Les Comices agricoles de Gustave Flaubert. Transcription integrale et genese dans le manuscrit g223

The Many Voices of Lydia Davis shows how translation, rewriting and intertextuality are central to the work of Lydia Davis, a major American writer, translator and essayist. Winner of the Man Booker International Prize 2013, Davis writes innovative short stories that question the boundaries of the genre. She is also an important translator of French writers such as Maurice Blanchot, Michel Leiris, Marcel Proust and Gustave Flaubert. Translation and writing go hand-in-hand in Davis’s work. Through a series of readings of Davis’s major translations and her own writing, this book investigates how Davis’s translations and stories relate to each other, finding that they are inextricably interlinked. It explores how Davis uses translation - either as a compositional tool or a plot device - and other instances of rewriting in her stories, demonstrating that translation is central for understanding her prose. Understanding how Davis’s work complicates divisions between translating and other forms of writing highlights the role of translation in literary production, questioning the received perception that translation is less creative than other forms of writing.

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Las ideologías antagónicas de Homais y Bournisien en Madame Bovary de Gustave Flaubert

Cuadernos de Literatura ◽

10.30972/clt.0123075 ◽

2008 ◽

pp. 59

Author(s):

Milagros Rojo Guiñazú

Keyword(s):

Gustave Flaubert ◽

Madame Bovary

<p>Homais era el predilecto lector que disfruta y cree poderosamente en la escritura de Voltaire y Rousseau, quizás por su cientificismo o tal vez porque él también es uno de los grandes rivales de la iglesia en la novela de Flaubert. Es, sin lugar a dudas, la representación parodiada, ironiz.ada, ridiculizada- del cientificismo volteriano.</p><p> </p>

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From Stonehenge to Samarkand

10.1093/oso/9780195160918.001.0001 ◽

2006 ◽

Author(s):

Brian Fagan

Keyword(s):

Gustave Flaubert ◽

Central Africa ◽

British Museum ◽

Holy Land ◽

Cruise Ship ◽

Modern Times ◽

Ancient Civilization ◽

Machu Picchu ◽

History Of ◽

The Silk Road

Ever since Roman tourists scratched graffiti on the pyramids and temples of Egypt over two thousand years ago, people have traveled far and wide seeking the great wonders of antiquity. In From Stonehenge to Samarkand, noted archaeologist and popular writer Brian Fagan offers an engaging historical account of our enduring love of ancient architecture--the irresistible impulse to visit strange lands in search of lost cities and forgotten monuments. Here is a marvelous history of archaeological tourism, with generous excerpts from the writings of the tourists themselves. Readers will find Herodotus describing the construction of Babylon; Edward Gibbon receiving inspiration for his seminal work while wandering through the ruins of the Forum in Rome; Gustave Flaubert watching the sunrise from atop the Pyramid of Cheops. We visit Easter Island with Pierre Loti, Machu Picchu with Hiram Bingham, Central Africa with David Livingstone. Fagan describes the early antiquarians, consumed with a passionate and omnivorous curiosity, pondering the mysteries of Stonehenge, but he also considers some of the less reputable figures, such as the Earl of Elgin, who sold large parts of the Parthenon to the British Museum. Finally, he discusses the changing nature of archaeological tourism, from the early romantic wanderings of the solitary figure, communing with the departed spirits of Druids or Mayans, to the cruise-ship excursions of modern times, where masses of tourists are hustled through ruins, barely aware of their surroundings. From the Holy Land to the Silk Road, the Yucatán to Angkor Wat, Fagan follows in the footsteps of the great archaeological travelers to retrieve their first written impressions in a book that will delight anyone fascinated with the landmarks of ancient civilization.

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Transnational Precursors of American Realism

The Oxford Handbook of American Literary Realism ◽

10.1093/oxfordhb/9780190642891.013.1 ◽

2019 ◽

pp. 17-39

Author(s):

Renate von Bardeleben

Keyword(s):

Gustave Flaubert ◽

Honore De Balzac ◽

Formative Period ◽

Guy De Maupassant ◽

Narrative Strategies ◽

New Techniques ◽

Fyodor Dostoevsky ◽

Industrial Age ◽

The Social ◽

American Authors

This chapter concentrates on European realist innovators—Björnstjerne Björnson, Ivan Turgenev, Leo Tolstoy, Fyodor Dostoevsky, Honoré de Balzac, Gustave Flaubert, Guy de Maupassant—and their effect on the formative period of American realism. It studies in detail the transatlantic development of new techniques and discusses the ways in which these new methods were reflected in the works of American authors and critics. Inspired by the theories and practice of their precursors, American writers felt liberated to introduce new narrative strategies to represent America’s rising urbanism, the struggles of the social classes, and the increase of social mobility in the industrial age. They also dealt with the emancipated “New Woman” and the changing relationship between the sexes. The guiding principles on which writers on both sides of the Atlantic agreed were truth, sincerity, and frankness.

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6.24 Gustave Flaubert

Handbuch Brief ◽

10.1515/9783110376531-107 ◽

2020 ◽

pp. 1292-1303

Keyword(s):

Gustave Flaubert

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Gustave Flaubert and the Art of Realism

Books Abroad ◽

10.2307/40099124 ◽

1958 ◽

Vol 32 (2) ◽

pp. 192

Author(s):

Floyd Zulli, ◽

Anthony Thorlby

Keyword(s):

Gustave Flaubert

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Elizabeth Bowen and Eudora Welty: Selected Correspondence

Irish University Review ◽

10.3366/iur.2021.0501 ◽

2021 ◽

Vol 51 (1) ◽

pp. 137-161

Author(s):

Allan Hepburn

Keyword(s):

Jane Austen ◽

Gustave Flaubert ◽

Second World War ◽

Contemporary Fiction ◽

Eudora Welty ◽

The Novel ◽

Elizabeth Bowen ◽

World War ◽

Comprehensive Theory ◽

Second World

Over her career, Elizabeth Bowen published ten novels, yet she left no comprehensive theory of the novel. This essay draws especially upon ‘Notes on Writing a Novel’ (1945), ‘The Technique of the Novel’ (1953), and ‘Truth and Fiction’ (1956), as well as opinions that Bowen expressed in her weekly book columns for The Tatler, to formulate her key perceptions of, and rules for, writing a novel. Bowen defined her ideas by drawing upon the empirical evidence of novels by Elizabeth Taylor, Olivia Manning, H.E. Bates, Jane Austen, Gustave Flaubert, and numerous others. She gave particular thought to ‘situation’, by which she means the central problematic or the crux of the story. The situation precedes and fuels plot. The Second World War, Bowen claimed in her essays and reviews, had a decisive influence on heroism and contemporary fiction by heightening its scale and its repertory of situations.

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