Durer's ‘Four Apostles’ and the Dedication as a Form of Renaissance Art Patronage

1967 ◽  
Vol 20 (3) ◽  
pp. 325-334 ◽  
Author(s):  
Carl C. Christensen

In early October 1526 Albrecht Dürer dedicated the greatest of his paintings, the two panels commonly known as the ‘Four Apostles,' to the city council of his native Nuernberg. Although the work was accompanied by a letter explaining the reasons for the gift, modern scholars nonetheless have continued to speculate as to the full intentions of the artist. The subject matter of the painting, as well as the Biblical passages incorporated as an inscription at the base of the work, has turned the attention of most commentators to the contemporary religious scene, i.e., the recent establishment of the Lutheran Reformation in the free imperial city. One can also, however, consider this problem profitably from a different perspective, taking as a point of departure the question of art patronage and the art market in the early sixteenth century. Existing evidence, when viewed in this manner, not only sheds new light on this particular donation but also serves as an interesting commentary on the economic situation of the artist of the period.

X ◽  
2020 ◽  
Author(s):  
Alice Pozzati

From war machine to “decorous backdrop”: the Citadel of Turin in the nineteenth centuryThe citadel of Turin, built in the sixteenth century by the duke Emanuele Filiberto, became an expensive and obsolete object that hampered the enlargements during the nineteenth century. The Enlargement Plan for the capital designed by Carlo Promis (1851-1852) progressively reduced the military constraints facing the citadel. In 1856 the City Council decreed the demolition of the defensive structure. During the demolition one section of the building was spared: the donjon. In 1864 it became the urban background of the statue erected in honor of Pietro Micca, the “soldier mineworker” hero of the siege in 1706. Therefore, this project became an opportunity for the Municipality and the Ministry of War to discuss two central issues. On one hand, the need to set up a “decorous backdrop” to the Piedmontese hero, and on the other hand keeping the costs of the restoration project to a minimum. A well-known architect from Turin named Carlo Ceppi presented an accurate report about the choices of the “restoration” works. Finally, in 1892 the responsibility of the work was given to the engineer Riccardo Brayda, who was an expert in medieval and modern architecture.


2020 ◽  
pp. 236-256
Author(s):  
Maria Alexandra ◽  
Gago Da Câmara ◽  
Helena Murteira ◽  
Paulo Simões Rodrigues

The digital re-creation of a past city represents more than a mere depiction of its historical awareness; it also represents its imaginability. In retrospect, the imaginability of the city corresponds to the outcome of various perceptions that we have acquired of it over time, and which currently confers us with a certain degree of accuracy in its readability. The imaginability of the city is therefore a determining factor in virtually re-creating the latter and subsequently converting it into a memoryscape. This theory can be validated by the specific case study of Lisbon, Portugal, which has during the last few years been the subject of at least four projects that sought to virtually re-create the city’s past. Despite presenting themselves distinctively with different technological applications, the four projects held the same starting point; the great Lisbon earthquake of 1755 (a major disruptive event in its history), and were all focused on presenting the cityscape that was lost as a result. Lisbon’s iconography from the sixteenth century to the mid-eighteenth century (drawings, engravings, and paintings) was used as crucial data.


2020 ◽  

With Singapore serving as the subject of exploration, The Hard State, Soft City of Singapore explores the purview of imaginative representations of the city. Alongside the physical structures and associated practices that make up our lived environment, and conceptualized space engineered into material form by bureaucrats, experts and commercial interests, a perceptual layer of space is conjured out of people’s everyday life experiences. While such imaginative projections may not be as tangible as its functional designations, they are nonetheless equally vital and palpable. The richness of its inhabitants’ memories, aspirations and meaningful interpretations challenges the reduction of Singapore as a Generic City. Taking the imaginative field as the point of departure, the forms and modes of intellectual and creative articulations of Singapore’s urban condition probe the resilience of cities and the people who reside in them, through the images they convey or evoke as a means for collective expressions of human agency in placemaking.


