American Taxation, American Slavery

2006 ◽  
Vol 40 (1) ◽  
pp. 125
Author(s):  
John Lund ◽  
Robin L. Einhorn
Keyword(s):  
American Slavery

White Zombie as Captivity Narrative and the Death of Certainty

2020 ◽  
Vol 2 ◽  
pp. 19-25
Author(s):  
Mark C Anderson
Keyword(s):  
American Indians ◽  
American Slavery ◽  
Captivity Narrative ◽  
Early American ◽  
Arts And Culture ◽  
History Of ◽  
American Black ◽  
The Caribbean ◽  
American Society ◽  
Black Other

Horror films such as White Zombie (1932) reveal viewers to themselves by narrating in the currency of audience anxiety. Such movies evoke fright because they recapitulate fear and trauma that audiences have already internalized or continue to experience, even if they are not aware of it. White Zombie’s particular tack conjures up an updated captivity narrative wherein a virginal white damsel is abducted by a savage Other. The shell of the captivity story, of course, is as old as America. In its earliest incarnation it featured American Indians in the role as savage Other, fiendishly imagined as having been desperate to get their clutches on white females and all that hey symbolized. In this way, it generated much of the emotional heat stoking Manifest Destiny, that is, American imperial conquest both of the continent and then, later, as in the case of Haiti, of the Caribbean Basin. White Zombie must of course be understood in the context of the American invasion and occupation of Haiti (1915-1934). As it revisits the terrain inhabited by the American black Other, it also speaks to the history of American slavery. The Other here is African-American, not surprisingly given the date and nature of American society of the day, typically imagined in wildly pejorative fashion in early American arts and culture. This essay explores White Zombie as a modified captivity narrative, pace Last of the Mohicans through John Ford’s The Searchers (1956), the Rambo trilogy (1982, 1985, 1988), the Taken trilogy (2008, 1012, 2014), even Mario and Luigi’s efforts to rescue Princess Peach from Bowser.

Receptions of Rome in Debates on Slavery in the U.S.A.

2018 ◽  
Author(s):  
Margaret Malamud
Keyword(s):  
Civil War ◽  
Civil Rights ◽  
American Civil War ◽  
Ancient Rome ◽  
American Slavery ◽  
Roman Society ◽  
Chattel Slavery ◽  
Black Struggle ◽  
Roman Antiquity ◽  
Intense Debate

American abolitionists not only invoked the Roman allusions and comparisons employed by the revolutionary generation’s fight for liberty from the British crown, but also adapted or subverted them in service of the black struggle for freedom. Rather than rejecting Roman society outright because it was a slaveholding society—the primal “Roman error” from their perspective—many abolitionists instead deployed figures and images from Roman antiquity in their own struggles against the despotism of chattel slavery. Supporters of emancipation and black civil rights, this chapter shows, thus engaged in an intense debate over the correct reception of ancient Rome with proslavery Southerners, who argued that slavery in both Rome and America enabled liberty and civilization. Bringing the discussion into the present day, this chapter offers a contemporary example of arguments over the correct reception of ancient Rome in relation to American slavery and the American Civil War.

THE (SLAVE) NARRATIVE OF JANE EYRE

2008 ◽  
Vol 36 (2) ◽  
pp. 317-329 ◽  
Author(s):  
Julia Sun-Joo Lee
Keyword(s):  
West Indies ◽  
West Indian ◽  
Jane Eyre ◽  
Slave Narrative ◽  
British Imperialism ◽  
The West ◽  
American Slavery ◽  
Indian Slavery ◽  
At Home

InImperialism at Home, Susan Meyer explores Charlotte Brontë's metaphorical use of race and empire in Jane Eyre. In particular, she is struck by Brontë's repeated allusions to bondage and slavery and wonders, “Why would Brontë write a novel permeated with the imagery of slavery, and suggesting the possibility of a slave uprising, in 1846, after the emancipation of the British slaves had already taken place?” (71). Meyer speculates, “Perhaps the eight years since emancipation provided enough historical distance for Brontë to make a serious and public, although implicit, critique of British slavery and British imperialism in the West Indies” (71). Perhaps. More likely, I would argue, is the possibility that Brontë was thinking not of West Indian slavery, but of American slavery.

