Effects of Finger Markers and Harmonic Context on Performance of Beginning String Students

1997 ◽  
Vol 45 (2) ◽  
pp. 197-211 ◽  
Author(s):  
Louis Bergonzi

This study is an investigation of the effects of finger placement markers (FPMs) and I harmonic context on the left-hand technique, intonation performance skills, and overall musical performance skills of sixth-grade beginning string students. Central to this study was the question of how a tactile/visual reference and an aural reference influence the development of string intonation performance skills. Subjects were assigned to research conditions in a 2 ? 2 factorial design (FPMs by harmonic context). Students received 90 minutes of weekly, heterogeneous-group instruction from the same teacher and used researcher-prepared audio home practice tapes to accentuate their class experience. Subjects with FPMs played significantly more in tune than those who did not have FPMs. Students whose instruction and practice were accompanied by harmonic background demonstrated a higher degree of overall musical performance ability. Differences were significant even after adjusting for musical aptitude. There were no differences in left-hand technique. Results of this study endorse the theoretical and practical support for the use of these teaching techniques in beginning string instruction.

1959 ◽  
Vol 9 (2) ◽  
pp. 20-26
Author(s):  
Frederick Neumann

1954 ◽  
Vol 4 (3) ◽  
pp. 3-14
Author(s):  
Frederick Neumann

1982 ◽  
Vol 30 (3) ◽  
pp. 163-172 ◽  
Author(s):  
Jacob A. Wig ◽  
J. David Boyle

The study reports student achievement and attitude data for a study comparing the effects of a keyboard learning approach and a traditional general music approach on sixth-grade general music students' music achievement, attitudes toward music, and self-concept regarding music ability. Experimental subjects made significantly greater gains than the control group on the standardized measures of meter discrimination and major/minor mode discrimination. Control/experimental comparisons were not made on the investigator-constructed measures of performance skills and understanding of notation, but pre-post comparisons within the experimental group on these measures were significant beyond the .001 level of probablility. Pre-post changes in attitudes toward music were more positive for the experimental group than for the control group.


1953 ◽  
Vol 3 (3) ◽  
pp. 1-14
Author(s):  
Frederick Neumann

Sign in / Sign up

Export Citation Format

Share Document