Other Pilgrims in Leiden: Hugh Goodyear and the English Reformed Church

1972 ◽  
Vol 41 (1) ◽  
pp. 46-60
Author(s):  
Keith L. Sprunger
Keyword(s):  
Seventeenth Century ◽  
Reformed Church ◽  
Church Life ◽  
The City ◽  
Dutch City

When the citizens of seventeenth-century Leiden spoke of “the English church here,” they referred in most cases to the English Reformed Church, not to the historically-famous church of the Pilgrim Fathers. In the first decades of the seventeenth century, the Dutch city of Leiden included a sizable English and Scottish community, but one divided into two distinct religious factions, namely the Separatist Pilgrims and the non-separating Reformed Church. The enthusiasm to celebrate the deeds of the Mayflower Pilgrims may obscure Leiden's larger community of British strangers and sojourners; and not Leiden alone, for the English churches of Leiden were but two of more than two dozen such churches in early seventeenth-century Netherlands. John Robinson and his congregation arrived at Leiden in 1609, two years after the older English-Scottish community of the city had begun its own church life.

The Seventeenth Century and the Westminster Assembly

2019 ◽  
pp. 28-49
Author(s):  
Chad van Dixhoorn
Keyword(s):  
Seventeenth Century ◽  
Central Europe ◽  
Essential Elements ◽  
High Point ◽  
Reformed Church ◽  
Church Polity ◽  
The Reformation ◽  
Westminster Assembly

The seventeenth century marked a high point in the Presbyterian experiment. A variety of models were tested internationally, and apologists for its polity offered a rigorous defense against Episcopalians, Congregationalists, and Erastians. The Westminster Assembly offered Presbyterians the first opportunity since the Reformation to model a fully Reformed church in England, and the gathering looked closely not only at the teachings of Scripture on ecclesial governance, but also at historical and contemporary models of connectional, nonhierarchical government to guide their formulations on church polity. The century also saw some of the worst persecution of Presbyterians, especially in France and Scotland, but also in England and central Europe. During their seasons of suffering, some Presbyterians found subtle ways to articulate their polity or identify essential elements of Presbyterianism. Others fought or fled hostile authorities, supplying a legacy of martyr narratives and missionary impulses for later Presbyterians.

The Fiery Pacific: Volcanic Eruptions and Settler-State Theatricality in Oceania, 1780–1900

2014 ◽  
Vol 55 (3) ◽  
pp. 362-392
Author(s):  
Diana Looser
Keyword(s):  
Seventeenth Century ◽  
Performance Studies ◽  
Art History ◽  
Volcanic Eruptions ◽  
The Body ◽  
Red Color ◽  
Form Part ◽  
And Performance ◽  
Grand Opera ◽  
The City

In the closing scene of René-Charles Guilbert de Pixérécourt's melodramaLa Tête de mort; ou, Les Ruines de Pompeïa(1827), audiences at Paris's Théâtre de la Gaîté were presented with the spectacular cataclysm of an erupting Mount Vesuvius that invaded the city and engulfed the hapless characters in its fiery embrace. “The theatre,” Pixérécourt writes, “is completely inundated by this sea of bitumen and lava. A shower of blazing and transparent stones and red ash falls on all sides…. The red color with which everything is struck, the terrible noise of the volcano, the screaming, the agitation and despair of the characters … all combine to form this terrible convulsion of nature, a horrible picture, and altogether worthy of being compared to Hell.” A few years later, in 1830, Daniel Auber's grand operaLa Muette de Portici(1828), which yoked a seventeenth-century eruption of Vesuvius with a popular revolt against Spanish rule in Naples, opened at the Théâtre de Monnaie in Brussels. The Belgian spectators, inspired by the opera's revolutionary sentiments, poured out into the streets and seized their country's independence from the Dutch. These two famous examples, which form part of a long genealogy of representing volcanic eruptions through various artistic means, highlight not only the compelling, immersive spectacle of nature in extremis but also the ability of stage scenery to intervene materially in the narrative action and assimilate affective and political meanings. As these two examples also indicate, however, the body of scholarship in literary studies, art history, and theatre and performance studies that attends to the mechanical strategies and symbolic purchase of volcanic representations has tended to focus mainly on Europe; more research remains to be undertaken into how volcanic spectacles have engaged with non-European topographies and sociopolitical dynamics and how this wider view might illuminate our understanding of theatre's social roles.

