Consistent Inconsistencies: The Transvestite Actress Madame Vestris and Charlotte Brontë's Shirley

1996 ◽  
Vol 50 (4) ◽  
pp. 464-488 ◽  
Author(s):  
Elliott Vanskike
Keyword(s):  
Female Character ◽  
The Novel ◽  
Factory Owner ◽  
Patriarchal Culture ◽  
Male Dominated ◽  
And Gender ◽  
Title Character

In this paper I propose the transvestite actress Madame Vestris as an interpretive doppelgänger for the title character in Charlotte Brontë's novel Shirley. Vestris crossed gender lines not only in her cross-dressed performances on the Victorian stage but also in her incursion into the male-dominated realm of theater ownership. In this way she is like Shirley Keeldar, the fiercely independent female factory owner whom Brontë consistently depicts in masculine terms. Most critics read Shirley as a narrative and thematic fiasco because the protofeminist momentum that the novel accumulates from Brontë's portrayal of an independent, headstrong female character is brought to a halt when Shirley subjugates herself to a meek and weasly man. The ending of the novel has been almost unanimously dismissed as Brontë's submission to the very patriarchal culture that she set out to critique when she created the character of Shirley Keeldar. However, far from being the low point of Brontë's writing, the ending of the novel elevates the writing into a high satirical mode that only serves to intensify Brontë's criticism of society's treatment of women. Through reading Shirley by means of the narrative and gender disruptions that Vestris's performances staged, we can understand this curious narrative reversal at the end of the novel as a motivated strategy on the part of Brontë, not a lapse of craft.

scholarly journals Death as a Way of Women’s Resistance: Feminist Reading of Snow and Women at Point Zero

2021 ◽  
Vol 11 (3) ◽  
Author(s):  
Huda Khudhair Abbas
Keyword(s):  
Cultural Differences ◽  
Women's Rights ◽  
Gender Discrimination ◽  
Male Dominance ◽  
Female Character ◽  
Women’S Rights ◽  
Patriarchal Culture ◽  
Discrimination And Oppression ◽  
And Gender ◽  
Shed Light

Women’s life without oppression, suppression and discrimination is the claim of women’s rights. Women are subjected to discrimination or violence at various phases of life, by rules and cultures. Unfortunately, female discrimination and oppression are rooted in the cultures of male-dominated societies. Gender discrimination is the practice of denying or granting privilege or rights to someone according to her/his gender, and such practice is acceptable to both; in such societies with such practices and traditions, women’s mission for liberating themselves is seen to be impossible because they have to challenge longstanding customs and traditions of people. This study shed light on the practices of oppression, gender discrimination that women encounter from infancy to adulthood, from childhood to womanhood, as portrayed in Orhan Pamuk’s Snow and Nawal El Saadawi’s Women at Point Zero, as well as the various ways of resistance depending on the cultural differences. Their persistence trial to free themselves from oppression and male dominance. In Women at Point Zero, there is a link between the triple effect of patriarchy, religion, and class on women. This study examines how patriarchal culture, violence, oppression, and gender discrimination happen not only in a family; in contrast, the violence does not happen from men, husbands in families only, but again in wives, women’s resistance and reaction against them. In Snow, women many problems related to their religious norms. The women’s discrimination is because of using headscarves; Kadhife, the female character, is sketched as a woman who attempts to have her right to support and defend women’s rights in her place, Kars, and to retain wearing headscarves.

scholarly journals Aracnologias - As tecituras de Penélope

2009 ◽  
pp. 97-108
Author(s):  
Cristina Stevens
Keyword(s):  
Gender Studies ◽  
Margaret Atwood ◽  
Female Character ◽  
The Novel ◽  
And Gender

