Late Bronze Age Writing-Boards and their Uses: textual evidence from Anatolia and Syria

1991 ◽  
Vol 41 ◽  
pp. 111-123 ◽  
Author(s):  
Dorit Symington

It has been known from textual sources for some time that besides clay tablets, the traditional writing material in the Ancient Near East, wooden writing-boards were also used by the scribes.M. San Nicolò first drew attention to the fact that writing-boards were widely employed in temple and palace administration in Mesopotamia in the first millennium B.C. and the textual evidence gathered by him was soon to be confirmed archaeologically by the discovery of several such writing-boards at Nimrud. Equally, the existence of wooden writing material in Hittite context has long been established, but no example has ever been found. It is generally thought that private and economic records which are almost totally lacking in the archives at Boǧazköy must have been written on perishable material.The elusive nature of wooden writing-boards manifests itself not only archaeologically by the unlikelihood of their survival but also by the fact that, as a rule, they deserved little mention in the cuneiform texts. Consequently, the quantity of wooden writing material that may have been in use and did not survive is impossible to gauge. Similarly, it would be unwarranted to deduce that centres whose archives have not contributed to the subject, were unfamiliar with writing on wood.

2009 ◽  
Vol 52 (3) ◽  
pp. 363-381 ◽  
Author(s):  
Emanuel Pfoh

AbstractFollowing the discussion presented in an article by R. Westbrook on patronage in the ancient Near East (JESHO 48/2, 2005), the aim of this paper is to continue with the discussion as well as to address some of the views on the topic regarding Syria-Palestine during the Late Bronze Age, using examples from the Amarna letters and Hittite treaties. Some of the critical questions that should be addressed in further discussions on the subject are related to the socio-political nature of patronage and its relationship to kinship ties in society, and why and how patronage relationships are established in society. Après l'étude du R. Westbrook sur l'évidence du patronage dans le Proche-Orient ancien, publié dans ce journal (JESHO 48/2, 2005), on veut continuer avec la discussion du thème mais donner aussi quelques révisions pour la Syrie-Palestine du l'âge du Bronce Récent à partir de exemples dans les lettres d'Amarna et les traités hittites. Questions fondamentales qu'on doit traiter sont: la nature socio-politique du patronage et son rapport avec la parenté dans la société; et pourquoi et comment les liens de patronage sont établis dans la société.


1964 ◽  
Vol 59 ◽  
pp. 1-15 ◽  
Author(s):  
J. T. Killen

In this paper the writer examines the largest group of Linear B tablets from Knossos, the great archive of records dealing with sheep. The results of this inquiry provide, it is suggested, a plausible solution to a long-standing problem, the source of the wealth of Knossos in the Late Bronze Age.The account of the great archive of sheep records from Knossos (Series D) which Ventris and Chadwick present in Documents in Mycenaean Greek remains the most influential treatment of this series taken as a whole, and must provide the starting-point for any further discussion of the texts which it contains. In the course of their account, V.C. consider what the purpose of these records is likely to have been, and rightly reject suggestions that the sheep listed on them are, for instance, hecatombs of sacrificial animals, or merely tokens of exchange, as sheep sometimes were in the ancient Near East.


Author(s):  
Eric Gubel

Rooted in Late Bronze Age Levantine traditions, Phoenician art emerges in the early first millennium bce, spiced with new elements adopted and adapted from contemporary Egyptian models, while also permeable to influence from artistic trends popular with neighboring cultures and overseas recipients of Phoenician luxurious exports. During its acme between the late ninth and early seventh centuries bce, the art shared a common repertoire of motifs among sculptors, metalsmiths, ivory carvers, and seal cutters in a predominantly Egyptianizing style. Mass-produced terracotta plaques, figurines, and the minor arts displayed a more diversified array of autochthonous characteristics. In line with the evolution of sculpture, the Cypriot component was definitely replaced by Greek idioms from the later sixth century bce onward. If Punic art cannot possibly be defined as a mere perpetuation of the Phoenician production, and was impacted by more complex patterns of cultural interaction (e.g. North Africa, Iberia), the latter’s heritage is undeniable in many artistic media.


Author(s):  
Gábor Sulyok

AbstractThe history of the breach of treaties can be traced back to the ancient Near East. The relative abundance and diversity of contemporary sources attest that the breaking of treaty obligations must have been a rather persistent problem, and that such occurrences were regarded as events of utmost importance throughout the Bronze and Iron Ages. The present study strives to demonstrate how peoples of old may have perceived and reacted to the breach of treaties on the basis of selected writings—the Legend of Etana, the Indictment of Madduwatta, the Indictment of Mita, the plague prayers of Mursili and the Old Testament—that provide, beyond the exposition of actual or alleged facts, a deeper insight into the psychological and procedural aspects of the subject.


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