David Duke and the Politics of Race in the South. Edited by John C. Kuzenski, Charles S. BullockIII, and Ronald Keith Gaddie. Nashville, TN: Vanderbilt University Press, 1995. 161p. $19.95.

1997 ◽  
Vol 91 (2) ◽  
pp. 460-461
Author(s):  
J. Morgan Kousser
Author(s):  
Charles S. Bullock ◽  
Susan A. MacManus ◽  
Jeremy D. Mayer ◽  
Mark J. Rozell

The long era of racial segregation and black voter suppression coincided with the old “Solid South” of Democratic dominance of the region. Among African Americans who could vote, they were loyal to the GOP, the party of Lincoln. The Voting Rights Act (VRA) and the civil rights movement more generally moved Southern blacks to the Democratic Party. The emergence of African American voters’ rights and their realigning to the Democratic Party have had the most profound impact on the politics of the region of the past half century. Today, Southern African Americans vote at about the same rate as whites and in some recent presidential elections have exceeded white participation. As whites realigned to the GOP, African Americans became a key component of the Democratic Party dominance of the South, with substantial influence on legislative priorities.


2011 ◽  
Vol 637 (1) ◽  
pp. 148-164 ◽  
Author(s):  
Noah Tamarkin

Apartheid South Africa enacted physical, structural, and symbolic forms of violence on racially marked South Africans, and postapartheid South Africa has enacted ambitious—though also limited—laws, policies, and processes to address past injustices. In this article, the author traces the South African political histories of one self-defined group, the Lemba, to understand how the violence they collectively experienced when the apartheid state did not acknowledge their ethnic existence continues to shape their ideas of the promise of democracy to address all past injustices, including the injustice of nonrecognition. The Lemba are known internationally for their participation in DNA tests that indicated their Jewish ancestry. In media discourses, their racialization as black Jews has obscured their racialization as black South Africans: they are presented as seeking solely to become recognized as Jews. The author demonstrates that they have in fact sought recognition as a distinct African ethnic group from the South African state consistently since the 1950s. Lemba recognition efforts show that the violence of nonrecognition is a feature of South African multicultural democracy in addition to being part of the apartheid past. The author argues that the racialization of religion that positions the Lemba as genetic Jews simplifies and distorts their histories and politics of race in South Africa.


Author(s):  
Charles S. Bullock ◽  
Susan A. MacManus ◽  
Jeremy D. Mayer ◽  
Mark J. Rozell

The concluding chapter summarizes key findings of the volume and points the way toward areas of future research and analysis of southern politics. It offers some projections about the future of the region, including its potentially key role in the 2020 elections. The discussion covers the many areas in which change is occurring, including changing demographics, changing partisanship, changing politics of race, and changing politics of religion, all leading up to a discussion of the changing politics of the Trump Era. In its final words, the chapter concludes that the direction of U.S. national politics and governing will continue to be driven substantially by what happens in the South.


2001 ◽  
Vol 29 (4) ◽  
pp. 708-730 ◽  
Author(s):  
Laura R. Woliver ◽  
Angela D. Ledford ◽  
Chris J. Dolan

2020 ◽  
Vol 49 (1) ◽  
pp. 115-147
Author(s):  
Ian Bekker ◽  
Erez Levon

AbstractThe dramatic reconfiguration of the social, political, and ideological order in South Africa since 1990/1994 has demanded a concomitant reconceptualization of (white) Afrikaner notions of self and belonging in the (new) nation. In this article, we draw on recent developments in the study of varidirectional voicing (polyphony), performance, and mediatization to examine how the South African rap-rave group Die Antwoord makes use of parody and metaparody in their music to critique emerging ‘new Afrikaner’ identities and the racial, class, and gender configurations on which they are based. We also discuss the structural limits of these critiques and the political potential of (meta)parodic performance more generally. ((Meta)parody, polyphony, performance, race, class, gender, South Africa)*


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