Resumo: Análise da personagem Penélope, de Homero, e a transformação ousada de Joyce dessa representação clássica da fidelidade feminina em Molly Bloom, a esposa infiel, sexualizada, trivial, lírica. Essas duas personagens são comparadas com sua mais recente recriação em The Penelopiad (2005), da escritora canadense Margaret Atwood. Uma importante categoria analítica dos estudos feministas e de gênero, a questão da voz é enfatizada na presente análise; essa personagem feminina é objeto da narrativa masculina (A Odisseia e Ulisses), mas no romance de Atwood essa personagem é sujeito de sua narrativa, elaborando uma tecitura “penelopeana” transgressora da versão clássica. Focalizaremos também o poder do silêncio na narrativa de autoria feminina, através do monólogo interior de Molly e da voz que fala do mundo dos mortos em The Penelopiad. Os conceitos de “abjeto” e “linguagem semiótica” de Kristeva são base para nosso trabalho, o qual problematiza a aparente imagem de passividade dessas mulheres que buscam o controle sobre suas vidas.Palavras-Chave: literaturas em língua inglesa; gênero; psicanálise.Abstract: Analysis of Homer’s Penelope and Joyce’s daring transformation of the classical personification of woman’s quintessential loyal wife into the unfaithful, earthly, sexualized, trivial, lyrical, Molly Bloom. These two characters will be compared with a more contemporary recreation: Margaret Atwood’s, in the novel The Penelopiad (2005). An important category for feminist and gender studies, voice/voicelessness is emphasized in our analysis; this female character, is both object of male-authored fiction (The Odyssey and Ulysses), and subject of the (un)weaving of a transgressive Penelopean “textile” (The Penelopiad). We also focus on the empowerment of “silence” in female narrative, through Molly´s interior monologue and Atwood’s Penelope, who speaks from the underworld. Kristeva’s concepts of the “abject” and “semiotic language” inform our analysis, which counters the image of passivity of these apparently mute women, who nevertheless retain control over their lives.Keywords: Literatures in English; gender; psychoanalysis.

Diaghilev and British Writing

2009 ◽  
Vol 27 (1) ◽  
pp. 65-92
Author(s):  
Susan Jones
Keyword(s):  
Visual Arts ◽  
The Body ◽  
The Novel ◽  
Literary Responses ◽  
Literary Aesthetics ◽  
Ballets Russes ◽  
The Arts ◽  
The Subject ◽  
And Gender ◽  
Opening Up

This article explores the diversity of British literary responses to Diaghilev's project, emphasising the way in which the subject matter and methodologies of Diaghilev's modernism were sometimes unexpectedly echoed in expressions of contemporary British writing. These discussions emerge both in writing about Diaghilev's work, and, more discretely, when references to the Russian Ballet find their way into the creative writing of the period, serving to anchor the texts in a particular cultural milieu or to suggest contemporary aesthetic problems in the domain of literary aesthetics developing in the period. Figures from disparate fields, including literature, music and the visual arts, brought to their criticism of the Ballets Russes their individual perspectives on its aesthetics, helping to consolidate the sense of its importance in contributing to the inter-disciplinary flavour of modernism across the arts. In the field of literature, not only did British writers evaluate the Ballets Russes in terms of their own poetics, their relationship to experimentation in the novel and in drama, they developed an increasing sense of the company's place in dance history, its choreographic innovations offering material for wider discussions, opening up the potential for literary modernism's interest in impersonality and in the ‘unsayable’, discussions of the body, primitivism and gender.

Minorities in the Contemporary Egyptian Novel

2018 ◽  
Author(s):  
Mary Youssef
Keyword(s):  
Literary History ◽  
First Century ◽  
Nation State ◽  
Colonial Rule ◽  
The Novel ◽  
Robust Analysis ◽  
Specific Approach ◽  
And Gender ◽  
Context Specific ◽  
Historical Moment

This book examines questions of identity, nationalism, and marginalization in the contemporary Egyptian novel from a postcolonial lens. Under colonial rule, the Egyptian novel invoked a sovereign nation-state by basking in its perceived unity. After independence, the novel professed disenchantment with state practices and unequal class and gender relations, without disrupting the nation’s imagined racial and ethno-religious homogeneity. This book identifies a trend in the twenty-first-century Egyptian novel that shatters this singular view, with the rise of a new consciousness that presents Egypt as fundamentally heterogeneous. Through a robust analysis of “new-consciousness” novels by authors like Idris ᶜAli, Bahaᵓ Tahir, Miral al-Tahawi, and Yusuf Zaydan, the author argues that this new consciousness does not only respond to predominant discourses of difference and practices of differentiation along the axes of race, ethno-religion, class, and gender by bringing the experiences of Nubian, Amazigh, Bedouin, Coptic, Jewish, and women minorities to the fore of Egypt’s literary imaginary, but also heralds the cacophony of voices that collectively cried for social justice from Tahrir Square in Egypt’s 2011-uprising. This study responds to the changing iconographic, semiotic, and formal features of the Egyptian novel. It fulfills the critical task of identifying an emergent novelistic genre and develops historically reflexive methodologies that interpret new-consciousness novels and their mediatory role in formalizing and articulating their historical moment. By adopting this context-specific approach to studying novelistic evolution, this book locates some of the strands that have been missing from the complex whole of Egypt’s culture and literary history.

