Arbitration and the Law in England in the Late Middle Ages (The Alexander Prize Essay)

1983 ◽  
Vol 33 ◽  
pp. 49-67 ◽  
Author(s):  
Edward Powell
Keyword(s):  
Middle Ages ◽  
The Other ◽  
Public Order ◽  
Medieval Period ◽  
Late Medieval ◽  
Secondary Literature ◽  
Late Medieval Period ◽  
Late Middle Ages ◽  
The Subject ◽  
Prize Essay

The central problem facing the student of public order in England in the late middle ages is to reconcile two conflicting lines of research. On one hand the institutional historians, through their studies of the central courts at Westminister, the provincial circuits of assize and gaol delivery and the justices of the peace and coroners in the counties, have proved beyond doubt the sophistication of the late-medieval legal system. On the other hand the historians of crime have shown equally clearly that the courts were often incapable of keeping the peace or of doing justice. Indeed the late-medieval period has long been notorious as one of widespread uncontained disorder. Reviewing the secondary literature on the subject Professor Bellamy concluded: ‘Not one investigator has been able to indicate even a few years of effective policing in the period 1290–1485.’

scholarly journals Reigning as partners? Alfonso VIII of Castile and Leonor Plantagenet

De Medio Aevo ◽  
2020 ◽  
Vol 14 ◽  
pp. 5-16
Author(s):  
José Manuel Cerda Costabal
Keyword(s):  
Middle Ages ◽  
Twelfth Century ◽  
Interesting Case ◽  
Medieval Period ◽  
Late Medieval ◽  
Her Family ◽  
Late Medieval Period ◽  
The Middle Ages ◽  
Power And Authority

The marriage of Alfonso VIII of Castile and Leonor Plantagenet was not only the first political alliance between a Spanish kingdom and England in the Middle Ages, but it is also a very interesting case of study for the collaborative and corporate nature of twelfth-century royal rulership in Europe. Queen Leonor was described in the sources as a very capable and virtuous ruler and the study of her reign as consort reveals that she exercised queenship as an active political companion and partner in rule to her husband, thus contributing significantly to one of medieval Spain’s most successful reigns and perhaps setting a model for queens in the late medieval period.  Una cum uxore sua, the king did not simply exercise his power and authority in the passive company of Leonor, but with her consort reigned over the kingdom as one body, thus making the most of her family prestige and networks, and fully availing her capacity and virtues for Castile’s political, dynastic and cultural prospects. 

Religieuze literatuur tussen het Middelnederlands en het Frans

2020 ◽  
Vol 136 (3) ◽  
pp. 99-129
Author(s):  
Anna Dlabačová ◽  
Margriet Hoogvliet
Keyword(s):  
The Other ◽  
Medieval Period ◽  
Religious Literature ◽  
Low Countries ◽  
Late Medieval ◽  
Late Medieval Period ◽  
Recent Scholarship ◽  
Devotional Texts

Abstract Making use of ideas and concepts from Barbara Cassin’s philosophy of translations and of l’histoire croisée, this essay explores the shared cultures of religious reading between the Dutch and French languages in the late medieval period. While religious literature disseminated in both Dutch and German has received a fair amount of attention in recent scholarship, religious and devotional texts that were available to readers in both Dutch and French have remained understudied. By providing an overview of the most important religious literature that was translated from French into Dutch and the other way around, and of texts originally composed in Latin in the Low Countries and translated into both vernacular languages, we argue that textual mobility between the two languages was frequent and reciprocal. Casestudies of two texts – Pierre Michault’s La Danse aux aveugles and Gerrit van der Goude’s Boexken vander Missen – further indicate that changes – or the lack thereof – in texts that moved between the two languages point to shared cultures of religious reading on equal terms.

