The Commons' Journals of the Tudor Period

1920 ◽  
Vol 3 ◽  
pp. 136-170 ◽  
Author(s):  
J. E. Neale

In 1914 Professor Pollard read a paper before the Royal Historical Society on “The Authenticity of the Lords' Journals in the Sixteenth Century,”1 in the course of which, by revealing how inadequate a presentation of the manuscript originals was contained in the printed journals, he showed that the original journals might be a valuable field for historical gleanings. In addition to Professor Pollard, Professor. Maitland and Mr. L. O. Pike also examined the manuscript of an Elizabethan Lords' journal;2 but in 1916 two American scholars, Professors Notestein and Usher, turned to the Commons' journals of the early seventeenth century, and in advocating a critical survey of the manuscript originals, challenged the conventional view of their authenticity which an uncritical edition of them has easily created.3 The fact is, of course, that even an accurate edition of a document—and a fortiori an inaccurate one—may destroy valuable historical evidence if it convey no clear idea of the appearance of the original manuscript. It is one thing to visualise a large folio sheet of print: a materially

1969 ◽  
Vol 10 (3) ◽  
pp. 375-391 ◽  
Author(s):  
Neville Chittick

This article, based on a critical examination of the Pate Chronicle in the light of archaeological and external historical evidence bearing on the subject, presents a case for a revision of the early history of the town. It maintains that Pate was the latest of the settlements to rise to importance in the region, being of little importance before the sixteenth century, and preceded by other city-statés, the earliest of which was Manda. The origins of Pate do not go back before the fourteenth century; the first dynasty there, the Batawi, was ruling up to around the seventeenth century, after which the Nabahani took over the sultanate.


1998 ◽  
Vol 2 (2) ◽  
pp. 158-179 ◽  
Author(s):  
John W Cairns

This article, in earlier versions presented as a paper to the Edinburgh Roman Law Group on 10 December 1993 and to the joint meeting of the London Roman Law Group and London Legal History Seminar on 7 February 1997, addresses the puzzle of the end of law teaching in the Scottish universities at the start of the seventeenth century at the very time when there was strong pressure for the advocates of the Scots bar to have an academic education in Civil Law. It demonstrates that the answer is to be found in the life of William Welwood, the last Professor of Law in St Andrews, while making some general points about bloodfeud in Scotland, the legal culture of the sixteenth century, and the implications of this for Scottish legal history. It is in two parts, the second of which will appear in the next issue of the Edinburgh Law Review.


Author(s):  
Daniel R. Melamed

If there is a fundamental musical subject of Johann Sebastian Bach’s Mass in B Minor, a compositional problem the work explores, it is the tension between two styles cultivated in church music of Bach’s time. One style was modern and drew on up-to-date music such as the instrumental concerto and the opera aria. The other was old-fashioned and fundamentally vocal, borrowing and adapting the style of Giovanni Pierluigi da Palestrina, his sixteenth-century contemporaries, and his seventeenth-century imitators. The movements that make up Bach’s Mass can be read as exploring the entire spectrum of possibilities offered by these two styles (the modern and the antique), ranging from movements purely in one or the other to a dazzling variety of ways of combining the two. The work illustrates a fundamental opposition in early-eighteenth-century sacred music that Bach confronts and explores in the Mass.


Author(s):  
Bridget Heal

Chapter 5 focuses on one particular type of Lutheran devotional image: the crucifix. It examines transformations in Lutheran Passion piety from the early Reformation to the era of Paul Gerhardt (1607–76), using this to illustrate the increasing significance accorded to images. Luther himself had condemned the excesses of late-medieval Passion piety, with its emphasis on compassion for Christ and the Virgin Mary, on physical pain and on tears. From the later sixteenth century onwards, however, Lutheran sermons, devotional literature, prayers and poetry described Christ’s suffering in increasingly graphic terms. Alongside this, late-medieval images of the Passion were restored and new images were produced. Drawing on case studies from the Erzgebirge, a prosperous mining region in southern Saxony, and Upper Lusatia, the chapter investigates the ways in which images of the Passion were used in Lutheran communities during the seventeenth century.


Author(s):  
Scott C. Levi

While it may seem counterintuitive, the increase in Mughal India’s maritime trade contributed to a tightening of overland commercial connections with its Asian neighbors. The primary agents in this process were “Multanis,” members of any number of heavily capitalized, caste-based family firms centered in the northwest Indian region of Multan. The Multani firms had earlier developed an integrated commercial system that extended across the Punjab, Sind, and much of northern India. In the middle of the sixteenth century, Multanis first appear in historical sources as having established their own communities in Central Asia and Iran. By the middle of the seventeenth century, at any given point in time, a rotating population of some 35,000 Indian merchants orchestrated a network of communities that extended across dozens, if not hundreds, of cities and villages in Afghanistan, Central Asia, and Iran, stretching up the Caucasus and into Russia.


Author(s):  
Jonathan Hehn

This chapter outlines the history of Presbyterian worship practice from the sixteenth century to the present, with a focus on North American Presbyterians. Tracing both their hymnody and their liturgy ultimately to John Calvin, Presbyterian communions have a distinct heritage of worship inherited from the Church of Scotland via seventeenth-century Puritans. Long marked by metrical psalmody and guided by the Westminster Directory, Presbyterian worship underwent substantial changes in the nineteenth century. Evangelical and liturgical movements led Presbyterians away from a Puritan visual aesthetic, into the use of nonscriptural hymnody, and toward a recovery of liturgical books. Mainline North American and Scottish Presbyterians solidified these trends in the twentieth and twenty-first centuries; however, conservative North American denominations and some other denominations globally continue to rely heavily on the use of a worship directory and metrical psalmody.


Author(s):  
Kate van Orden

This article studies Josquin des Prez, a musical genius who refused to compose on request and was an individualist who represented the new spirit of humanism. It notes the lack of information sources or print for studies on Josquin. This makes him a good example of how musicologists who carry out research on the sixteenth century are often forced to go to the extremes in order to recover even the tiniest shreds of historical evidence. Nevertheless, this article focuses on information gathered by several researchers about Josquin, including his importance in Renaissance studies.


1973 ◽  
Vol 12 (2) ◽  
pp. 41-68 ◽  
Author(s):  
Hillel Schwartz

“Oh, Mr. Pym, this breaks the heart,” lamented Sir Richard Grosvenor in the House of Commons in 1629; “if God be God, let us follow him, and if Baal be God, let us follow him, and no longer halt between two opinions.” The Baalites, it was clear to the Commons, were the Arminians, who threatened “the very ruin and desolation if not dissolution of Religion in this land.” Such was the threat of Arminianism that when the Commons presented its Protestations on March 2, the first article read,Whosoever shall bring in innovation in Religion, or by favour or countenance, seek to extend or introduce Popery or Arminianism or other opinions disagreeing from the true and orthodox Church, shall be reputed a capital enemy to this Kingdom and Commonwealth.This was no ordinary condemnation of schism or theological haggling. The members of the Commons shared a strong suspicion of Arminianism as a political as well as religious heresy. They had a clear idea of what English Arminianism was and who was an Arminian. Before 1624, no Englishman had even been accused of Arminianism, either in Parliament or in contemporary literature devoted to religious controversies. How did the definition of English Arminianism develop between 1624 and 1629? How did Arminianism, originally a moderate Dutch Calvinism, come to be considered along with Popery as a treasonable theology?At the turn of the seventeeth century, Jacobus Arminius, Divinity Reader at the University of Leyden, had proposed a theological compromise between Supralapsarian and Infralapsarian Protestantism.


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