The Deadliest Sin: Warnings against Avarice and Usury on Romanesque Capitals in Auvergne

1990 ◽  
Vol 59 (1) ◽  
pp. 7-18
Author(s):  
Priscilla Baumann
Keyword(s):  

Clustered around the episcopal center of Clermont, in that least accessible French province of Auvergne, a series of romanesque churches built between the end of the eleventh and first half of the twelfth centuries harbor sculptured capitals which repeatedly treat the themes of avarice and usury. Although the virtues and vices provided a popular and graphic subject for sculptors throughout France during this period, only in Auvergne do we discover such a specific emphasis on the sins of avarice and usury. In some cases the subject is treated to the exclusion of all others, and every example has been placed in a predominant and highly visible location within the church.

2016 ◽  
Vol 9 (1) ◽  
pp. 91-105
Author(s):  
Jacek Wojda

Big activity passed Popes, with the least Francis Bergoglio, is a question about receptiontheir lives and action, especially in times of modern medium broadcasting. Sometimes presentedcontent could be treated as sensation, and their receptiveness deprived of profound historical andtheological meaning. This article depends of beginnings of the Church, when it started to organizeitself, with well known historically-theological arguments. Peter confessed Jesus as the Christ andgot special place among Apostles. His role matures in young Church community, which is escapingfrom Jewish religion.Peter tramps the way from Jerusalem thru Antioch to Rome, confirming his appointing to thefirst among Apostles and to being Rock in the Church. Nascent Rome Church keeps this specialPeter’s succession. Clement, bishop of Rome, shows his prerogatives as a successor of Peter. Later,bishop of Cartagena, Cyprian, confirms special role both Peter and each bishop of Rome amongother bishops. He also was finding appropriate role for each of them. Church institution, basedon Peter and Apostles persists and shows truth of the beginnings and faithfulness to them innowadays papacy.Methodological elements Presented in the introduction let for the lecture of Gospel and patristictexts without positivistic prejudices presented in old literature of the subject.


2019 ◽  
Vol 82 (1) ◽  
pp. 3-31
Author(s):  
Fabio Massaccesi

Abstract This contribution intends to draw attention to one of the most significant monuments of medieval Ravenna: the church of Santa Maria in Porto Fuori, which was destroyed during the Second World War. Until now, scholars have focused on the pictorial cycle known through photographs and attributed to the painter Pietro da Rimini. However, the architecture of the building has not been the subject of systematic studies. For the first time, this essay reconstructs the fourteenth-century architectural structure of the church, the apse of which was rebuilt by 1314. The data that led to the virtual restitution of the choir and the related rood screen are the basis for new reflections on the accesses to the apse area, on the pilgrimage flows, and on the view of the frescoes.


1838 ◽  
Vol 5 (9) ◽  
pp. 1-60

Henry Thomas Colebrooke, the subject of this memoir, was born in London, on the 15th. June, 1765, and was the youngest of seven children. His father, Sir George Colebrooke, Baronet, was for many years chairman of the East India Company.As a boy, he was of a quiet retired disposition, seldom mixing in any of the usual amusements of childhood, and was distinguished at an early age among his brothers and sisters for his extreme fondness for reading. In allusion to this, he used to say to them, that by his habits and tastes he was best fitted for the profession of a clergyman, and expressed a strong desire to his father that he might be placed in the church.


1929 ◽  
Vol 9 (2) ◽  
pp. 83-100 ◽  
Author(s):  
G. McN. Rushforth

Émile Mâle says that medieval Christian art in its last period had lost touch with the great tradition of symbolism which had been so important in the twelfth and thirteenth centuries, and still largely dominated the art of the fourteenth. But there was one great symbolical idea which survived, and that was the harmony of the Old and New Testaments; and so we find among the most popular subjects of fifteenth-century Church art the concordance of the Apostles and Prophets in the Creed, and the series of parallels between the life of Jesus and episodes of Old Testament history, which were summed up and digested in the Biblia Pauperum and the Speculum Humanae Salvationis. The reason for the popularity of these subjects was, no doubt, their didactic value, and though Mâle does not develop this side of the subject, we may say that one, though not the only, characteristic of the religious art of the fifteenth century was that, instead of being symbolical, it became didactic. We find in this period a whole series of subjects which reduced the articles of Christian faith and practice to pictorial form, and seem to have been intended to illustrate the medieval catechism by which the teaching of the Church was imparted.


Author(s):  
Анна Леонидовна Краснова

В XVIII в. на основании общего интереса к святыням Востока, а также единой тенденции для крупных монастырей изготавливать гравюры на память для паломников, многие греческие гравюры свидетели русско-афонских отношений попадают на территорию Российской Империи. Сохранились такие гравюры и в Церковноархеологического кабинете Московской духовной академии, собрание которых насчитывает 29 эстампов. Пять гравюр из этого собрания имеют надписи на греческом и на славянском языке. Надписи свидетельствуют о месте и времени создания гравюры, о граверах и заказчиках, являются источниками кратких исторических сведений. В статье приведены выявленные дополнительные факты об этих гравюрах, которые свидетельствуют о наличии церковных, экономических и политических отношений на базе культурных связей между Российской Империей и странами православного Востока. The Russ has always been supporting the relationship with the Orthodox Church of the East. As a result of these connections, we have a lot of icons and other gifts from The Mount Athos, The Saint Catherine’s Monastery and others holy places. There are five Greek engravings in the collection of The Museum of Church Archaeology at the Moscow Theological Academy, which have inscriptions in Greek and Slavic. These engravings were to be spread in Slavic countries. They are dated from the 17th to the 19th century. Some of them were made in Moscow. The images and the inscriptions of the engravings are the subject of a research presented in this article.


