Tommaso Campanella. La città del sole: dialogo poetico. (The City of the Sun: A Poetical Dialogue.) Ed. and tr. Daniel J. Donno. (Biblioteca Italiana.) Berkeley-London: University of California Press, 1981. vi+ 144 pp. $14.50; paper, $3.95.

1983 ◽  
Vol 36 (1) ◽  
pp. 128-128
Author(s):  
Charles Trinkaus
Author(s):  
John M. Headley

Tommaso Campanella was a Counter-Reformation theologian, a Renaissance magus, a prophet, a poet and an astrologer, as well as a philosopher whose speculations assumed encyclopedic proportions. As a late Renaissance philosopher of nature, Campanella is notable for his early, and continuous, opposition to Aristotle. He rejected the fundamental Aristotelian principle of hylomorphism, namely the understanding of all physical substance in terms of form and matter. In its place he appropriated Telesio’s understanding of reality in terms of the dialectical principles of heat and cold; and he adopted a form of empiricism found in Telesio’s work that included pansensism, the doctrine that all things in nature are endowed with sense. Especially after 1602, Campanella’s exposure to Renaissance Platonism also involved him in panpsychism, the view that all reality has a mental aspect. Thus his empiricism came to show a distinctly metaphysical and spiritualistic dimension that transformed his philosophy. At the same time his epistemology embraced a universal doubt and an emphasis on individual self-consciousness that are suggestive of Descartes’ views. Campanella’s career as a religious dissident, radical reformer and leader of an apocalyptic movement presents a political radicalism that was oddly associated with more traditional notions of universal monarchy and the need for theocracy. The only one of his numerous writings that receives attention today, La Città del Sole (The City of the Sun) (composed 1602, but not published until 1623), has come to occupy a prominent place in the literature of utopias though Campanella himself seems to have expected some form of astronomical/apocalyptic realization. Campanella’s naturalism, especially its pansensism and panpsychism, enjoyed some currency in Germany and France during the 1620s, but in the last five years of his life it was emphatically rejected by the intellectual communities headed by Mersenne and Descartes, as well as by Galileo.


Author(s):  
Noel Malcolm

This lecture discusses a new interpretation of Tommaso Campanella's most famous work, the Città del sole, as well as the motivation for the anti-Spanish rebellion in 1599. Campanella, along with a number of writers during the Counter-Reformation, had a rather special interest in the Ottoman Empire. The Città del sole incorporates many features of the Ottoman society and Islamic practice into its idealised picture of a natural human existence.


Moreana ◽  
2012 ◽  
Vol 49 (Number 189- (3-4) ◽  
pp. 41-53
Author(s):  
Regina Maria Carpentieri Monteiro

Tommaso Campanella, in The City of the Sun, a utopian text written in 1602, transfers his political philosophy to fiction. A priest, named “Metaphysician” or “Hoh,” assisted by a triumvirate – Pon (Power), Sin (Wisdom) and Mor (Love) – governs a republic of wise men, in which religion and politics form a single unit. The Calabrian philosopher has always defended the union of all people under the aegis of a single monarch, who holds laic and ecclesiastical powers. Machiavelli defends the notion that it is men’s duty to build and to conduct state politics, and that only concrete reality can provide its characteristics and principles. On the other hand, Campanella believes that the precepts by which men must be ruled can be found in nature. Therefore, a community will be happier if it exists in a closer relationship with nature. The main purpose of this communication lies in an examination of The City of the Sun, considering these two points of view.


2017 ◽  
Vol 864 ◽  
pp. 224-228
Author(s):  
Seung Hyeon You ◽  
Jeong Hwan Lee ◽  
Sung Hoon Oh

This study has developed street lamp lighting device material that was turned on and off by self-power supply without additional power by using the rays of the sun. Lighting devices have been applied with polycarbonate materials that were outstanding with light transmissivity while using LED light and economic value. Lighting devices are easily installed in various places since external power is not necessary. In addition, it also serves as a function of preventing crime by acquiring intensity of illumination in crime-ridden district in the night. Lighting device can also serve as a function of improving fine view in the city by establishing eco-friendly circumstances including parks, areas around shopping district, and housing areas after being manufactured in the form of flowerpot where can grow plants in the future.


2021 ◽  
Vol 2 ◽  
pp. 194-210
Author(s):  
Dmitry Victorovich Tokarev ◽  
◽  

The article focuses on the two notions recurrent in Boris Poplavsky’s late-period oeuvre, namely the «Paradise and Kingdom of friends» and the «Republic of the Sun». These are linked to Friedrich Hölderlin’s poetical philosophy, which solicited vivid interest among the German and French poets of the 1910–1930s. It is assumed that the semantic aura of the image of the fl ag, one of the most frequent in Poplavsky, might have been formed in a «dialogue» with Hölderlin’s key poem Hälfte des Lebens. Besides, the poem Quietly the City Rustles, which holds a place of prominence in his posthumous collection Snowy Hour (1936), seems to be an imitation of the fi rst stanza of Hölderlin’s famous elegy Brot und Wein.


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