Architects-in-Schools: The Built Environment and Its Relationship to the Arts and Academics

Art Education ◽  
1978 ◽  
Vol 31 (5) ◽  
pp. 16
Author(s):  
Ronald J. Topping
Keyword(s):  
2020 ◽  
Vol 46 (2) ◽  
pp. 39-53
Author(s):  
Anna Marazuela Kim

While creative placemaking has proved a long-standing paradigm for the arts in city-making strategy, recently there has been a shift towards a cultural infrastructure approach. This article takes critical stock of this paradigm shift, to engage the broader question of whether we can design for culture in the built environment. Conceptualizing creative placemaking within a larger genealogical framework, I argue that this shift might be understood as responsive to some of the limitations and unintended social consequences of the movement: its temporal nature and contribution to cycles of gentrification and displacement.


2021 ◽  
Vol 8 (4) ◽  
pp. 76-86
Author(s):  
Madeleine Snowdon

Afterimages is a series of artwork I developed after becoming involved in the Then & Now: Arts at Warwick project from initial exploration of the Modern Record Centre’s archive. The construction of the new Faculty of the Arts building is the central focus for my work, which is interested in the impact that communities have on their spaces and vice versa. This article aims to discuss and analyse the concepts presented in Afterimages and the process of creating the work. This includes the methodological influences of psychogeography, the architectural theories of Léon Krier, and the contextualisation of the work amid the global pandemic. Following the events of the past six months, much of the student experience of Warwick has moved online. In light of this, this article also seeks to reflect upon how this shift in community has impacted elements of the artwork and its investigation into the built environment. 


2017 ◽  
Vol 1 (1) ◽  
pp. 7
Author(s):  
Hassan Ahmed Ismail

Please allow me to express my interest in participating in the event; the agenda and objective are of high significance for discussing the maturity and development of a sustainable "cultural and creative infrastructure" powered by cultural policies and practices. Involvement and lobbying for such topics is essential for the cultural and creative dynamics where creative cities attract creative people.While navigating through a search engine and typing a name of a city, the first images to appear visualize the built environment of the city. For instance when you type Cairo into Google, you will be mainly looking at the Pyramids and built environment around the Nile in addition to the Old City of Cairo. If you type in New York you will find images of skyscrapers positioned around the natural landscape of the city, and so on and so forth.Thus tourism depends a lot on the built environment and the touristic standard is subject to the built environment, type and quality of tenants attracting the general public and of course the natural landscape.Arts and architecture play an important role among the built environment having both tangible and intangible economic impacts resulting from touristic attractions as well as other means; Cairo was once described as the most beautiful city in the world with the rich urban fabric and prosperity of the arts and architecture.In a country like Egypt where segmentation between the different social levels is becoming a real threat for future generations, it is crucial to work with all stakeholders including the authorities, civil society and the general public with objectives that would aim to serve all interests and gain a positive public opinion.   


Author(s):  
Cecil E. Hall

The visualization of organic macromolecules such as proteins, nucleic acids, viruses and virus components has reached its high degree of effectiveness owing to refinements and reliability of instruments and to the invention of methods for enhancing the structure of these materials within the electron image. The latter techniques have been most important because what can be seen depends upon the molecular and atomic character of the object as modified which is rarely evident in the pristine material. Structure may thus be displayed by the arts of positive and negative staining, shadow casting, replication and other techniques. Enhancement of contrast, which delineates bounds of isolated macromolecules has been effected progressively over the years as illustrated in Figs. 1, 2, 3 and 4 by these methods. We now look to the future wondering what other visions are waiting to be seen. The instrument designers will need to exact from the arts of fabrication the performance that theory has prescribed as well as methods for phase and interference contrast with explorations of the potentialities of very high and very low voltages. Chemistry must play an increasingly important part in future progress by providing specific stain molecules of high visibility, substrates of vanishing “noise” level and means for preservation of molecular structures that usually exist in a solvated condition.


PsycCRITIQUES ◽  
2007 ◽  
Vol 52 (31) ◽  
Author(s):  
Paul J. Silvia
Keyword(s):  

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