Guillermo Cabrera Infante: Two Islands, Many Worlds

Hispania ◽  
1999 ◽  
Vol 82 (3) ◽  
pp. 503
Author(s):  
Bart Lewis ◽  
Raymond D. Souza
1997 ◽  
Vol 65 (3) ◽  
pp. 364
Author(s):  
Rosemary Geisdorfer Feal ◽  
Raymond D. Souza

1997 ◽  
Vol 71 (2) ◽  
pp. 358
Author(s):  
Leland Guyer ◽  
Raymond D. Souza

Chasqui ◽  
1997 ◽  
Vol 26 (2) ◽  
pp. 148
Author(s):  
Ken Hall ◽  
Raymond D. Souza

Author(s):  
David D. Nolte

Galileo Unbound: A Path Across Life, The Universe and Everything traces the journey that brought us from Galileo’s law of free fall to today’s geneticists measuring evolutionary drift, entangled quantum particles moving among many worlds, and our lives as trajectories traversing a health space with thousands of dimensions. Remarkably, common themes persist that predict the evolution of species as readily as the orbits of planets or the collapse of stars into black holes. This book tells the history of spaces of expanding dimension and increasing abstraction and how they continue today to give new insight into the physics of complex systems. Galileo published the first modern law of motion, the Law of Fall, that was ideal and simple, laying the foundation upon which Newton built the first theory of dynamics. Early in the twentieth century, geometry became the cause of motion rather than the result when Einstein envisioned the fabric of space-time warped by mass and energy, forcing light rays to bend past the Sun. Possibly more radical was Feynman’s dilemma of quantum particles taking all paths at once—setting the stage for the modern fields of quantum field theory and quantum computing. Yet as concepts of motion have evolved, one thing has remained constant, the need to track ever more complex changes and to capture their essence, to find patterns in the chaos as we try to predict and control our world.


Author(s):  
Matylda Figlerowicz ◽  
Doris Sommer

Latinx writers cross boundaries between languages, renovating the experience both of language and of literature. This article takes up the invitations of several creative/disruptive artists: Víctor Hernández Cruz, Guillermo Cabrera Infante, Ana Lydia Vega, William Carlos Williams, Gloria Anzaldúa, and Tino Villanueva. The analysis shows how bilingualism transforms rhetorical figures and affective structures, arguing that metonymy—understood as contiguity and as desire—is a predominant figure of bilingualism: a figure of almost arbitrary coincidence, an unintended intimacy that writers exploit. Through rhetorical and affective gestures, bilingualism alters genre conventions and opens a new space for aesthetic pleasure and political discussion, which requires and forms an alert audience with new ways of reading. The essay traces the visions of future (and its fantasies) and of past (and its memories) from the perspective of bilingualism, showing how operating between languages allows for new ways of constructing knowledge.


Noûs ◽  
1984 ◽  
Vol 18 (4) ◽  
pp. 591 ◽  
Author(s):  
Richard A. Healey
Keyword(s):  

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