Virtual Segments: The Hexachordal System in the Late Middle Ages

2006 ◽  
Vol 23 (3) ◽  
pp. 426-467 ◽  
Author(s):  
STEFANO MENGOZZI
Keyword(s):  
Middle Ages ◽  
Music Theory ◽  
The Other ◽  
Sight Singing ◽  
Late Medieval ◽  
15Th Century ◽  
Late Middle Ages ◽  
Medieval Music ◽  
Basic Distinction ◽  
Medieval Music Theory

ABSTRACT Music-theoretical writings from the 13th to the 15th centuries maintained a basic distinction between two types of major sixth, customarily labeled hexachordum and deductio (or proprietas). The term hexachordum, more frequently called tonus (or semitonus) cum diapente, designated the interval of a major of minor sixth, frequently expressed by pitch letters only (such as G-e and A-F) and discussed independently of Guidonian solmization. On the other hand, proprietas and deductio indicated a ““virtual segment”” (the set of six syllables ut-la) that could be employed for the purpose of sight singing. Neither set challenged the conceptual primacy of the seven claves, expressed by the letters A-G. Hexachordum was routinely described as a portion of the octave, and the late-medieval notion of proprietas still reflected the principle of octave duplication, which had regulated musical practice since pre-Guidonian times. The ““two-tier”” model of diatonic space encountered in medieval music theory, based on the superimposition of Guido's six syllables onto the seven pitch letters, came to an end in the late 15th century, when authors such as Ramos de Pareja and Franchino Gafori began describing the Guidonian deductio——which they called hexachordum——as the primary mode of organization of the gamut that had superseded the Greek tetrachordum.

‘No Milkless Cow’: The Cross of Christ in Medieval Irish Literature

2012 ◽  
Vol 48 ◽  
pp. 83-106
Author(s):  
Salvador Ryan
Keyword(s):  
Middle Ages ◽  
Christian Theology ◽  
Theology Of The Cross ◽  
Irish Literature ◽  
Medieval Period ◽  
Late Medieval ◽  
Late Medieval Period ◽  
Religious Verse ◽  
Cross Of Christ ◽  
The Cross

The cross of Christ in the Middle Ages was the most powerful symbol of God’s victory over sin, death and the forces of evil, while also representing the most abject suffering and degradation of Jesus Christ, the God-Man. A simplistic reading of the evolution of the theology of the cross during this period posits a transition from the early medieval victorious and heroic Christ figure, reigning and triumphant upon the cross, to a late medieval emaciated and tortured object of pity whose ignominious death was supposed to elicit heartfelt compassion for his plight and sincere sorrow for the sin which placed him on the beams of the tree of crucifixion. Of course, there is a great deal of value in this argument, and much evidence might be brought forward to support its central thesis. However, it should not be pushed too far; it might also be remembered that the essential paradox of Christ the victor-victim is a constant theme in Christian theology, expressed in the sixth-century Vexilla regis in its identification of the cross as ‘victim of the passion’s glory, by which life brought death to an end, and, by death, gave life again’ and in the hymn Victimae paschali laudes from the central medieval period: ‘Death with life contended, combat strangely ended, life’s own champion slain yet lives to reign’. The image of the victorious cross of Christ, conceived of as simultaneously an instrument of triumph and of torture, would persist right through the late medieval period, despite the development of a greater emphasis on the physical sufferings of Christ in his passion and their ever more graphic depictions. This essay, which examines the way in which the cross of Christ is presented in medieval Irish literature, provides sufficient examples to make this point clear; these are drawn from a variety of sources including religious verse, saints’ lives, medieval travel accounts and sermon material. Of course, these examples are best viewed within the context of a broader medieval European devotional culture from which Ireland was certainly not immune.

