The Students at the University of Pennsylvania and the Temple College of Philadelphia, 1873-1906: Some Notes on Schooling, Class and Social Mobility in the Late Nineteenth Century

1979 ◽  
Vol 19 (2) ◽  
pp. 179 ◽  
Author(s):  
Richard Angelo
Iraq ◽  
2016 ◽  
Vol 78 ◽  
pp. 49-77 ◽  
Author(s):  
Stephanie M. Langin-Hooper

This article formally documents an important correction to the provenance attribution of three reclining female figurines from Babylon that reside in the Nippur collection at the University of Pennsylvania Museum and were published with that corpus. Few scholars have noticed the misattribution of these figurines, and the problem has not been formally documented for scholarship. Through historiographical analysis of the late nineteenth century Nippur Expeditions and early twentieth century cataloguing and publication of the Nippur corpus, this article reconstructs how and why these three reclining figurines have been continually misassociated with Nippur, and traces the continued impact of this confusion on scholarship's understanding of the Nippur figurine tradition. Most critically, the publication of these three figurines as Nippur objects lent credence to the testimony of an antiquities dealer who sold an additional eight reclining figurines “from Nippur” to the Harvard Semitic Museum; these figurines continue to be regarded as Nippur objects. This article casts doubt upon that provenance. The figurine tradition of Seleucid-Parthian Nippur is reevaluated in light of the absence of securely-provenanced reclining female figurines at that site. An art historical evaluation of these figurines is undertaken, which links these figurines to the general use of hybrid Greek-Babylonian imagery in Seleucid-Parthian figurines, and connects the specific motif of the reclining figure to Greek banqueting imagery. It is proposed that the Nippur community's lack of interest in reclining female figurines can be correlated with a disinterest in pan-Hellenistic ceramic tablewares; together, these lacunae indicate Nippur's non-participation in negotiated Greek-Babylonian banqueting practices. These differences in cross-cultural interaction between Nippur and the neighboring Babylonian communities have not been fully recognized nor explored, due to scholarship's misunderstanding of the use of reclining female figurines at that site. It is this confusion that this article attempts to resolve.


2012 ◽  
Vol 48 ◽  
pp. 362-373
Author(s):  
Martin Wellings

Writing pseudonymously in the New Age in February 1909, Arnold Bennett, acerbic chronicler of Edwardian chapel culture, deplored the lack of proper bookshops in English provincial towns. A substantial manufacturing community, he claimed, might be served only by a stationers shop, offering ‘Tennyson in gilt. Volumes of the Temple Classics or Everyman. Hymn books, Bibles. The latest cheap Shakespeare. Of new books no example, except the brothers Hocking.’ Bennett’s lament was an unintended compliment to the ubiquity of the novels of Silas and Joseph Hocking, brothers whose literary careers spanned more than half a century, generating almost two hundred novels and innumerable serials and short stories. Silas Hocking (1850–1935), whose first book was published in 1878 and last in 1934, has been described as the most popular novelist of the late nineteenth century. By 1900 his sales already exceeded one million volumes. The career of Joseph Hocking (1860–1937) was slightly shorter, stretching from 1887 to 1936, but his output was equally impressive. The Hockings’ works have attracted interest principally among scholars of Cornish life and culture. It will be argued here, however, that they have significance for the history of late Victorian and Edwardian Nonconformity, both reflecting and reinforcing the attitudes, beliefs and prejudices of their large and appreciative readership.


2012 ◽  
Vol 46 (1) ◽  
pp. 1-21 ◽  
Author(s):  
DON LEGGETT

AbstractThe test tank broadly embodied the late nineteenth-century endeavour to ‘use science’ in industry, but the meaning given to the tank differed depending on the experienced communities that made it part of their experimental and engineering practices. This paper explores the local politics surrounding three tanks: William Froude's test tank located on his private estate in Torquay (1870), the Denny tank in Dumbarton (1884) and the University of Michigan test tank (1903). The similarities and peculiarities of test tank use and interpretation identified in this paper reveal the complexities of naval science and contribute to the shaping of an alternative model of replication. This model places the emphasis on actors at sites of replication that renegotiated the meaning of the original Froude tank, and re-placed the local values and conditions which made it a functional instrument of scientific investigation.All the European [test tank] stations are modelled on the station at Haslar; [yet] each station had its own individuality which I will try to throw into relief, avoiding tedious repetitions or comparisons.1


2020 ◽  
Vol 28 (1) ◽  
pp. 150-173
Author(s):  
Kevin Van Bladel

This article sketches the early history of Islamic civilization from its genesis in the late nineteenth century to its institutionalization in the twentieth. Key moments include its enshrinement in journals and a monumental encyclopedia and the flight of European Semitists to the United States. Its institutionalization in the undergraduate curriculum at the University of Chicago in 1956 created a successful model for the subsequent dissemination of Islamic civilization. Working in a committee on general education (the core curriculum) in the social sciences at the University of Chicago, Marshall Hodgson inaugurated Islamic civilization as a subject of university study that was not just for specialists but available to American college students as fulfilling a basic requirement in a liberal arts education. Many other universities followed this practice. Since then, Islamic civilization has come to be shared by the educated public. Today it is an internationally accepted and wellfunded entity that confers contested social power but still lacks analytical power. 


2004 ◽  
Vol 44 (4) ◽  
pp. 487-523 ◽  
Author(s):  
Jana Nidiffer ◽  
Timothy Reese Cain

If he may not be called the Father of the University of Illinois, he was at least its elder brother, intimately acquainted with its aims, character, and history, the depository of traditions, the friend, counselor, guide, and trusted confident of its successive presidents and of its trustees… long may he live in these halls and on this campus, in memory, in spirit, in example, and in gratitude and honor of all good men.-Stephen A. Forbes, 1916


2007 ◽  
Vol 40 (3) ◽  
pp. 413-437 ◽  
Author(s):  
HELEN BLACKMAN

AbstractThe Cambridge school of animal morphology dominated British zoology in the late nineteenth century. Historians have argued that they were very successful until the death of their leader F. M. Balfour in 1882, when the school all but died with him. This paper argues that their initial success came about because their work fitted well with the university in the 1870s and 1880s. They attempted to trace evolutionary trees by studying individual development. To do this they needed access to species they considered primitive. Balfour made use of his social networks to aid the school and to collect the specimens they needed for their work. The school has been portrayed as failing in the 1890s when students rejected dry laboratory-bound studies. However, a new generation of researchers who followed Balfour had to travel extensively if they were to obtain the organisms they needed. International travel was popular amongst zoologists and the Cambridge school developed their own extensive networks. A new breed of adventurer–zoologists arose, but because of the school's tenuous position within the university they were unable to equal Balfour's success.


2017 ◽  
Vol 15 (2) ◽  
pp. 13
Author(s):  
Bridgid Mangan

These are the words of a young C. S. Lewis, who was deeply impressed by the “tender, flickering light of imagination”2 conveyed in the watercolor images by Rackham, the late nineteenth-century artist. Upon entering the Baldwin Library of Historical Children’s Literature at the University of Florida, I felt the same anticipation and excitement. There was a shelf of first-edition books, some signed by Rackham himself, awaiting my perusal. As a recipient of the 2016 Louise Seaman Bechtel Fellowship, I had been awarded an exceptional opportunity to explore the works of one of the most admired and influential illustrators of all time.


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