and others attach symbolic values to certain amounts of money, which are viewed in terms of what they can help the musicians purchase, such as gas for the band’s van. People in the scene also produce and exchange value in a number of ways that aren’t capitalist, from generalized reciprocity to several forms of patronage. This article ultimately argues that scenes such as this are simultaneously maintained and destroyed by capitalism: maintained because capitalism needs a reserve army of those who operate outside of it but destroyed because such scenes are deprived of their ability to reproduce themselves given how little money circulates.

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