Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot.

1997 ◽  
Vol 83 (4) ◽  
pp. 1462 ◽  
Author(s):  
Thomas Cripps ◽  
Michael Rogin
Keyword(s):  
White Noise ◽  
Melting Pot ◽  
Jewish Immigrants

Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot.

1997 ◽  
Vol 102 (4) ◽  
pp. 1244 ◽  
Author(s):  
David Nasaw ◽  
Michael Rogin
Keyword(s):  
White Noise ◽  
Melting Pot ◽  
Jewish Immigrants

“THEY THAT WALK IN DARKNESS”: GHETTO TRAGEDIES: THE USES OF CHRISTIANITY IN ISRAEL ZANGWILL’S FICTION

1999 ◽  
Vol 27 (1) ◽  
pp. 219-233 ◽  
Author(s):  
Meri-Jane Rochelson
Keyword(s):  
Turn Of The Century ◽  
Melting Pot ◽  
Victorian Era ◽  
The World ◽  
Israel Zangwill ◽  
Territorial Organization ◽  
Jewish Immigrants ◽  
Literary Output ◽  
Feminist Movements ◽  
The Universe

AT THE END of the Victorian era and in the first decades of the twentieth century, Israel Zangwill was a well-known name in Europe, America, and even the Middle East. The enormous success of his 1892 novel Children of the Ghetto had made Zangwill the spokesperson for English Jewry throughout the world, as he revealed and explained an alien community to its non-Jewish neighbors and made the universe of the Jewish immigrants more intelligible to their acculturated coreligionists. An early Zionist, Zangwill met with Theodore Herzl in London and attended the first Zionist Congress in Basel in 1897; he continued to participate in the movement until 1905, when he formed his own nationalist group, the Jewish Territorial Organization (ITO). He became active in the pacifist and feminist movements of the early 1900s, and his literary output of that period for the most part reflects those interests, although he still explored issues of Jewish identity in numerous short stories and the highly popular play The Melting Pot (1908). In all, Zangwill published eight novels, nine collections of short fiction, eleven plays, and a volume of poetry, writing on both Jewish and more general themes; and (with the exception of some of his later thesis drama) his work was for the most part both popular and acclaimed. During the later 1880s and 1890s Zangwill was a prolific journalist, publishing columns on literature and current topics not only in the Jewish Standard, but also in the comic paper Puck (later Ariel, which he also edited), the Critic, and the Pall Mall Magazine. In short, he was very much a turn-of-the-century literary personality, esteemed as one of their own by his Jewish readers, but also prominent in the more general transatlantic literary milieu.

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