Gregory King and the Social Structure of pre-industrial England

1977 ◽  
Vol 27 ◽  
pp. 41-68 ◽  
Author(s):  
G. S. Holmes

Despite the rich and exciting work of recent years, the social history of England between the Restoration and the Industrial Revolution still bears something of a hangdog look, scarcely war-ranting, as yet, the cosmic conclusions and ferocious controversies to which students of early Stuart and early nineteenth-century society have grown accustomed. Yet, thanks to the work of one remarkable Englishman, who was born in 1648 and died in 1712, there is one aspect of this pre-industrial period—its social structure—on which we are all happy to pontificate. Gregory King's table of ranks and degrees, on which in the last resort so much of this confidence rests, has now acquired a unique cachet. The continual reproduction in post-war textbooks of this famous document, which we think of as King's ‘social table’ but which he described as his ‘Scheme of the Income and Expense of the Several Famillies of England’, is just the most obvious symptom of its dominant historiographical influence.

1989 ◽  
Vol 28 (1) ◽  
pp. 23-42 ◽  
Author(s):  
J. A. Jaffe

The role of evangelical religion in the social history of the English working class has been an area of both bewildering theories and un-founded generalizations. The problem, of course, was given a degree of notoriety by Elie Halévy who, according to the received interpretation, claimed that the revolutionary fervor characteristic of the Continental working class in the first half of the nineteenth century was drained from its British counterpart because of the latter's acceptance of Evangelicalism, namely, Methodism.It was revived most notably by E. P. Thompson, who accepted the counterrevolutionary effect of Methodism but claimed that the evangelical message was really an agent of capitalist domination acting to subordinate the industrial working class to the dominion of factory time and work discipline. Furthermore, Thompson argued, the English working class only accepted Methodism reluctantly and in the aftermath of actual political defeats that marked their social and economic subordination to capital. This view has gained a wide acceptance among many of the most prominent labor historians, including E. J. Hobsbawm and George Rudé who believe that Evangelicalism was the working-class's “chiliasm of despair” that “offered the one-time labour militant … compensation for temporal defeats.”There could hardly be a starker contrast between the interpretation of these labor historians and the views of those who have examined the social and political history of religion in early industrial Britain. Among the most important of these, W. R. Ward has claimed that Methodism was popular among the laboring classes of the early nineteenth century precisely because it complemented political radicalism.


Author(s):  
Gavin Schaffer

This chapter interrogates the relationship between television comedy, power and racial politics in post-war Britain. In a period where Black and Asian Britons were forced to negotiate racism as a day-to-day reality, the essay questions the role played by television comedy in reflecting and shaping British multicultural society. Specifically, this chapter probes Black and Asian agency in comedy production, questioning who the joke makers were and what impact this had on the development of comedy and its reception. The work of scholars of Black and Asian comedy television such as Sarita Malik, and of Black stand-up comedy such as Stephen Small, has helped us to understand that Black- and Asian-led British comedy emerged belatedly in the 1980s and 1990s, hindered by the historical underrepresentation of these communities in British cultural production and the disinclination of British cultural leaders to address this problem. This chapter uses these scholarly frames of reference, alongside research that addresses the social and political functions of comedy, to re-open the social history of Black British communities in post-war Britain through the story of sitcom.


Author(s):  
Michelle McCann

This chapter examines the function, status and qualifications of the men that served in the role of county coroner in Ireland in the first half of the nineteenth century. This remains an under-researched area when compared to other local government figures of authority. The history of the office exposes tensions within a politically polarised society and the need for changes in legislation. A combination of factors initially undermined the social standing and reputation of coroners. An examination of the legislation on coroners that the administration subsequently introduced suggests that the authority of the office in early-nineteenth-century Ireland was not strictly jurisprudential, but political and confessional by nature. By analysing the personal background, work experience, social standing, political alliances and religious patronage of coroner William Charles Waddell (1798-1878), the paper charts the wider social and political narrative that allowed this eminently respectable Presbyterian figure to secure the role of coroner of County Monaghan.


2019 ◽  
Vol 50 ◽  
pp. 94-152
Author(s):  
Simon D. I. Fleming

One of the most important and valuable resources available to researchers of eighteenth-century social history are the lists of subscribers that were attached to a wide variety of publications. Yet, the study of this type of resource remains one of the areas most neglected by academics. These lists shed considerable light on the nature of those who subscribed to music, including their social status, place of employment, residence, and musical interests. They naturally also provide details as to the gender of individual subscribers.As expected, subscribers to most musical publications were male, but the situation changed considerably as the century progressed, with more females subscribing to the latest works by the early nineteenth century. There was also a marked difference in the proportion of male and female subscribers between works issued in the capital cities of London and Edinburgh and those written for different genres. Female subscribers also appear on lists to works that they would not ordinarily be permitted to play. Ultimately, a broad analysis of a large number of subscription lists not only provides a greater insight into the social and economic changes that took place in Britain over the course of the eighteenth century, but also reveals the types of music that were favoured by the members of each gender.


1992 ◽  
Vol 16 (4) ◽  
pp. 591-630 ◽  
Author(s):  
Margaret R. Somers

The nineteenth-century English working class bears a most peculiar burden and embodies a most peculiar paradox. Like Auden’s academic warriors who spar with “smiles and Christian names,” historians, economists, and sociologists have pushed and prodded early nineteenth-century English working people into procrustean political positions to support or disconfirm Marx’s predictions of revolutionary class conflict erupting from the contradictions of capitalism. A Manichaean concern locks the debate into an impasse. Were early nineteenth-century workers revolutionary or reformist? Was there a class struggle in the industrial revolution? The questions remain unresolved. Yet, surely it is the history of English working peoples that has suffered from this burden of praising or burying Marxism through competing interpretations of their early stories?


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