The Death of Latin-American Slavery

1975 ◽  
Vol 17 (3) ◽  
pp. 350-357
Author(s):  
Frederick P. Bowser
Keyword(s):  
Latin American ◽  
American Slavery

The Overseers of Early American Slavery

2021 ◽  
Vol 42 (3) ◽  
pp. 663-665
Author(s):  
Tristan Stubbs
Keyword(s):  
American Slavery ◽  
Early American

Andrew Jackson, Black American Slavery, and the Trail of Tears

2021 ◽  
Vol 31 (1) ◽  
pp. 119-138
Author(s):  
Earnest N. Bracey ◽  
Keyword(s):  
United States ◽  
Native Americans ◽  
Life Time ◽  
The United States ◽  
Executive Power ◽  
American People ◽  
Andrew Jackson ◽  
Common Humanity ◽  
American Slavery ◽  
The People

Many revisionist historians today try to make the late President Andrew Jackson out to be something that he was not—that is, a man of all the people. In our uninhibited, polarized culture, the truth should mean something. Therefore, studying the character of someone like Andrew Jackson should be fully investigated, and researched, as this work attempts to do. Indeed, this article tells us that we should not accept lies and conspiracy theories as the truth. Such revisionist history comes into sharp focus in Bradley J. Birzer’s latest book, In Defense of Andrew Jackson. Indeed, his (selective) efforts are surprisingly wrong, as he tries to give alternative explanations for Jackson’s corrupt life and political malfeasance. Hence, the lawlessness of Andrew Jackson cannot be ignored or “white washed” from American history. More important, discrediting the objective truth about Andrew Jackson, and his blatant misuse of executive power as the U.S. President should never be dismissed, like his awful treatment of Blacks and other minorities in the United States. It should have been important to Birzer to get his story right about Andrew Jackson, with a more balanced approach in regards to the man. Finally, Jackson should have tried to eliminate Black slavery in his life time, not embrace it, based on the ideas of human dignity and our common humanity. To be brutally honest, it is one thing to disagree with Andrew Jackson; but it is quite another to feel that he, as President of the United States, was on the side of all the American people during his time, because it was not true. Perhaps the biggest question is: Could Andrew Jackson have made a positive difference for every American, even Black slaves and Native Americans?

American Slavery and Russian Serfdom in the Post-Emancipation Imagination

2020 ◽  
Author(s):  
Amanda Brickell Bellows
Keyword(s):  
African American ◽  
African Americans ◽  
Collective Memory ◽  
National Consciousness ◽  
American Slavery ◽  
Oil Paintings ◽  
Cultural Productions ◽  
The Core ◽  
Chattel Slavery ◽  
Emancipation Era

The abolition of Russian serfdom in 1861 and American slavery in 1865 transformed both nations as Russian peasants and African Americans gained new rights as subjects and citizens. During the second half of the long nineteenth century, Americans and Russians responded to these societal transformations through a fascinating array of new cultural productions. Analyzing portrayals of African Americans and Russian serfs in oil paintings, advertisements, fiction, poetry, and ephemera housed in American and Russian archives, Amanda Brickell Bellows argues that these widely circulated depictions shaped collective memory of slavery and serfdom, affected the development of national consciousness, and influenced public opinion as peasants and freedpeople strove to exercise their newfound rights. While acknowledging the core differences between chattel slavery and serfdom, as well as the distinctions between each nation’s post-emancipation era, Bellows highlights striking similarities between representations of slaves and serfs that were produced by elites in both nations as they sought to uphold a patriarchal vision of society. Russian peasants and African American freedpeople countered simplistic, paternalistic, and racist depictions by producing dignified self-representations of their traditions, communities, and accomplishments. This book provides an important reconsideration of post-emancipation assimilation, race, class, and political power.

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