A Children's Opera. A Fairy Wedding. Composed in Six Parts, for the Pianoforte

1882 ◽  
Vol 23 (476) ◽  
pp. 556
Author(s):  
Cotsford Dick
Keyword(s):  
Children's Opera

Intervention

2017 ◽  
Author(s):  
Martyn Harry
Keyword(s):  
Collaborative Process ◽  
Children's Opera

This Intervention describes some aspects of the complex creative dynamics of creating a children’s opera, involving playwright/librettist, theatrical director, composer and actor–performers. The composer Martyn Harry provides an insider’s account of the nonlinear collaborative process by which the opera came into existence, and some of the creative tensions and negotiated solutions that were involved.

The Role of Arts-Based Curricula in Bullying Prevention: Elijah’s Kite—A Children’s Opera

2009 ◽  
Vol 25 (1) ◽  
pp. 55-69 ◽  
Author(s):  
Dilys Haner ◽  
Debra Pepler ◽  
Joanne Cummings ◽  
Alice Rubin-Vaughan
Keyword(s):  
Bullying Prevention ◽  
Children's Opera

The Fairy Slipper. A Children's Opera

1898 ◽  
Vol 39 (659) ◽  
pp. 39
Author(s):  
E. Cuthbert Nunn
Keyword(s):  
Children's Opera

Benjamin Britten, the ““National Faith,”” and the Animation of History in 1950s England

2006 ◽  
Vol 93 (1) ◽  
pp. 76-105 ◽  
Author(s):  
HEATHER WIEBE
Keyword(s):  
Benjamin Britten ◽  
Christian Tradition ◽  
Religious Drama ◽  
Children's Opera ◽  
Festival Of Britain

ABSTRACT This article examines constructions of national Christian tradition in 1950s England, focusing on images of deadness and revivification in two products of the religious drama movement: the York Mystery and other plays presented at the 1951 Festival of Britain, and Benjamin Britten's 1958 children's opera Noye's Fludde.

Henny Penny, Children's Opera in One Act

Notes ◽  
1951 ◽  
Vol 8 (2) ◽  
pp. 395
Author(s):  
Ruth Crawford Seeger ◽  
Jerzy Fitelberg ◽  
Neil Brant
Keyword(s):  
Children's Opera ◽  
One Act

scholarly journals Brundibár – A Children’s Opera: History and Present

2017 ◽  
Vol 65 (4) ◽  
pp. 402-415
Author(s):  
Tatiana Pirníková
Keyword(s):  
Fairy Tale ◽  
Second World War ◽  
Social Climate ◽  
Contemporary Society ◽  
World War ◽  
Children's Opera ◽  
Post War ◽  
Traditional Performance ◽  
Performance Frame ◽  
Second World

Abstract The paper focuses on the opera Brundibár. The authorial couple – composer Hans Krasa and librettist Adolf Hoffmeister – wrote it in the period of growing interest of artists in pedagogical aspects of the works of art. The changed social climate, however, meant for the work an unplanned journey – during the Second World War it was performed inside the Terezin ghetto by its inhabitants. The human message of the fairy tale story has thus been elevated into a higher symbolic frame – a resistance against the arrogance of power and violence. Especially the post-war era followed this symbolism. The author of the paper contemplates the innovative interpretative levels whose ambition is to cross the traditional performance frame of the work and to find connections with problems of contemporary society.

Babar the Elephant. A Children's Opera in One Act

Notes ◽  
1954 ◽  
Vol 11 (4) ◽  
pp. 601
Author(s):  
Frederic Cohen ◽  
Nicolai Berezowsky
Keyword(s):  
Children's Opera ◽  
One Act
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