Theatre Populaire de Lorraine: Regional Theatre

1974 ◽  
Vol 26 (3) ◽  
pp. 352
Author(s):  
Judith Miller
Keyword(s):  
1992 ◽  
Vol 13 (1-2) ◽  
pp. 5-17
Author(s):  
Jean-Guy Coté ◽  
Marie-Claude Leclercq ◽  
Claude Lizé

2015 ◽  
Vol 40 (1) ◽  
pp. 50-66
Author(s):  
JOSH STENBERG ◽  
ZHANG JINGJING

Increasingly, the administration of Mainland Chinese performing troupes, including xiqu, is focusing on audiences. Xiqu troupes are undergoing systemic reform (tizhi gaige), during which troupes are increasingly expected to adopt a commercial model (zhuanqi gaizhi). This requires a paying audience. Yet for decades, urban establishment xiqu troupes, as state entities, depended on governmental support and approval, not on self-selecting audiences or independent criticism. One new national initiative, intended to identify and protect core repertoire and broaden audiences nationwide, has been the Grand Prize for Outstanding Repertory Piece (youxiu baoliu jumu dajiang). Drawing on field research conducted during the tour of such a work, this study suggests that there is an institutional will to change performance models, as well as a paying audience for xiqu, even outside their immediate cultural areas. The emergence of a small, traditional-minded, highbrow, affluent, national theatre-going audience is noteworthy; what scope of performances it might sustain without government support is open to debate.


1987 ◽  
Vol 8 (2) ◽  
pp. 221-233
Author(s):  
Howard Fink
Keyword(s):  

Author(s):  
Julie E. Kendall

What constitutes regional commerce? What creates and enhances a regional identity? In the United States, regions can be quite large and may even cover geographical territory from several surrounding counties or states. They are larger than any one individual company, shopping street, or district. Regional cooperation of commercial businesses is often manifested through special events, cooperative advertising with coordinated signage, extended opening hours, and special discounts that contribute to building a sense of community, and which eventually develop a sense of region. The political and environmental exigencies for the creation and expansion of regions have meant an increase in the popularity and importance of regions and a subsequent movement to enhance and differentiate their identities. We now see the rise of regional governments, water authorities, and educational institutions among many others. One little-explored idea has been the use of e-collaboration to forge, reinforce, and sustain a regional identity via the virtual world. Although geographical separation of many miles might dictate that bricks-and-mortar theatres cannot easily collaborate physically (i.e., they cannot share costumes, props, ushers, and so on), the possibility of e-collaboration opens potential opportunities for attracting wider audiences, reaching and ultimately casting fresh talent, and building reciprocal audiences who possess a passion for the arts and who have the means and desire to travel to attend performances throughout the geographical region. In this study, a methodology built on the conceptual foundation of metaphor research was used to comprehend and then interpret the Web presence of 15 nonprofit theatres that comprise the total regional theatre of southern New Jersey that exists on the Web. In order to add additional insight, our earlier research findings from working with off-Broadway and regional theatre festivals were extended to analyze the Web presence of the theatres in southern New Jersey. We contribute to the literature by systematic and deep investigation of the strategic importance of the Web for nonprofit theatre groups in the southern New Jersey region. In addition, our use of the metaphor methodology in order to create a telling portrait of what transpires on the Web in relation to nonprofit organizations is also an original contribution. Our work is meant to heighten the awareness of administrators to the rapidly accelerating need for the strategic use of e-collaboration. We propose that with the use of the Web, administrators can move toward creating a regional theatre Web presence for South Jersey, one which would make use of an evolutionary metaphor. To this end, we suggest the use of an organism metaphor. Through the creation of reciprocal hyperlinks, theatres can be supported in improving their practice of colocation on the Web, wherein they will be taking strides to cooperate as a regional theatre community.


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