Who’s holding up the sky? On Rymba, a novel by A. Bushkovsky

2020 ◽  
Vol 1 (1) ◽  
pp. 150-158
Author(s):  
A. V. Zhuchkova
Keyword(s):  
Gender Politics ◽  
The State ◽  
Christian Faith ◽  
The Novel ◽  
Central Question ◽  
Men And Women ◽  
Flood Zone ◽  
The Social ◽  
Russian North ◽  
And Gender

The article deals with A. Bushkovsky’s novel Rymba that goes beyond the topics typical of Russian North prose. Rather than limiting himself to admiring nature and Russian character, the author portrays the northern Russian village of Rymba in the larger context of the country’s mentality, history, mythology, and gender politics. In the novel, myth clashes with reality, history with the present day, and an individual with the state. The critic draws a comparison between the novel and the traditions of village prose and Russian North prose. In particular, Bushkovsky’s Rymba is discussed alongside V. Rasputin’s Farewell to Matyora [ Proshchanie s Matyoroy ] and R. Senchin’s The Flood Zone [ Zona zatopleniya ]. The novel’s central question is: what keeps the Russian world afloat? Depicting the Christian faith as such a bulwark, Bushkovsky links atheism with the social and spiritual roles played by contemporary men and women. The critic argues, however, that the reliance on Christianity in the novel verges on an affectation. The book’s main symbol is a drowning hawk: it perishes despite people’s efforts to save it.

Highlighting the Correlation Between Telomere Shortening and the Susceptibility to the Novel SARS-CoV-2 Virus (COVID-19)

2020 ◽  
Author(s):  
Aml Ghanem
Keyword(s):  
Telomere Length ◽  
Stress Responses ◽  
Viral Infections ◽  
Deep Understanding ◽  
The Elderly ◽  
The Novel ◽  
Telomere Shortening ◽  
Infection Pathways ◽  
And Gender ◽  
Demographic Distribution

COVID-19 is a global crisis that requires a deep understanding of infection pathways to facilitate the development of effective treatments and vaccines. Telomere, which is regarded as a biomarker for other respiratory viral infections, might influence the demographic distribution of COVID-19 infection and fatality rates. Viral infection can induce many cellular remodeling events and stress responses, including telomere specific alterations, just as telomere shortening. In brief, this letter aims to highlight the connection between telomere shortening and susceptibility to COVID-19 infection, in addition to changes in telomeric length according to the variation of age and gender of confirmed cases with COVID-19 infection. To sum up, the correlation is revealed from the available data that connect telomere length and COVID-19 infection, demonstrated in the fact that the elderly patients and males are more susceptible to COVID-19 due to shortening in their telomere length.

North and South

2008 ◽  
Author(s):  
Elizabeth Gaskell ◽  
Sally Shuttleworth
Keyword(s):  
Middle Class ◽  
Difficult Problem ◽  
The Novel ◽  
Social Authority ◽  
Industrial Town ◽  
Middle Class Woman ◽  
Class Woman ◽  
And Gender ◽  
North And South ◽  
Obedience To Authority

`She tried to settle that most difficult problem for women, how much was to be utterly merged in obedience to authority, and how much might be set apart for freedom in working.’ North and South is a novel about rebellion. Moving from the industrial riots of discontented millworkers through to the unsought passions of a middle-class woman, and from religious crises of conscience to the ethics of naval mutiny, it poses fundamental questions about the nature of social authority and obedience. Through the story of Margaret Hale, the middle-class southerner who moves to the northern industrial town of Milton, Gaskell skilfully explores issues of class and gender in the conflict between Margaret’s ready sympathy with the workers and her growing attraction to the charismatic mill ownder, John Thornton. This new revised and expanded edition sets the novel in the context of Victorian social and medical debate.

Re-membering Syria’s Traumatic Past: Gender, Poetics, and Loss in Manhal al-Sarrāj’s As a River Should

2021 ◽  
Vol 52 (1-2) ◽  
pp. 202-227
Author(s):  
Linda Istanbulli
Keyword(s):  
Armed Conflict ◽  
Armed Conflicts ◽  
Traumatic Memory ◽  
The Novel ◽  
Historical Interpretation ◽  
The Past ◽  
Traumatic History ◽  
History Of ◽  
And Gender ◽  
The City

Abstract In a system where the state maintains a monopoly over historical interpretation, aesthetic investigations of denied traumatic memory become a space where the past is confronted, articulated, and deemed usable both for understanding the present and imagining the future. This article focuses on Kamā yanbaghī li-nahr (As a river should) by Manhal al-Sarrāj, one of the first Syrian novels to openly break the silence on the “1982 Hama massacre.” Engaging the politics and poetics of trauma remembrance, al-Sarrāj places the traumatic history of the city of Hama within a longer tradition of loss and nostalgia, most notably the poetic genre of rithāʾ (elegy) and the subgenre of rithāʾ al-mudun (city elegy). In doing so, Kamā yanbaghī li-nahr functions as a literary counter-site to official histories of the events of 1982, where threatened memory can be preserved. By investigating the intricate relationship between armed conflict and gender, the novel mourns Hama’s loss while condemning the violence that engendered it. The novel also makes new historical interpretations possible by reproducing the intricate relationship between mourning, violence, and gender, dislocating the binary lines around which official narratives of armed conflicts are typically constructed.

