A Virgil Thomson Reader

1987 ◽  
Vol 5 (2) ◽  
pp. 208
Author(s):  
Victor Fell Yellin ◽  
Virgil Thomson ◽  
John Rockwell
Keyword(s):  
Virgil Thomson

Virgil Thomson and Marc Blitzstein (1940, 1968)

2021 ◽  
pp. 202-209
Author(s):  
Richard Kostelanetz ◽  
Steve Silverstein
Keyword(s):  
Marc Blitzstein ◽  
Virgil Thomson

VIRGIL THOMSON

1949 ◽  
Vol XXXV (2) ◽  
pp. 209-225 ◽  
Author(s):  
P. GLANVILLE-HICKS
Keyword(s):  
Virgil Thomson

Virgil Thomson: a Portrait of his Music (as Glimpsed in Recent Recordings)

Tempo ◽  
1990 ◽  
pp. 18-22
Author(s):  
Rodney Lister
Keyword(s):  
Cello Concerto ◽  
Virgil Thomson

Virgil Thomson's music is foolishness to some, a stumbling block to others, but those of us who love it love it with all our hearts, through thick and thin (which often as not means through bad and unknowing performances). Those who don't love it, don't see that there's anything there at all. They just don't get it. The music can also seem cryptic to players, since although it has few notes, it is nonetheless not at all easy to play. On any number of occasions I have had people tell me that the music seems to them to be just harmony exercises. I have never been able to explain it to them. If they don't see the great beauty of The Mother of Us All or Mostly About Love or the Cello Concerto, nothing I can say can make them see it. I simply sadly resign myself to the fact that between them and me is a great, unbridgeable gulf.

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