The Discovery of an Early Bearing-Dial

1953 ◽  
Vol 6 (3) ◽  
pp. 294-296 ◽  
Author(s):  
Carl V. Sølver
Keyword(s):  
Fourteenth Century ◽  
Thirteenth Century ◽  
The Sun ◽  
Medieval Period ◽  
Late Medieval ◽  
The North ◽  
Late Medieval Period ◽  
The Subject ◽  
Formed Part ◽  
North Western

It has hitherto been generally presumed that the division of the horizon into thirty-two points was a development of the late medieval period. Such a division, it has been said, was impossible in the pre-compass era. ‘It is questionable whether even so many as sixteen directions could have been picked out and followed at sea so long as Sun and star, however intimately known, were the only guides’, one eminent authority has declared; ‘Even the sailors in the north-western waters had only four names until a comparatively late date.’ Chaucer's reference in his Treatise on the Astrolabe to the thirty-two ‘partiez’ of the ‘orisonte’ has for long been quoted as the earliest evidence on the subject. The Konungs Skuggsjà, a thirteenth-century Norwegian work, however, refers to the Sun revolving through eight œttir; and the fourteenthcentury Icelandic Rímbegla talks of sixteen points or directions. An important discovery by the distinguished Danish archaeologist, Dr. C. L. Vebæk, in the summer of 1951, brings a new light to the whole problem and makes the earlier held view scarcely tenable. Vebæk was then working on the site of the Benedictine nunnery (mentioned by Îvar Bárdarson in the mid-fourteenth century) which stands on the site of a still older Norse homestead on the Siglufjörd, in southern Greenland. Buried in a heap of rubbish under the floor in one of the living-rooms, together with a number of broken tools of wood and iron (some of them with the owner's name inscribed on them in runes) was a remarkable fragment of carved oak which evidently once formed part of a bearingdial. This was a damaged oaken disk which, according to the archaeologists, dates back to about the year 1200.

scholarly journals Pilegrimsspor fra Tynset: En detektorfunnet blymedaljong med kristne motiver

Viking ◽  
2021 ◽  
Vol 85 (1) ◽  
Author(s):  
Margrete Figenschou Simonsen ◽  
Karoline Kjesrud
Keyword(s):  
Shape Function ◽  
The Other ◽  
Old Norse ◽  
Medieval Period ◽  
Late Medieval ◽  
Late Medieval Period ◽  
Medieval Church ◽  
Holy Places

In 2016, a metal detectorist found a circular lead medallion with iconography on both sides in Tynset in the Østerdalen valley. This article studies the medallion’s shape, function and symbolical content. The object is interpreted as a pendant comparable with pilgrim badges from the late medieval period. The motifs are identified as Christian, representing the apocalyptical Mary with Christ on one side, and a passion and resurrection scene on the other. In this article, the medallion is compared to Norwegian and other European pilgrim badges and amulets with the same motifs, suggesting its origin most likely to be Aachen in Germany. Aachen was one of the most visited holy places for pilgrimage in Europe. The motifs can be connected to the Marian cathedral in Aachen, at the same time as expressing religious content regularly transmitted in the late medieval church. By comparing the motifs with Old Norse texts and images, the article demonstrates how the amulet’s religious messages potentially could influence the bearer – possibly a Norwegian pilgrim.  

De Gouden Eeuw van de Bourgondisch-Habsburgse Nederlanden

Queeste ◽  
2020 ◽  
Vol 27 (1) ◽  
pp. 63-70
Author(s):  
Ann Kelders
Keyword(s):  
Middle Ages ◽  
Urban Culture ◽  
Historical Context ◽  
Book Production ◽  
Low Countries ◽  
Late Medieval ◽  
Content Type ◽  
Late Middle Ages ◽  
The Subject ◽  
Panel Paintings

Abstract The Royal Library of Belgium (kbr) has opened a new permanent museum showcasing the historical core of its collections: the luxurious manuscript library of the dukes of Burgundy. Centred around a late medieval chapel that is part of kbr’s present-day building, the museum introduces visitors to medieval book production, the historical context of the late medieval Low Countries, and the subject matter of the ducal library. The breadth of the dukes’ (and their wives’!) interests is reflected in the manuscripts that have come down to us, ranging from liturgical books over philosophical treatises to courtly literature. The Museum places late medieval book production squarely in its historical and artistic context. Visitors are not only introduced to the urban culture that provided a fruitful meeting place between artists, craftsmen, and patrons, but also to the broader artistic culture of the late Middle Ages. By presenting the manuscripts in dialogue with other forms of art such as panel paintings and sculpture, the exhibition stresses that artists at times moved between various media (e.g. illumination and painting) and were influenced by iconography in other forms of art.