Queer Masculinities: Gender Roles, the Abject and Bottomhood in Ocean Vuong’s On Earth We’re Briefly Gorgeous

2021 ◽  
Vol 139 (4) ◽  
pp. 739-757
Author(s):  
Christina Slopek
Keyword(s):  
Gender Roles ◽  
Coming Out ◽  
Sexual Intimacy ◽  
The Novel ◽  
Language Politics ◽  
White American ◽  
Sexual Orientations ◽  
Gender Performances ◽  
To Come ◽  
And Gender

Abstract This article analyzes queerness in Ocean Vuong’s On Earth We’re Briefly Gorgeous (2019), teasing out how the queer relationship at the core of the novel is framed. Ocean Vuong’s novel mobilizes queerness to straddle boundaries between cultures, gender roles and bodies. On Earth We’re Briefly Gorgeous places the queer sexual orientations and gender performances of its protagonists, one Vietnamese American, one white American, in firm relation to the formative force of cultural contexts. Zooming in on two young boys’ queerness, the novel diversifies gender roles and makes room especially for non-normative masculinities. What is more, On Earth We’re Briefly Gorgeous mobilizes the abject to showcase how queer sexual intimacy straddles boundaries between bodies and subjects. The article attends to language politics in connection with the novel’s coming-out performance, striated constructions of gender roles and their interplay with the abject and “bottomhood” (Nguyen 2014: 2) to come to grips with the novel’s diversification of queer masculinities.

scholarly journals Diving into the Subconscious of Women and Nature: Margaret Atwood’s Surfacing as an Ecofeminist Novel

2018 ◽  
Vol 6 (10) ◽  
pp. 12
Author(s):  
Hyma Santhosh
Keyword(s):  
Margaret Atwood ◽  
Female Gender ◽  
Worth Living ◽  
The Novel ◽  
Life Worth Living ◽  
Female Community ◽  
Close Relationship ◽  
Rapid Industrialization ◽  
Male Dominated ◽  
Self Discovery

Woman and nature can be considered the best creations of god. Both together keep the earth alive and balanced through the process of creation. The male dominated practices have destroyed the nature as well as women. This paper deals with the different aspects of Eco-feminism through the novel Surfacing by Margaret Atwood. The narrator’s quest to the wilderness of Canada in search for her father which leads to a quest of self-discovery in the lap of nature becomes the major focus of this paper. The unknown protagonist becomes a representative of the entire female community. The realization that women are just an object to be conquered and violated by men is what leads to the ‘surfacing’ of the protagonist. In complete harmony with nature excluding clothes, language, food etc. the protagonist goes crazy which gives her more happiness that with her other relationships. The paper also tries to analyse the close relationship between women and nature and how the virgin nature and woman are destroyed by the invasion of the male community. Repressed gender roles, submissiveness, self-realization through nature and the challenges faced by women that are presented. The concept of women and nature as both victims of the male dominated society is also emphasized. This novel is the perfect literary example of an Eco-feminist work that portrays the destruction of women and nature even in the minutest episodes in the novel. Nature is a treasure-house of many myths that lay hidden in the beliefs, rights and rituals of the aboriginals which are passed from one generation to another. In the same manner women also are the sustainer's of many myths that the male society has made upon her. The mother i.e. both woman and nature is examined here.In a vast country like Canada,nature comprises to its majority through its wilderness.This wilderness hides many priceless virtues and knowledge that can be learnt only in complete harmony with nature.Surfacing is not just the journey of a woman but it is the quest that the female gender thrives for.This paper combines the theories of eco-criticism, eco-feminism and to analyse the novel Surfacing into a biological whole that merges nature, man and the beliefs of man that make existence meaningful and life worth living. In an era of rapid industrialization and materialism, it is necessary to go on a quest back to nature and learn how life was easier in the lap of nature. Great writers like Shakespeare,Chaucer and Wordsworth were able to carve out such master pieces only because of their relationship with the purest and virgin nature which is the greatest teacher for mankind of all times.

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