Christianity and Communism Today

Ralph Lord Roy; John C. Bennett

doi:10.2307/3510829

Christianity and Communism Today

Review of Religious Research ◽

10.2307/3510829 ◽

1960 ◽

Vol 2 (2) ◽

pp. 89

Author(s):

Ralph Lord Roy ◽

John C. Bennett

Keyword(s):

Communism Today

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The What-Has-Been and the Now of a Communist Past in Malaya in the Films of Amir Muhammad

positions asia critique ◽

10.1215/10679847-8722769 ◽

2021 ◽

Vol 29 (1) ◽

pp. 47-65

Author(s):

Carlo Bonura

Keyword(s):

Small Group ◽

Lived Experience ◽

British Empire ◽

Village People ◽

Communist Past ◽

The Aesthetic ◽

Malayan Emergency ◽

The Village ◽

Communism Today ◽

Aesthetic Forms

This article considers two films by the Malaysian filmmaker Amir Muhammad, The Last Communist of 2006 and the Village People Radio Show of 2007. Both films are focused on the Malayan Emergency and the lives of a small group of Malayan communists. Through an engagement with Walter Benjamin’s essay “The Storyteller,” the analysis in this article examines the aesthetic forms that structure Amir’s films, namely nonlinear narratives, intertextuality, and the use of images and stories as comparative frames. This article argues that Amir’s films enable audiences to recognize how the truth of a communist past in Malaysia, both of its politics and suppression, inflects the present. The films provide an opening to recognize how the absence of communism today is the effect of the ideological clearing of all leftism that became the hallmark of the end of the British Empire in Malaysia. Communism is made meaningful in Amir’s films both as a lived experience and as a displacement that is absent from the postcolonial everyday.

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