Urban History ◽  
2019 ◽  
Vol 47 (4) ◽  
pp. 632-647
Author(s):  
Jelten Baguet

AbstractThe composition of the political elites in sixteenth-century Ghent, one of the political and economic centres of the county of Flanders, changed from a relatively open elite group that included representatives from the craft guilds into a compact, aristocratic class. This article analyses the reasons for this transformation. First, the number of office-holders in the city council declined and power was increasingly concentrated in the hands of a smaller political elite because of interventions in the urban political framework by the Habsburg authorities in the wake of a fiscal rebellion (1537–40) and a Calvinist takeover of power (1578–84). Secondly, the once dominant position of the craft guilds on Ghent's two benches of aldermen was weakened by institutional reforms, a Catholic backlash against Calvinism and an economic recession. Thirdly, the growing wealth gap between rulers and the ruled, coupled with an influx of noblemen into Ghent City Council, gave urban politics a more aristocratic character. Consequently, a series of interconnected changes gave rise to a trend towards oligarchy and aristocracy on the city's benches of aldermen.


1996 ◽  
Vol 59 (2) ◽  
pp. 237-252 ◽  
Author(s):  
Selçuk Esenbel

The modern Japanese tourist visiting the Topkapi Sarai may well be struck by a display of sixteenth-century samurai armour and helmet held there. It was presented, along with a sword, to the Ottoman Sultan Abdülhamid II in 1892 by Yamada Torajirō (1866–1957), an important pioneer in the history of Turkish-Japanese relations and the subject of this paper. Yamada, who was to remain in the imperial capital for almost twenty years, was witness to the history of the Hamidian era of conservative modernism under the despotic regime of the so-called ‘Red Sultan’, and the subsequent dramatic transition to constitutionalism that came with the Young Turk revolution of 1908. He was one of only two Japanese resident in the city (possibly in the whole empire) in this period. The other was Nakamura Ejirō, owner of the first Japanese shop in Istanbul, and Yamada's friend and partner.


Author(s):  
P. J. De Vos

Since the new millennium, living in historic cities has become extremely popular in the Netherlands. As a consequence, historic environments are being adapted to meet modern living standards. Houses are constantly subjected to development, restoration and renovation. Although most projects are carried out with great care and strive to preserve and respect as much historic material as possible, nevertheless a significant amount of historical fabric disappears. This puts enormous pressure on building archaeologists that struggle to rapidly and accurately capture in situ authentic material and historical evidence in the midst of construction works. In Leiden, a medieval city that flourished during the seventeenth century and that today counts over 3,000 listed monuments, a solution to the problem has been found with the implementation of advanced recording techniques. Since 2014, building archaeologists of the city council have experienced first-hand that new recording techniques, such as laser scanning and photogrammetry, have dramatically decreased time spent on site with documentation. Time they now use to uncover, analyse and interpret the recovered historical data. Nevertheless, within building archaeology education, a strong case is made for hand drawing as a method for understanding a building, emphasising the importance of close observation and physical contact with the subject. In this paper, the use of advanced recording techniques in building archaeology is being advocated, confronting traditional educational theory with practise, and research tradition with the rapid rise of new recording technologies.


