The Metafictional Muse: The Works of Robert Coover, Donald Barthelme, and William H. Gass.

1983 ◽  
Vol 55 (3) ◽  
pp. 484
Author(s):  
Michael Davidson ◽  
Larry McCaffery
Keyword(s):  
Robert Coover

scholarly journals O PROCESSO CRIATIVO EM THE BROTHER, DE ROBERT COOVER: UMA RELEITURA DO SAGRADO NA CONTEMPORANEIDADE

2014 ◽  
Vol 1 (36) ◽  
pp. 228-249
Author(s):  
Fernanda Aquino Sylvestre
Keyword(s):  
Robert Coover

Robert Coover é um importante escritor norte-americano preocupado com as perspectivas sociais, psicológicas, econômicas e políticas contemporâneas e com o modo como elas se configuram na formação da sociedade do seu país. Essa preocupação se reflete tanto nas técnicas de construção de suas histórias, quanto nas críticas apresentadas em suas narrativas. O trabalho em questão discute a reescrita que Coover faz de mitos bíblicos dentro do contexto pós-moderno, globalizado, compondo novos textos que subvertem os elementos tradicionais da narrativa. Mais especificamente, este artigo analisa a reescrita que o autor norte-americano empreende acerca da passagem bíblica da Arca de Noé no conto “The Brother”.  

Huck Out West: A Novel by Robert Coover

2018 ◽  
Vol 53 (3) ◽  
pp. 397-398
Author(s):  
Alex Hunt
Keyword(s):  
Robert Coover

Echoes from Other Rooms: Joseph Cornell, Robert Coover, and the Transmedial Narrativity of Collage

Tekstualia ◽  
2017 ◽  
Vol 1 (3) ◽  
pp. 33-44
Author(s):  
Michael Heitkemper-Yates
Keyword(s):  
Robert Coover ◽  
Structural Correspondence ◽  
Joseph Cornell ◽  
Narrative Forms

The author of the article focuses on narrative and non-narrative forms of collage. The non-narrative collage is intended as a text without the characters, events, and/ or semiotic content necessary to evoke a narrative script. The non-narrative collage is, therefore, unable to introduce a distinct storyworld, or to potentially communicate any narrative meaning that goes beyond the structural correspondence(s) of its intra-textual components.

Carnival of Shame: Doctorow and the Rosenbergs

1996 ◽  
Vol 6 (1) ◽  
pp. 63-85
Author(s):  
Robert Detweiler
Keyword(s):  
Traumatic Events ◽  
Pulitzer Prize ◽  
Arthur Miller ◽  
Robert Coover ◽  
The Public ◽  
Book Of Daniel ◽  
The Moment ◽  
Angels In America

“Literature can turn language, for the moment at least, against the sentence of death.”Considering the national and international furor provoked by the sensational early 1950's “atom spy” trial and execution of Julius and Ethel Rosenberg, one may be surprised that these dramatic and traumatic events have not inspired more literary artistry than they have. But a prominent playwright, Arthur Miller, did write The Crucible (produced in 1953) in part as a response to the rabid McCarthyism of that era, and two highly regarded novelists in a later decade composed ambitious novels drawing directly on the Rosenberg affair: E. L. Doctorow in The Book of Daniel (1971) and Robert Coover in The Public Burning (1977). In 1987, Sidney Lumet produced the little noticed film Daniel, based on Doctorow's novel, and still more recently Tony Kushner's Pulitzer Prize-winning play, Angels in America, with Ethel Rosenberg as one of the characters, has been playing on Broadway.

Noir de Robert Coover ou le noir revisité

2011 ◽  
Vol 64 (4) ◽  
pp. 439
Author(s):  
Françoise Sammarcelli
Keyword(s):  
Robert Coover
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