Jennifer Montagu. Gold, Silver and Bronze: Metal Sculpture of the Roman Baroque. The A.W. Mellon Lectures in the Fine Arts, 1990. The National Gallery of Art, Washington, DC. Bollingen Series 35, 39. Princeton: Princeton University Press, 1996. 267 illus. + 12 pls. + xvii + 262 pp. $59.50. ISBN: 0-691-02736-6.

Alan Phipps Darr

doi:10.2307/2901602

Jennifer Montagu. Gold, Silver and Bronze: Metal Sculpture of the Roman Baroque. The A.W. Mellon Lectures in the Fine Arts, 1990. The National Gallery of Art, Washington, DC. Bollingen Series 35, 39. Princeton: Princeton University Press, 1996. 267 illus. + 12 pls. + xvii + 262 pp. $59.50. ISBN: 0-691-02736-6.

Renaissance Quarterly ◽

10.2307/2901602 ◽

1998 ◽

Vol 51 (2) ◽

pp. 630-631

Author(s):

Alan Phipps Darr

Keyword(s):

Fine Arts ◽

Washington Dc ◽

National Gallery ◽

Princeton University ◽

Gold Silver ◽

National Gallery Of Art

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John Shearman. Only Connect. . . Art and the Spectator in the Italian Renaissance. (The A. W. Mellon Lectures in the Fine Arts, 1988. The National Gallery of Art, Washington, DC. Bollingen Series XXXV.37.) Princeton: Princeton University Press, 1992. 25 color pls. + 201 b&w figs. 4- xvii + 281 pp. $49.50.

Renaissance Quarterly ◽

10.2307/2863352 ◽

1995 ◽

Vol 48 (1) ◽

pp. 192-194

Author(s):

Rona Goffen

Keyword(s):

Fine Arts ◽

Italian Renaissance ◽

Washington Dc ◽

National Gallery ◽

Princeton University ◽

The Spectator ◽

National Gallery Of Art

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T. S. R. Boase. Giorgio Vasari: The Man and the Book. (A. W. Mellon Lectures in the Fine Arts, Bollingen Séries XXXV, number 20.) Princeton: Princeton University Press, for the National Gallery of Art, Washington. 1979. Pp. xxiv, 367. $25.00

The American Historical Review ◽

10.1086/ahr/86.2.418 ◽

1981 ◽

Keyword(s):

Fine Arts ◽

National Gallery ◽

Giorgio Vasari ◽

Princeton University ◽

National Gallery Of Art

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Review of: Thomas Crow,RESTORATION: THE FALL OF NAPOLEON IN THE COURSE OF EUROPEAN ART, 1812–1820, Princeton: Princeton University Press, 2018, The A.W. Mellon Lectures in the Fine Arts National Gallery of Art, Washington, D.C. Bollingen Series XXXV: vol. 64, 202 pages, 171 illustrations.

The Historical Review/La Revue Historique ◽

10.12681/hr.22804 ◽

2020 ◽

Vol 16 ◽

pp. 275

Author(s):

Eugénie Drakopoulou

Keyword(s):

Fine Arts ◽

National Gallery ◽

Princeton University ◽

National Gallery Of Art

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A Thoughtful Gravity: Childhood in Winslow Homer's Early PaintingsThe Paintings of Winslow Homer. National Gallery of Art, Washington, DC, October 15, 1995-January 28, 1996; Museum of Fine Arts, Boston, February 21-May 26, 1996.Metropolitan Museum of Art, New York, June 20-Septem-ber 22, 1996.

The San Francisco Jung Institute Library Journal ◽

10.1525/jung.1.1996.15.2.25 ◽

1996 ◽

Vol 15 (2) ◽

pp. 25-34

Author(s):

Sherrye Cohn

Keyword(s):

New York ◽

Fine Arts ◽

Washington Dc ◽

National Gallery ◽

Metropolitan Museum ◽

Metropolitan Museum Of Art ◽

Museum Of Fine Arts ◽

Winslow Homer ◽

National Gallery Of Art

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Oleg Grabar: The mediation of ornament. The A. W. Mellon Lectures in the Fine Arts, 1989, The National Gallery of Art, Washington, D.C. (Bollingen Series, xxxv. 38.) xxv, pp. 284, 30 Plates. Princeton University Press, 1992. £35, $49.50.

Bulletin of the School of Oriental and African Studies ◽

10.1017/s0041977x00010958 ◽

1995 ◽

Vol 58 (2) ◽

pp. 361-363

Author(s):

Barbara Brend

Keyword(s):

Fine Arts ◽

National Gallery ◽

Princeton University ◽

National Gallery Of Art

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John Shearman. Only Connect …: Art and the Spectator in the Italian Renaissance. (The A. W. Mellon Lectures in the Fine Arts, 1988, number 37; Bollingen Series, number 35.) Princeton: Princeton University Press, for the National Gallery of Art, Washington, D.C. 1992. Pp. xvii, 281; 201 plates. $49.50

The American Historical Review ◽

10.1086/ahr/99.3.933 ◽

1994 ◽

Cited By ~ 1

Keyword(s):

Fine Arts ◽

Italian Renaissance ◽

National Gallery ◽

Princeton University ◽

The Spectator ◽

National Gallery Of Art

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Sarah Greenough and Diane Waggoner (eds.), The Art of the American Snapshot, 1888–1978: From the Collection of Robert E. Jackson (Washington, DC: National Gallery of Art in association with Princeton University Press, 2007, $55.00/£28.00). Pp. 288. isbn978 0 691 13368 3.

Journal of American Studies ◽

10.1017/s0021875808005689 ◽

2008 ◽

Vol 42 (3) ◽

pp. 593-594

Author(s):

WENDY E. WARD

Keyword(s):

Washington Dc ◽

National Gallery ◽

Princeton University ◽

National Gallery Of Art

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Brown, (John) Carter, (8 Oct. 1934–17 June 2002), Director, National Gallery of Art, Washington, DC, 1969–92, then Director Emeritus; Chairman: US Commission of Fine Arts, since 1971; Ovation Inc., the Arts Network, since 1993

10.1093/ww/9780199540884.013.u9028 ◽

2007 ◽

Keyword(s):

Fine Arts ◽

Washington Dc ◽

National Gallery ◽

The Arts ◽

National Gallery Of Art

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John Shearman, Only Connect… Art and the Spectator in the Italian Renaissance, Washington DC-Princeton NJ, The National Gallery of Art-Princeton University Press, « Bollingen Séries XXV, 37 », 1992, 281 p.

Annales Histoire Sciences Sociales ◽

10.1017/s0395264900099224 ◽

1993 ◽

Vol 48 (6) ◽

pp. 1625-1628

Author(s):

Olivier Bonfait

Keyword(s):

Italian Renaissance ◽

Washington Dc ◽

National Gallery ◽

Princeton University ◽

The Spectator ◽

National Gallery Of Art

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Reasons to Look Back: Judith Leyster, 1609–1660, National Gallery of Art, Washington, DC, June 21–November 29, 2009.

Early Modern Women ◽

10.1086/emw23541523 ◽

2010 ◽

Vol 5 ◽

pp. 261-268

Author(s):

Aneta Georgievska-Shine

Keyword(s):

Washington Dc ◽

National Gallery ◽

Look Back ◽

National Gallery Of Art

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