Inciting Laughter: The Development of 'Jewish Humor' in 19th-Century German Culture

2001 ◽  
Vol 96 (4) ◽  
pp. 1141
Author(s):  
Jeffrey L. Sammons ◽  
Jefferson S. Chase
Keyword(s):  
19Th Century ◽  
German Culture ◽  
Jewish Humor

Inciting Laughter: The Development of "Jewish Humor" in 19th Century German Culture

2001 ◽  
Vol 24 (3) ◽  
pp. 617
Author(s):  
Richard Crouter ◽  
Jefferson W. Chase
Keyword(s):  
19Th Century ◽  
German Culture ◽  
Jewish Humor

Inciting Laughter: The Development of "Jewish Humor" in 19th Century German Culture

2001 ◽  
Vol 74 (2) ◽  
pp. 211
Author(s):  
Paul Reitter ◽  
Jefferson Chase
Keyword(s):  
19Th Century ◽  
German Culture ◽  
Jewish Humor

scholarly journals En bristet drøm - til forståelse af Karl Emil Franzos' forfatterskab

1989 ◽  
Author(s):  
Carsten Riis
Keyword(s):  
19Th Century ◽  
German Culture ◽  
New Era ◽  
Anti Semitism ◽  
The 19Th Century

In a wide fictional and cultural historical authorship the Jewish Galizier Karl Emil Franzos (1848-1904) presented arguments for Jewish emancipation under the influence of the Haskalah movement. His chief work, Der Pojaz, is about a young East-Galizien Jew’s fight against the narrow limits of Hasidism and the aspirations about German culture. Der Pojaz was finished in 1893, but Franzos held it back, and it was first published posthumously in 1905. In his article Carsten Riis points out that the background for this must be found in the growing anti-Semitism during the second half of the 19th century – being the Germany that Franzos had seen as the new native country of the emancipated Jews. The anti-Semitism of the 19th century was the old traditional one, but the modern racist anti-Semitism had appeared, and this ruined Franzos’ hope and dreams of a new era for the Jews. In disappointment and powerlessness he withheld Der Pojaz and turned his authorship in other directions.

scholarly journals Losy Sakramentarza Tynieckiego podczas II wojny światowej

2019 ◽  
Vol 25 ◽  
pp. 327-340
Author(s):  
Katarzyna Sijka
Keyword(s):  
World War Ii ◽  
Cultural Heritage ◽  
19Th Century ◽  
Capital City ◽  
Nazi Germany ◽  
World War ◽  
National Library ◽  
German Culture ◽  
Illuminated Manuscript ◽  
Military Unit

The SacramentoriumTynecensis was written in circa 1060-1070, probably in Cologne. It was located in the Benedictine Abbey in Tyniec from 11th century to 19th century. In 1814 the illuminated manuscript was bought by Stanisław Kostka Zamoyski, then in 1818 he located the codex in the Zamoyski Ordynacja Library in Warsaw. It stayed there to the end of World War II. Two formations of Nazi Germany were as follows:  a military unit led by Professor of Archaeology, Peter Paulsen and a group led by art historian Kajetan Mühlman. Both were responsible for the plundering of Poland's cultural heritage. They wanted to get the Sacramentorium Tynecensis because it was connected with German culture. The employees of the Zamoyski Ordynacja Library have tried to rescue the codex, sometimes at the risk of their own lives. In 1944 during the action of rescuing library collections from the ruins of the capital city of Poland (action called ‘Pruszkowska’), the manuscript codex was exported and hidden by Stanisław Lorentz in the Cathedral in Łowicz. Thankfully that the ST returned to Warsaw in 1947 and was deposited in the National Library of Poland.

scholarly journals Die Bukowina als eine Insel des „Deutschthums“ im Osten? Deutsche Kulturverbreitung und deren Wahrnehmung in Reiseberichten aus dem 19. Jahrhundert

2020 ◽  
pp. 59
Author(s):  
Alexander Renner
Keyword(s):  
Eastern Europe ◽  
19Th Century ◽  
Historical Research ◽  
Habsburg Monarchy ◽  
German Culture ◽  
The 19Th Century

The Bukovina as an island of “Deutschthum” in the East? The diffusion of German culture and its perception in travel reports from the 19th centuryThe following seminar paper outlines the description of the Bukovina, a part of the Habsburg Monarchy, in selected travel reports from the 19th century. It explains why the authors of these reports perceived the Bukovina as an island of German culture in Eastern Europe, which was otherwise labelled as barbaric and underdeveloped. It will be shown that the authors’ subjective observations are not compatible with up-to-date findings of historical research.

W poszukiwaniu błękitnego kwiatu, czyli o romantycznym ideale Bildung w Henryku von Ofterdingen Novalisa

2018 ◽  
Vol 63 (1 (247)) ◽  
pp. 9-23
Author(s):  
Malwina Rolka
Keyword(s):  
Immanuel Kant ◽  
19Th Century ◽  
German Idealism ◽  
Transcendental Philosophy ◽  
The Novel ◽  
Friedrich Schlegel ◽  
Johann Gottlieb Fichte ◽  
German Culture ◽  
The 19Th Century

The main aim of the paper is reconstruction of the concept of Bildung (considered as forming the man’s personality) in an educational novel entitled Henry von Ofterdingen written by Novalis (Friedrich von Hardenberg). Novalis’s novel – inspired by Goethe’s Wilhelm Meister Lehrejahre – is one of the most original early romantic works which prove the importance of the idea of Bildung for German culture at the beginning of the 19th century. In the first part of the text the author discusses the literary image of Bildung presented in the plot of the novel and then indicates its inner contradiction. In the second part of the article the author reconstructs the philosophical roots of this ideal regarding Novalis’s notion of Bildung in light of the thought of German idealism (transcendental philosophy of Immanuel Kant and Johann Gottlieb Fichte in particular) because the theory of romantic progressive poetry (elaborated most fully by Friedrich Schlegel) originates there. The perspective taken in the paper allows the author to reveal the universal significance of the inner contradiction of the romantic idea of forming man’s personality as a sign of the fundamental crisis of the modern ideal of humanity.

Die Rhetorik der Degeneration in der antisemitischen Literatur Das Bild des ,,entarteten“ jüdischen Künstlers

2009 ◽  
Vol 61 (3) ◽  
pp. 257-272
Author(s):  
Gabriella Pelloni
Keyword(s):  
19Th Century ◽  
Jewish Identity ◽  
Heinrich Heine ◽  
German Culture ◽  
Jewish Art

AbstractThis essay analyses the specific rhetoric of degeneration which was observable in the antisemitic polemic discourse of the last decades of 19th century. It provides an overview of the representation of Jewish art und artists as it took shape in the antisemitic literature of the Wilhelminian epoch. The growing emphasis placed by psychiatrists and racial theorists on the pathologies of the ,,Jewish race“, such as hysteria or degeneration, resulted in the tendency to pathologize Jewish art and artists, which were deemed responsible for the alleged decline of German culture. Mere aesthetic categories underwent a process of reduction and ideologization and were finally used for defamatory purposes, as shown in the case of the antisemitic denigration of Heinrich Heine. In order to demonstrate this, the analysis outlines the strict dichotomic logic of these argumentations, as the definition and consolidation of an ideal German essence was usually based on the construction of a degenerated Jewish identity.

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