2020 ◽  
Vol 11 ◽  
pp. 84-124
Author(s):  
Wiesław Długokęcki

Inputs to the history of hospitals in medieval Gdańsk The network of hospital in the three‑strand urban settlement unit of Gdańsk (Main Town, Old Town and Young Town) was shaped in the 14th and the start of the 15th century in accordance with a certain rule known also in other towns of the Teutonic Prussia, namely of establishing care homes intended for specific social groups. On the other hand, hospitality in Gdańsk also shows certain specificity resulting from the position of Gdańsk as the most important city in Prussia. The group of main or general hospitals included two facilities. The Hospital of the Holy Spirit established and opulently benefited by the Teutonic Order (before 1333) was given to the Main Town in 1382. It was directly controlled by the city council, which appointed hospital providers from among its ranks. Arguably, from that moment on its character began to change; gradually, among its residents the role of prebendaries –persons who had purchased a place in the home, would increase (at the beginning of the 15th century the fee amounted to 100–200 grzywna). It seems that the financial situation of the hospital in the first half of the 15th century was good and perhaps already then its extension occurred. The hospital of St. Elisabeth was of different character, also founded and opulently benefited by the Order in 1394 and run by it until 1454, previously a mansion for strangers, meaning people travelling. The sick were looked after here, as well as pilgrims and children, whereas prebendaries were not received. Its financial situation was good, incomes would systematically increase, also thanks to rich donations, such as those from Małgorzata Winterfeld. Running the facility gave the Teutonic Order the possibility to influence the society of Gdańsk, yet at the same time it created a field for conflicts due to the Order taking over financial resources of the city inhabitants. A separate group consisted of facilities for lepers of St. George (in the Main and the Young Town) and of Corpus Christi (the Old Town), as well as shelters intended for „strangers”: St. Gertrude hospital in the western suburb of the Main Town, initially the mansion of St. Elisabeth and probably the home of All God’s Angels in the Young Town. The home of St. James in New Dyke (Nowa Grobla – Łagiewniki Street), subordinate to the Teutonic Order was intended for sailors and was most probably the only „professional” shelter in the vicinity of the settlement system of Gdańsk. St. Roch hospital, as well as St. Barbara hospital in Long Gardens (Długie Ogrody) perhaps, should be excluded from the network of medieval hospitals in Gdańsk. Little is known on the subject of the genesis of hospitals for lepers and newcomers. It is likely they were established as initiatives of brotherhoods or private persons and approved by the Church and the Teutonic Order. Such facilities, except for St. Elisabeth hospital and St James hospital in New Dyke, quickly came under financial and personal control of city authorities, who appointed from among their own ranks or the ranks of burghers people who would exercise a direct control over the homes, which were under current management of hospitallers. The social position of shelter residents varied. Some of them had purchased a place in the facility and depending on the character of the emolument enjoyed lower or higher privileges. It must be highlighted that the process of buying out places also included homes which had initially been intended for those suffering from leprosy. There is no more complete information on the subject of some hospital chapels’ staff. In accordance with the privilege of Wilhelm of Modena from 1242, the right to present candidates was reserved for the Teutonic Order, whereas the institution to the bishop of Wrocław, yet there is no source information that would confirm that practice.


Urban History ◽  
2000 ◽  
Vol 27 (2) ◽  
pp. 165-188
Author(s):  
Mauro Hernández

Based on notarial and municipal sources in Madrid from the late sixteenth century to 1808, this article challenges current views of Castilian urban elites as mere reflections of noble hegemony. It assesses the implications of widespread venality of offices, as well as the real meaning of the estatuto of 1603, which formally excluded non-nobles from the city council. Ultimately, it argues that the system of preferment contributed in part to the long-term backwardness of seventeenth-century Castile.


2011 ◽  
Vol 30 ◽  
pp. 55-103 ◽  
Author(s):  
Philippe Canguilhem ◽  
Alexander Stalarow

Towards the middle of the sixteenth century, the Portuguese composer and theorist Vicente Lusitano wrote a manuscript treatise on improvised counterpoint which constitutes the most thorough and detailed explanation that has survived on the subject. This manuscript has long been overlooked by music historians, despite being easily accessible at the Bibliothèque nationale de France (Paris). The manuscript is described and its history traced. Lusitano's rules, techniques and stylistic advice are investigated and compared with contemporary theory. The extraordinary complexity of the contrapuntal lines singers were expected to invent extempore calls for a reappraisal of the relationship between improvisation and composition, also discussed by Lusitano. Historical evidence is adduced to provide a context for this document; far from being disconnected from the real life of sixteenth-century music, Lusitano's manuscript counterpoint treatise provides a key to understanding the oral tradition of Renaissance art music.


2018 ◽  
Vol 4 (2) ◽  
pp. 212
Author(s):  
Nicole Torres

This article includes contents of recorded oral histories from Sigfredo Carrion, William Sanchez, Gustav Heninburg, and Raul Davila recounting the events that took place in Branch Brook Park in 1974; events also known as the Puerto Rican Riots. These events were witnessed by members of the Puerto Rican community living in the city at the time, as well as respected members of the city council and leaders of social activist groups. These oral histories were carefully read and analyzed in order to construct a brief and comprehensive retelling of those events for those unfamiliar with the subject. Much of the evidence used was found in the New Jersey Hispanic Research and In-formation Center located at the Newark Public Library. This article also examines the frustrations and concerns facing the Puerto Rican community as told by those who experienced them firsthand, and explains the breaking point that led the community to finally come together and de-mand their voices be heard. The results of this uprising led to the creation of local organizations, such as La Casa de Don Pedro, and the construction of a more visible Puerto Rican identity with-in the city.


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