Confusing Traditions: Elements of the Korean an Kyon School in Early Japanese Nanga Landscape Painting

Nei loro rispettivi resoconti biografici di Dosso Dossi (1487?—1542), Paolo Giovio e Giorgio Vasari descrissero l'artista della corte ferrarese con una buona reputazione per la pittura dei paesaggi. Con questo articolo si esamineranno le reazioni critiche alla luce del programma storiografico di ciascun autore, considerando come si evolvevano gli approcci di Dosso alla pittura dei paesaggi nel corso della sua carriera. I dipinti di Dosso sono stati a lungo visti come primi esempi di un ‘paesaggio indipendente’, costrutto che deve essere esaminato di nuovo al fine di comprendere pienamente lo scopo, il contesto e il significato delle inusuali scene di paesaggio della pittura di Dosso.

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The Birth of Landscape Painting in China

Artibus Asiae ◽

10.2307/3249260 ◽

1962 ◽

Vol 25 (2/3) ◽

pp. 204

Author(s):

Alexander Soper ◽

Michael Sullivan

Keyword(s):

Landscape Painting

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‘The fault of being purely French’: The Practice and Theory of Landscape Painting in Post-Revolutionary France

Art History ◽

10.1111/1467-8365.12028 ◽

2013 ◽

Vol 36 (4) ◽

pp. 740-767

Author(s):

Steven Adams

Keyword(s):

Landscape Painting

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Interpretation of Li Gonglin Ecological View of Landscape Painting Based on Chinese Soil Smoke Culture

Tobacco Regulatory Science ◽

10.18001/trs.7.5.1.109 ◽

2021 ◽

Vol 7 (5) ◽

pp. 3344-3351

Author(s):

Xinquan Ma ◽

Xiaofang Yao ◽

Kwon Hwan

Keyword(s):

Art History ◽

Song Dynasty ◽

Global Perspective ◽

Chinese Art ◽

Landscape Painting ◽

Environmental Aesthetics ◽

Northern Song Dynasty ◽

Modern Cities ◽

Northern Song ◽

The Aesthetic

Objectives: Cigarettes are not goods that have existed in China since ancient times, but consumer goods that were introduced into China by western countries and accepted and developed by Chinese people in modern times. The application of Chinese soil smoke culture in Li gonglin’s landscape painting is studied in this paper. Methods: From the perspective of art history, landscape painters in the Northern Song Dynasty, as a prosperous period of Chinese art history landscape painting, thought deeply about painting from the artistic form of nature, and integrated their own view of environment into their creation, forming many landscape aesthetic paradigms. Results: This paper focuses on the interactive dialogue between the literati and the environment with the involvement of how space planning and governance are allocated. It is aimed at the global perspective in the Anthropocene and a local position in the Northern Song Dynasty. Localization is not only the exploration of the ecological approaches of China and the West in space, but also the integration of the past and the present, observing its ecological image from the perception and practice of traditional environmental aesthetics to the harmonious coexistence of modern cities and nature. Conclusion: Local tobacco is not a traditional local consumer product. Under the public’s praise, it has gradually formed a unique thing in China - cigarette culture. People in the society are not only the observers of the environment, but also the participants of the environment. Through the aesthetic configuration of the classification of environmental belonging space and the transformation of the image and vision into such realistic or ideal landscapes as “Longmian Villa”, it goes towards ecological holism. Therefore, from the perspective of environmental aesthetics research, Li Gonglin’s paintings have research value.

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