Florence, 1492: The Reappearance of Plotinus*

1996 ◽  
Vol 49 (3) ◽  
pp. 488-508 ◽  
Author(s):  
Henri D. Saffrey

In the western world, Plotinus was only a name until 1492. None of his treatises had been translated during the Middle Ages, and the translations dating back to antiquity had been lost. He was not totally unknown, however, thanks to scholars like Firmicus Maternus, Saint Augustine, Macrobius, and to those parts of the works of Proclus translated in the thirteenth century by William of Moerbeke. But Plotinus's own writings remained completely unknown,and as Vespasiano da Bisticci observed in his Vite, “senza i libri non si poteva fare nulla” (“without the books, nothing can be done”). This fact was to change completely only with the publication by Marsilio Ficino of his Latin translation of the Enneads.

1993 ◽  
Vol 43 (1) ◽  
pp. 302-319 ◽  
Author(s):  
Stefania Fortuna

During the sixteenth century Galen'sDe constitutione artis medicae(i.224–304 Kühn) enjoyed a great success: in about fifty years it received four different Latin translations and three commentaries. Certainly this is also true of other medical classical texts, but such success is surprising for a treatise which did not have a wide circulation either in the Middle Ages or in the seventeenth century and later. In fact it is preserved in its entirety in only one Greek manuscript (Florence, Laur. plut. 74.3 = L of the twelfth or thirteenth century, with later corrections = L) and in a Latin translation by Niccolò of Reggio, who worked mainly for King Robert I in Naples in the first half of the fourteenth century. Furthermore, in his edition of 1679 René Chartier made a mistake, which the humanistic editors of the Greek Galen had avoided. The last part of theDe const, art. med.itself enjoyed a considerablefortunaas an independent tract on prognosis in the Greek and Latin manuscript tradition. The editors of the Aldine and the Basle editions knew such anexcerptum, at least in the manuscript Par. gr. 2165 (= P) of the sixteenth century, and rightly decided not to print it. Chartier found it in the manuscript Par. gr. 2269 of the fifteenth or sixteenth century, and published it in the wrong belief that it was a new treatise of Galen's (vol. ii. 170–95 = viii.891–5). He was followed by Carl Gottlob Kühn in his edition of 1821, who printed theDe const, art. med.in the first volume (289–304) and theDe praesagiturain vol. xix.497–511. The error was not publicly detected until Kalbfleisch in 1896.


Traditio ◽  
2013 ◽  
Vol 68 ◽  
pp. 259-276
Author(s):  
D. Dudley Stutz

In 1232 Pope Gregory IX (r. 1227–41) imposed a tenth of episcopal revenues on prelates of Occitania to subsidize the church of Valence, which owed 10,000 poundstournoisto various bankers of Vienne, Rome, Lyons, and Siena. In 1865 B. Hauréau first noted the event when he edited one of the main documents in theGallia christianavolume concerning the ecclesiastical province of Vienne. With the publication of Gregory IX's register from 1890–1908 most of the facts of the tax were more widely available. In 1910 Ulysse Chevalier briefly mentioned the tax in his monograph on the long tenure of John of Bernin, archbishop of Vienne (r. 1218–66). In 1913, Heinrich Zimmermann cited Hauréau's text in a note in his detailed treatment of early thirteenth-century papal legations. Recently Alain Marchandisse reviewed eight of the eleven papal letters pertaining to the tax in his study of William of Savoy (d. 1239) as bishop-elect of Liège. These scholars provided no reason for the debt or why the papacy would take such measures to ensure payment. Perhaps they did not study this tax further because a church indebted to moneylenders is not in itself surprising. It appears that the church of Valence acquired the debt, very large compared to the church's income, when bishop-elect William of Savoy (r. 1225–39) waged war against Adhémar II of Poitiers-Valentinois, count of the Valentinois (r. 1189–1239). Struggles between bishops and the local nobility occurred on a regular basis throughout the Middle Ages, so what in this unimportant Rhone-valley diocese interested the pope enough to impose taxes on prelates of Occitania over twenty years to ensure payment of this debt? Adhémar II faithfully supported Raymond VI (r. 1194–1222) and Raymond VII (r. 1222–49) of Saint-Gilles, counts of Toulouse, throughout their struggle with the papacy during and following the Albigensian crusades. Adhémar II was also their vassal for the Diois, which borders the Valentinois on the southeast and comprised the northern portion of the marquisate of Provence. These lands had been reserved for the church in the Treaty of Meaux-Paris (1229), which ended the Albigensian crusades. Thus William of Savoy as bishop-elect of Valence defended the papacy's claims on the marquisate of Provence, which the papacy deemed part of the larger struggle between the Roman church and the counts of Toulouse. The facts on the nature of the debts and the steps the papacy took to aid the diocese show that the local struggle between the bishop of Valence and the count of the Valentinois embodied a part of the larger struggle between the papacy and the counts of Toulouse over the marquisate of Provence, which began as early as 1215.


