Montgomery PhisterJr., Logical design of digital computers. John Wiley & Sons, Inc., New York1958, and Chapman & Hall, Limited, London 1958, xvi + 408 pp.

1958 ◽  
Vol 23 (3) ◽  
pp. 363-365
Author(s):  
Edward F. Moore
Keyword(s):  
Logical Design ◽  
Digital Computers

Logical Design of Digital Computers. Montgomery Phister, Jr.

1959 ◽  
Vol 26 (1) ◽  
pp. 48-50
Author(s):  
Samuel E. Gluck
Keyword(s):  
Logical Design ◽  
Digital Computers

Logical Design of Digital Computers.

1959 ◽  
Vol 13 (66) ◽  
pp. 139
Author(s):  
David E. Muller ◽  
Montgomery Phister
Keyword(s):  
Logical Design ◽  
Digital Computers

Logical design of digital computers

1958 ◽  
Vol 266 (2) ◽  
pp. 141
Author(s):  
Laurence C. McGinn
Keyword(s):  
Logical Design ◽  
Digital Computers

Logical Design of a Dispatching Unit

1993 ◽  
Author(s):  
Ratnesh Kumar ◽  
Vijay K. Garg ◽  
Steven I. Marcus
Keyword(s):  
Logical Design

Chips with Everything

2017 ◽  
Author(s):  
David Segal
Keyword(s):  
Quantum Computing ◽  
Integrated Circuits ◽  
Critical Role ◽  
Moore’S Law ◽  
Moore's Law ◽  
Silicon Chips ◽  
History Of ◽  
Future Potential ◽  
Digital Computers ◽  
Dna Computer

Chapter 3 highlights the critical role materials have in the development of digital computers. It traces developments from the cat’s whisker to valves through to relays and transistors. Accounts are given for transistors and the manufacture of integrated circuits (silicon chips) by use of photolithography. Future potential computing techniques, namely quantum computing and the DNA computer, are covered. The history of computability and Moore’s Law are discussed.

Do digital computers dream?

2018 ◽  
Vol 24 (3) ◽  
pp. 67-67
Author(s):  
Vasileios Kalantzis
Keyword(s):  
Digital Computers

Surface Media: McLuhan, the Bauhaus and the Tactile Values of TV

2021 ◽  
pp. 1357034X2110089
Author(s):  
Henning Schmidgen
Keyword(s):  
Media Use ◽  
Bruno Latour ◽  
Marshall Mcluhan ◽  
Political Factors ◽  
The Social ◽  
Human Actors ◽  
Sense Of Touch ◽  
Light Beams ◽  
Digital Computers

Marshall McLuhan understood television (TV) as a tactile medium. This understanding implied what Bruno Latour might call a ‘symmetrical’ conception of tactility. According to McLuhan, not only human actors are endowed with the sense of touch. In addition, TV, digital computers and other ‘electric media’ use light beams and similar scanning techniques for ceaselessly ‘caressing the contours’ of their surroundings. This notion of tactility was crucially shaped by the holistic aesthetics of the early Bauhaus. To get at the specific features of the TV image, McLuhan relied on the writings of László Moholy-Nagy and Sigfried Giedion, in particular their use of photography for capturing and highlighting the ‘texture’ of surfaces. However, he hardly reflected the social and political factors that, in the age of electric media, contribute to the ‘symmetricization’ of touch.

An Introduction to Automatic Digital Computers

1957 ◽  
Vol 8 (9) ◽  
pp. 313-313
Author(s):  
J Crank
Keyword(s):  
Digital Computers
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