How Tolstoevskii Pleased Readers and Rewrote a Russian Myth

Jeffrey Brooks argues that Fedor Dostoevskii and Lev Tolstoi drew on and recast a particularly Russian mythology of doomed rebellion in order to explore issues of free will, self-fulfillment, and redemption. The literary giants employed narrative structures similar to popular formulas. They imagined their work and even their lives in terms of an opposition between freedom and order, echoing themes of Aleksandr Pushkin and Nikolai Gogol'. By linking Tolstoi and Dostoevskii to mythologies of banditry, Brooks illuminates the interaction between high and low cultures. He locates their work in the context of social and cultural transformations of the liberal postreform era, showing how readers' expectations changed in a fluid society. Readers increasingly wanted freedom to triumph over the myth's earlier doom, but censors remained vigilant. He shows how Tolstoi and Dostoevskii satisfied both censors and readers by framing tales of adventure and romance with moralistic beginnings and endings conforming to the format of the long serial novel. The formulaic sandwich that frustrated the censors was used with similar effect by N. I. Pastukhov, author of Russia's first modern popular novel, The Bandit Churkin, which was serialized in Moskovskii listok in the early 1880s. Brooks affirms the mastery of Tolstoi and Dostoevskii that transcends time and place, but shows the roots of their work in Russian preoccupations with freedom and order.