scholarly journals History of the City of New York in the Seventeenth Century

1909 ◽  
Vol 15 (1) ◽  
pp. 155
Author(s):  
J. H. Innes ◽  
Schuyler Van Rensselaer
Keyword(s):  
New York ◽  
Seventeenth Century ◽  
History Of ◽  
The City

“Pilate Defended”

2021 ◽  
pp. 225-238
Author(s):  
David Lloyd Dusenbury
Keyword(s):  
Seventeenth Century ◽  
Legal Reasoning ◽  
High Point ◽  
The City

The question of Pilate’s innocence is debated with greater sophistication at the end of the seventeenth century than ever before. A liberal professor of law in the city of Halle, Christian Thomasius, is now remembered as one of the master-thinkers of ‘secularization’ in the early Westphalian era. Yet Thomasius is rarely if ever remembered as the author of a highly interesting 1675 text On the Unjust Judgement of Pontius Pilate. Thomasius’ juridical text on Pilate is likely the high point of European legal reasoning on the innocence (or guilt) of Jesus’ Roman judge. However, Thomasius’ 1675 text is written in reply to two other forgotten texts: Pilate Defended, by Johann Steller; and A Refutation of the Defence of Pontius Pilate, by Daniel Hartnaccius. This chapter offers a reading of, and a reflection upon, this collection of early Enlightenment texts on the Roman trial of Jesus.

Godly Pastors and their Congregations in Mid-Seventeenth-Century London

Church Life ◽  
2019 ◽  
pp. 45-62
Author(s):  
Elliot Vernon
Keyword(s):  
Seventeenth Century ◽  
Civil War ◽  
Church Of England ◽  
Lord's Supper ◽  
Lay Leaders ◽  
Parish Community ◽  
Church Life ◽  
Parish Churches ◽  
The Relationship ◽  
The Church

This chapter examines the relationship between pastor and congregation in the London parishes during the Interregnum. It addresses how godly ministers, called on by Parliament at the outbreak of the Civil War to reform parochial discipline and prevent the ‘promiscuous multitude’ from polluting the sacrament of the Lord’s Supper in England’s parish churches, negotiated issues of authority, changes to worship and liturgy, and the already contentious issues of patronage and finance. These factors forced ministers to look to the lay leaders of the parish, whether as elders or vestrymen, making them subject to factional struggles within the church life of the parish community. This chapter assesses the establishment and operation of Presbyterianism in London’s parishes during the 1640s and 1650s, as well as the practical difficulties, economic and administrative, that godly pastors experienced at the parochial level as a result of the dismantling of the Church of England.

ILLUSTRATIONS DEPICTING THE ENVIRONMENT AROUND THE MYTHICAL CITY… OF TIBETAN MEDICINE

2018 ◽  
pp. 169-180
Author(s):  
Katharina Sabernig ◽  
Keyword(s):  
Seventeenth Century ◽  
Three Dimensional ◽  
Geographical Location ◽  
Local Environment ◽  
Tibetan Medicine ◽  
Text Passage ◽  
The Buddha ◽  
The City ◽  
Material Form

The first chapter of the most famous treatise in Tibetan medicine called Four Treatises (Rgyud bzhi) characterises the environmental preconditions in order to practice medicine in a perfect way. One of these aspects is the description of the mythical city called Lta na sdug where a precious palace of the Buddha of medicine is situated. The origin of the text passage and, hence, the geographical location of this mythical city is discussed controversially in the current literature. This paper, however, argues that it is possible that the suggested principles are applicable at any suitable place of Tibetan medical practice if they were adapted to the local environment as long as most of the described parameters are adhered to symbolically. Different types of visual expressions depicting features of the city as described in this introductory chapter will be compared. First, plate number one of the famous seventeenth century thangka collection to the Blue Beryl commentary stored in Ulan-Ude presents a rather orthodox interpretation of these circumstances. Second, not a painting but a three-dimensional example of monastic cityplanning: the medical murals in the inner courtyard of the Medical Faculty and the architectural arrangement of the Faculty within the whole cloister indicate that the local authorities may have regarded Labrang territory as a material form of Lta na sdug. Third, yet another pair of murals in a small monastery painted by the same artist as the murals at Labrang monastery present an alternative, vivid way of depiction.

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