Gaining Community Support for the School Music Program

1929 ◽  
Vol 15 (3) ◽  
pp. 9-90 ◽  
2019 ◽  
Vol 105 (3) ◽  
pp. 17-22
Author(s):  
Amanda R. Draper

Including democratic principles in a traditional public school general music program can be challenging, but the benefits are significant, including greater student independence and motivation for learning. Democratic practice is both an approach to teaching and an outcome of the experience. It prepares students to be participants in society by providing space for student voices and encouraging students to think deeply and ask challenging questions. It also involves negotiating a rebalance of control in which the music teacher is more of a teacher-facilitator, learning alongside the students and allowing their choices and decisions to be a driving force in the learning process. This article presents one model for incorporating democratic ideals in middle school general music.


1970 ◽  
Vol 56 (7) ◽  
pp. 98-99
Author(s):  
Maurice C. Whitney

1940 ◽  
Vol 48 (6) ◽  
pp. 445-450 ◽  
Author(s):  
L. A. Pechstein ◽  
L. Paschal Monk

1935 ◽  
Vol 22 (3) ◽  
pp. 38-40
Author(s):  
Samuel T. Burns
Keyword(s):  

2006 ◽  
Vol 54 (1) ◽  
pp. 6-20 ◽  
Author(s):  
Carlos R. Abril ◽  
Brent M. Gault

This study is an examination of school principals' perceptions of the elementary school music curriculum. A survey, mailed to 350 elementary school principals (61% response rate), was designed to answer the following questions: What are principals' perceptions of music learning outcomes and broad educational goals that result from school music instruction at their respective schools? How do they believe these should exist in ideal conditions? Is there a difference between principals' ratings for current and ideal conditions? To what degree do certain variables affect the music program? Results revealed that principals were generally satisfied with their music programs' ability to meet music education standards and broad educational goals. However, significant differences between the current and ideal conditions imply that they believe improvement is possible. Principals reported that the No Child Left Behind Act, budgets, standardized tests, and scheduling had the most negative effects on their music programs. September 15, 2005 November 30, 2005


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