BUILDER ◽  
2021 ◽  
Vol 288 (7) ◽  
pp. 86-88
Author(s):  
Jan Rabiej

The subject of this article is the problem of the antinomy of longevity and temporality in architecture. Excluding the so-called temporary structures, man designs and creates buildings with the assumption of their longevity. This presupposition is not undermined by architectural concepts, exposing functional and spatial solutions, opened to potential flexibility – variability. Also, ultra-modern designs of "self-adapting" architecture to the changing conditions of the context assume, indeed, the extension of its "vitality" – longevity. The aim of the research synthesis presented in the article is to specify the criteria which in shaping architecture make it possible to overcome the tension inherent in the antinomy of longevity and temporality. These analyzes, summarized with conclusions, were carried out in two complementary approaches: theoretical: based on the characteristics of the relationship between architecture and time, with particular emphasis on their exposure in the Christian sacred architecture; practical: based on the case study of the sequence of transformations of the church of St. Joseph Worker in Bytom over a period of approximately 100 years.


1972 ◽  
Vol 6 (1) ◽  
pp. 1-17
Author(s):  
J. R. Jacob

In November 1842, La Roy Sunderland, Orange Scott and Jotham Horton, leading abolitionists and ministers, withdrew from the Methodist Episcopal Church. The first issue of the True Wesleyan, Scott's anti-slavery newspaper, published an announcement of their withdrawal and their reasons for deciding to do so. They could no longer serve a church that condoned slavery and that scarcely permitted delegates to its conferences to raise the issue there. The three dissenters saw what they regarded as the high-handed tactics of the bishops in preventing conferences from considering anti-slavery resolutions as resting upon ‘the assumptions of Rome’! This act of withdrawal and the formation of the wesleyan Methodist Church die following May came after a six years' struggle between the radical abolitionists within the Church and their more conservative brethren, principally the bishops, who had stifled discussion of the slavery issue in order to preserve the Church as a national entity. This Wesleyan schism is a token of the change that is the subject of this essay.


2016 ◽  
Vol 6 ◽  
pp. 397-421
Author(s):  
Matko Matija Marušić

The paper discusses a group of monumental crucifixes from the 13th-century East Adriatic and Italy, pained or executed in low relief, that display a verse inscriptions on the transverse limb of the cross. The main scope of the paper is to examine the provenance of the text inscribed in order to yield clearer insight into their function, use and original location in the church interiors. The paper specifically aims at analyzing three monumental crucifixes from the East-Adriatic city of Zadar which, although have already been the subject of a respectable number of studies, have not attracted attention as objects of devotion. My interest, therefore, is turned towards verse inscription as their distinctive feature and, as I shall argue, a key aspect in understanding their function. Examining the nature of the text displayed, iconography and materiality of these crucifixes, my main argument is to demonstrate how these objects provoked a multi-faced response from their audience, since were experienced by seeing, hearing and touching respectively.


Author(s):  
Ewa Wipszycka

The Canons of Athanasius, a homiletic work written at the beginning of the fifth century in one of the cities of the Egyptian chora, provide us with many important and detailed pieces of information about the Church hierarchy. Information gleaned from this text can be found in studies devoted to the history of Christianity of the fourth and fifth centuries, but rarely are they the subject of reflection as an autonomous subject. To date, no one has endeavoured to determine how the author of the Canons sought to establish the parameters of his work: why he included certain things in this work, and why left other aspects out despite them being within the boundaries of the subject which he had wished to write upon. This article looks to explore two thematic areas: firstly, what we learn about the hierarchical Church from the Canons, and secondly, what we know about the hierarchical Church from period sources other than the Canons. This article presents new arguments which exclude the authorship of Athanasius and date the creation of the Canons to the first three decades of the fifth century.


2011 ◽  
Vol 91 (4) ◽  
pp. 141-158
Author(s):  
Milutin Tadic ◽  
Aleksandar Petrovic

The subject of the paper is an exact analysis of the orientation of the Serbian monastery churches: the Church of the Virgin Mary (13th century), St. Nicholas' Church (13th century), and an early Christian church (6th century). The paper determines the azimuth of parallel axes in churches, and then the aberrations of those axes from the equinoctial east are interpreted. Under assumption that the axes were directed towards the rising sun, it was surmised that the early Christian church's patron saint could be St. John the Baptist, that the Church of the Virgin Mary was founded on Annunciation day to which it is dedicated, and that St. Nicholas' Church is oriented in accordance with the rule (?toward the sunrise?) even though its axis deviates from the equinoctial east by 41? degrees.


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