Making Saints: Religion and the Public Image of the British Army, 1809–1885. By Kenneth E. HendricksonIII. Madison, N. J.: Fairleigh Dickinson University Press, 1998. 197 pp. $36.00 cloth.

1999 ◽  
Vol 68 (3) ◽  
pp. 722-724
Author(s):  
Thomas E. Frank
Keyword(s):  
Public Image ◽  
British Army ◽  
The Public

Making Saints: Religion and the Public Image of the British Army, 1809-1885

2001 ◽  
Vol 65 (1) ◽  
pp. 202
Author(s):  
M. A. Ramsay ◽  
Kenneth E. Hendrickson
Keyword(s):  
Public Image ◽  
British Army ◽  
The Public

Conquering the Public Space

2018 ◽  
Author(s):  
Samuel Llano
Keyword(s):  
Public Space ◽  
Social Services ◽  
Social Groups ◽  
Public Image ◽  
Working Classes ◽  
The Public ◽  
San Bernardino ◽  
The City

This chapter presents an account of the San Bernardino band as the public facade of that workhouse. The image of children who had been picked up from the streets, disciplined, and taught to play an instrument as they marched across the city in uniform helped broadcast the message that the municipal institutions of social aid were contributing to the regeneration of society. This image contrasted with the regime of discipline and punishment inside the workhouse and thus helped to legitimize the workhouse’s public image. The privatization of social aid from the 1850s meant that the San Bernardino band engaged with a growing range of institutions and social groups and carried out an equally broad range of social services. It was thus able to serve as the extension through which Madrid’s authorities could gain greater intimacy with certain population sectors, particularly with the working classes.

scholarly journals Emancipating the Image: The Beijing Olympics, Regeneration, and the Power of Performance

2013 ◽  
Author(s):  
Carol Mei Barker
Keyword(s):  
Olympic Games ◽  
Public Image ◽  
Beijing Olympics ◽  
The Public ◽  
Susan Sontag ◽  
Counter Narrative ◽  
The Everyday ◽  
The World ◽  
The Government ◽  
Rapid Transformation

“In China, what makes an image true is that it is good for people to see it.” - Susan Sontag, On Photography, 1971 The Olympic Games gave the world an opportunity to read Beijing’s powerful image-text following thirty years of rapid transformation. David Harvey argues that this transformation has turned Beijing from “a closed backwater, to an open centre of capitalist dynamism.” However, in the creation of this image-text, another subtler and altogether very different image-text has been deliberately erased from the public gaze. This more concealed image-text offers a significant counter narrative on the city’s public image and criticises the simulacrum constructed for the 2008 Olympics, both implicitly and explicitly. It is the ‘everyday’ image-text of a disappearing city still in the process of being bulldozed to make way for the neoliberal world’s next megalopolis. It exists most prominently as a filmic image text; in film documentaries about a ‘real’ hidden Beijing just below the surface of the government sponsored ‘optical artefact.’ Film has thus become a key medium through which to understand and preserve a physical city on the verge of erasure.

The Public Image of the Museum in America

1962 ◽  
Vol 5 (1) ◽  
pp. 45-52 ◽  
Author(s):  
Charles Winick
Keyword(s):  
Public Image ◽  
The Public

The public image of cross-infection control

BDJ ◽  
1989 ◽  
Vol 166 (9) ◽  
pp. 318-318
Author(s):  
J Bowden ◽  
C Scully ◽  
S Porter
Keyword(s):  
Infection Control ◽  
Cross Infection ◽  
Public Image ◽  
The Public
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