Women on the Color Line: Evolving Stereotypes and the Writings of George Washington Cable, Grace King, Kate Chopin.

1990 ◽  
Vol 62 (3) ◽  
pp. 511
Author(s):  
Bernard Koloski ◽  
Anna Shannon Elfenbein
Keyword(s):  
Kate Chopin ◽  
Color Line ◽  
George Washington ◽  
George Washington Cable ◽  
Grace King

Weak Whites: Yellow Fever in Three Nineteenth-Century Louisiana Novels

2020 ◽  
Vol 70 (1) ◽  
pp. 33-55
Author(s):  
Robin Anita White
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
New Orleans ◽  
Yellow Fever ◽  
Woman Writer ◽  
George Washington ◽  
George Washington Cable ◽  
The Third ◽  
Nineteenth Century Novels ◽  
The Voice

Since the eighteenth century, yellow fever has had a racialized history in New Orleans and elsewhere in the Americas stemming, in part, from the disease’s origins in West Africa. There was a misconception that blacks were less likely to fall victim to the disease. This article establishes the theories around contagion and susceptibility, showing that whites, especially foreigners, were thought to be at greater risk for what was called the “Strangers’ Disease.” It then analyzes three nineteenth-century novels about New Orleans wherein yellow fever plays an important role. Two of the novels are quite well known: The Grandissimes: A Story of Creole Life (1880) by George Washington Cable and Chita: A Memory of Last Island (1889) by Lafcadio Hearn. The third novel, Amitié et dévouement, ou Trois mois à la Louisiane (1845) by Camille Lebrun, although virtually forgotten, is especially important as it represents the voice of a French woman writer whose views on race differ from those of the two other authors.

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