2013 ◽  
pp. 49-59 ◽  
Author(s):  
Bryan Gillingham

One of the difficulties in creating an adequate picture of the contextual situation for music, other than that clearly associated with the liturgy, in the Middle Ages, is the paucity of accounts describing performance circumstances. We know little about the social milieu and purposes attending genres marginal to the liturgy such as the conductus and thirteenth-century motet. A manuscript which seems to redress this problem, albeit for one very specific instance, is Vat. lat. 2854 in the Vatican library in Rome. This manuscript is unusual in that it contains not only music but a detailed account of why the music was written. The author, Bonaiutus de Casentino, active in the circle of Pope Boniface VIII, prepared the manuscript in the last decade of the thirteenth century at Rome. The document includes various poems, sacred and secular, as well as two Latin songs written in late Franconian notation. One of the pieces is a two-voice conductus (Hec medela corporalis) which was written, according to the account of Bonaiutus himself, in order to cure the maladies of an ailing pontif. The pontifical complaints seemed to be both psychological and intestinal in nature. It was the hope of Bonaiutus not only to provoke laughter (always a curative), but also to cleanse the papal bowels through his composition. Although one cannot generalize on the basis of this single incident, it does yield a fascinating glimpse into a possible venue for the conductus.


1912 ◽  
Vol 6 ◽  
pp. 89-128
Author(s):  
H. G. Richardson

Until the thirteenth century records touching the parish clergy are scanty, but thereafter they increase in bulk and, with the fourteenth century, there exist, side by side, a number of literary works which afford more than a passing glance at their lives and deeds. The parish priests and clerks of these centuries were not perhaps typical of the mediaeval period, since no century or centuries will afford a type of any class or institution which will be true for the whole of the Middle Ages; and it is possible that the tenthcentury parish and its people resembled the parish and people of the fourteenth century as little—or as much—as the Elizabethan parish resembled the parish of the present day. The changes that affected so profoundly the organisation of the manor during the course of the Middle Ages did not leave its counterpart, the parish, unaltered; and the same economic forces that helped to make the villein a copyholder and serfdom an anachronism, helped also to raise the chaplain's wages from five to eight marks within thirty years of the Black Death. But although the


1913 ◽  
Vol 45 (3) ◽  
pp. 613-626 ◽  
Author(s):  
M. Gaster

The Jews have never practically lost sight of the Samaritans, unlike the Christians, who for at least a thousand years had entirely forgotten their existence, as no writer or pilgrim to the Holy Land speaks of them with the solitary exception of Mandeville. It was therefore a great surprise to the Western world when at the beginning of the seventeenth century the darkness began to be lifted, and through Scaliger, Huntingdon, and Della Valle for the first time authentic news about the Samaritans, their language, and their Bible began to reach Europe.


2019 ◽  
Vol 25 (1) ◽  
pp. 53-68 ◽  
Author(s):  
Stefano Adamo ◽  
David Alexander ◽  
Roberta Fasiello

This work is focused on an issue scarcely examined in the literature, concerning the analysis of the relationship existing between time and accounting practice. The aim is to highlight how changes in the interpretation of the concept of time influenced the development of accounting practices and contributed to the rise of periodical accounting reporting from the beginning of the thirteenth century to the end of the fifteenth century. The socio-economic context existing in Italy in the Middle Ages, the development of commercial partnerships among merchants ( compagnie) and the international trade created the conditions for the development of periodical reporting. The relevance assigned to time in economic activity is one of the crucial factors of the rise of accounting information related to recurring accounting periods. Furthermore, the article shows how the concept of time is important and its significance widely underestimated, in a variety of further applications.


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