A. B. Chambers. Transfigured Rites in Seventeenth-Century Poetry. Columbia and London: University of Missouri Press, 1992. xiii + 275 pp. $39.95.

How should one go about reading German 17th century poetry? Dirk Werle answers this question on the basis of a consistently historical understanding of both genre and epoch. In the seventeenth century, “poetry” had a decidedly different meaning from what we take it to be today, and there was no such thing as our term “Baroque”. For each of the chapter's introductory analyses, from which more general considerations and points of view are developed, poems have been selected that do not appear in relevant anthologies and therefore allow unbiased access to a fascinating field of literary history. The Author shows that 17th century poetry is characterized by a poetics of repetition, based on affinity to music and the principle of convivial play. It is a form of pop literature that does not directly refer to reality, but creates a poetic world all its own. To grasp this phenomenon, a “hermeneutics of simplicity” is called for, which is introduced and explained in this book.

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“How drie a Cinder this world is”: Dissociation of Sensibility Redux

Ben Jonson Journal ◽

10.3366/bjj.2017.0192 ◽

2017 ◽

Vol 24 (2) ◽

pp. 163-186

Author(s):

R. V. Young

Keyword(s):

Seventeenth Century ◽

Middle Ages ◽

Figurative Language ◽

Charles Taylor ◽

Religious Change ◽

The Reformation ◽

General Movement ◽

Century Poetry ◽

Classic Essay ◽

The Impact

Although T.S. Eliot's phrase “dissociation of sensibility,” applied to the changes in poetry during the seventeenth century, made a stir when he introduced it in the review essay “The Metaphysical Poets” in 1921, it draws less attention now, and seems never to have been adequately explained. Since Eliot's claims are, in part, historical, it makes sense to consider the most historically significant changes occurring during the seventeenth century. It is during this period that the Reformation culminates and its effects become permanently established. Several recent studies of the Reformation by Charles Taylor, Brad Gregory, and Carlos M.N. Eire provide clues about how the religious and social cataclysm of the sixteenth and seventeenth centuries may have affected the poetic imagination. James Smith's classic essay, “The Metaphysical Poets,” offers a way of analyzing the figurative language of seventeenth-century poetry in order to grasp the impact of the religious change. The investigations by Taylor, Gregory, and Eire into the dynamic of the reforming tendency, beginning in the late Middle Ages, as well as the Scotist and nominalist intellectual underpinnings of the Reformation, prove to be pertinent to Eliot's insight regarding seventeenth-century poetry. The growth of individualism, personal anxiety about religious choice, and materialism portend a general movement towards secularization and influence the way poets see the world. Dissociation of sensibility can thus be understood as a result of the effect of the religious and social dislocations of the Reformation in the realm of poetry.

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