scholarly journals From the Golden Gate to Mexico City: The U. S. Army Topographical Engineers in the Mexican War, 1846-1848

1994 ◽  
Vol 14 (4) ◽  
pp. 605
Author(s):  
Willard Carl Klunder ◽  
Adrian George Traas
Keyword(s):  
Author(s):  
E. Mark Moreno

Chinacos were mounted guerrillas of the War of the Reform and the French Intervention (1857–1860, 1862–1867) who fought on the liberal republican side, operated out of central Mexican regions, and were known for their wide-brimmed sombreros and battle lances. What is known about them is largely the product of popular perception shaped by print depictions, some of which were created long afterward. They first appeared in the press when the War of the Reform was winding down and the victorious Juárez government, in carriage and on horseback, prepared to enter Mexico City in January of 1861. Before the French invasion that began in October of 1861 with the naval landing at Veracruz, the “chinaco” designation applied to irregular fighters. The newspaper and propaganda organ La Chinaca gave such fighters an image and narrative that endures to the present day. Still known among many Mexicans, their appearance in print media resulted from times of crisis as Mexico, after a military defeat by the United States and a major loss of territory, encountered the French Intervention in the 1860s. Chinacos as symbolic figures on horseback exemplify a historic pattern of guerrilla warfare in Mexico, dating at least to the US-Mexican War. There are different versions of the label chinaco, although there is strong evidence that it has roots in the chino designation assigned to Afro-Mexicans during the colonial era. It is also linked to “china,” or rural women known for their distinctive attire as depicted in popular reading.


2020 ◽  
Vol 6 (3) ◽  
pp. 231-241
Author(s):  
Chloé Constant

Purpose The aim of this study is to analyze how the dispositif of sexuality operates toward trans women imprisoned in a male prison in Mexico City, to understand how sexual norms that come from the heteropatriarchal model so as from the “internal law” produce transphobic violence. Design/methodology/approach The paper is based on the queer theory, Foucault’s works on sexuality and power, Segato’s theory about war against women’s bodies and on a fieldwork realized between 2015 and 2019 in Mexico City, with prisoners and former prisoners. Findings The sexuality dispositif works in a particular way inside prison. It is the result of the heteropatriarchal model and laws defined by both prisoners and prison workers, all involved in the Mexican war context. The effects are materialized through violence toward trans* women whose bodies serve for rape, male appropriation and exchange between powerful subjects. Research limitations/implications This paper produces knowledge about imprisonned trans* people, a very few developped field in prison studies, especially in Latin America. Practical implications The paper demonstrates how specific violence toward trans* women imprisoned in a male prison in Mexico City deepens violent dynamics that occur out of the prison. So, it questions the meaning of a sentence in the actual Mexican prison system. It may help to think about staff’s training/education to guarantee basic human rights for imprisoned trans* people. Additionally, the theorization of “internal law” could help prison authorities to rethink classification and treatment for prisoners. Social implications This paper provide specific knowledge on imprisonned trans* women and helps to think and act different with this people through the understanding of their special vulnerability. Originality/value There are only a few papers about imprisoned trans population throughout the world and fewer in Latin America and Mexico. Additionally, this paper aims to overcome the “internal order” as it is always theorized as proper of detainees. It wants to show that the prison order in a Mexico City prison, borns from the meeting of cultural specificities from outside and inside, and from both prisoners, organized crime and prison staff.


2020 ◽  
Vol 17 (1) ◽  
pp. 37-46 ◽  
Author(s):  
Antonio Alejo

There is a pressing need to extend our thinking about diplomacy beyond state-centric perspectives, as in the name of sovereignty and national interests, people on move are confronting virtual, symbolic and/or material walls and frames of policies inhibiting their free movement. My point of departure is to explore migrant activism and global politics through the transformation of diplomacy in a globalised world. Developing an interdisciplinary dialogue between new diplomacy and sociology, I evidence the emergence of global sociopolitical formations created through civic bi-nationality organisations. Focusing on the agent in interaction with structures, I present a theoretical framework and strategy for analysing the practices of migrant diplomacies as an expression of contemporary politics. A case study from North America regarding returned families in Mexico City provides evidence of how these alternative diplomacies are operating.


Somatechnics ◽  
2016 ◽  
Vol 6 (2) ◽  
pp. 198-215
Author(s):  
Robert McRuer

Theorists of neoliberalism have placed dispossession and displacement at the centre of their analyses of the workings of contemporary global capitalism. Disability, however, has not figured centrally into these analyses. This essay attends to what might be comprehended as the crip echoes generated by dispossession, displacement, and a global austerity politics. Centring on British-Mexican relations during a moment of austerity in the UK and gentrification in Mexico City, the essay identifies both the voices of disability that are recognized by and made useful for neoliberalism as well as those shut down or displaced by this dominant economic and cultural system. The spatial politics of austerity in the UK have generated a range of punishing, anti-disabled policies such as the so-called ‘Bedroom Tax.’ The essay critiques such policies (and spatial politics) by particularly focusing on two events from 2013: a British embassy good will event exporting British access to Mexico City and an installation of photographs by Livia Radwanski. Radwanski's photos of the redevelopment of a Mexico City neighbourhood (and the displacement of poor people living in the neighbourhood) are examined in order to attend to the ways in which disability might productively haunt an age of austerity, dispossession, and displacement.


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