Dubius in fide fidelis est? Doubt and Assurance in Late Medieval Catholicism

2016 ◽  
Vol 52 ◽  
pp. 186-202
Author(s):  
Robert N. Swanson
Keyword(s):  
Middle Ages ◽  
Twelfth Century ◽  
Canon Law ◽  
The Other ◽  
Positive Role ◽  
Late Medieval ◽  
Late Middle Ages ◽  
Definitive Statement ◽  
The Church

The canon law dictum that ‘dubius in fide infidelis est’ offers a seemingly definitive statement on the place of doubt and uncertainty in medieval Catholicism. Yet where Catholic teaching was open to question, doubt was inseparable from faith, not merely as its obverse but as part of the process of achieving faithfulness – the trajectory outlined by Abelard in the twelfth century. The challenge for the Church was not that doubters lacked faith, but that having tested their doubts they might end up with the wrong faith: doubt preceded assurance, one way or the other. That problem is addressed in this essay by a broad examination of the ties between faith and doubt across the late Middle Ages (from the twelfth to the sixteenth centuries), arguing that uncertainty and doubt were almost unavoidable in medieval Catholicism. As the starting points in a process which could lead to heresy and despair, they also had a positive role in developing and securing orthodox faith.

Writing the History of Merovingian Gaul

2020 ◽  
pp. 51-76
Author(s):  
Agnès Graceffa
Keyword(s):  
Seventeenth Century ◽  
Middle Ages ◽  
Western Europe ◽  
Medieval Period ◽  
Late Medieval ◽  
Late Medieval Period ◽  
History Of ◽  
Nineteenth And Twentieth Centuries ◽  
Political Realities

The Merovingian period has long been contested ground on which a variety of ideologies and approaches have been marshaled to debate the significance of the “end” of antiquity and the start of the Middle Ages. Particularly important to these discussions has been the role of this period in shaping national identity across western Europe; interpretations of the Merovingians have varied as political realities have changed in Europe, going back, in some cases, as far as the late medieval period. This chapter focuses mainly on the nineteenth and twentieth centuries, but offers examples as early as the seventeenth century as to how the Merovingian period has been harnessed for a large number of purposes and how these sometimes polemical interpretations have encouraged or stymied our understanding of this period.

Pastoral Power and Algorithmic Governmentality

2019 ◽  
Vol 37 (1) ◽  
pp. 29-52 ◽  
Author(s):  
Rosalind Cooper
Keyword(s):  
Middle Ages ◽  
Late Antiquity ◽  
The Other ◽  
Late Medieval ◽  
Late Middle Ages ◽  
Pastoral Power ◽  
Christian Thought ◽  
The One

This paper contributes to inquiries into the genealogy of governmentality and the nature of secularization by arguing that pastoralism continues to operate in the algorithmic register. Drawing on Agamben’s notion of signature, I elucidate a pair of historically distant yet archaeologically proximate affinities: the first between the pastorate and algorithmic control, and the second between the absconded God of late medieval nominalism and the authority of algorithms in the cybernetic age. I support my hypothesis by attending to the signaturial kinships between, on the one hand, temporality and authority in our contemporary conjuncture, and, on the other, obedience and submission in Christian thought from late antiquity and the late Middle Ages. I thereby illustrate the hidden genealogical continuities between theological-pastoral technologies of power and technocratic-algorithmic modalities of governance. I conclude by suggesting that medieval counter-conducts may be redeployed in our present circumstances for emancipatory ends.

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