The Hogge Bridge Site and the Wylie Focus

1952 ◽  
Vol 17 (4) ◽  
pp. 299-312 ◽  
Author(s):  
Robert L. Stephenson

The Lavon Dam and Reservoir, under construction by the Corps of Engineers, Department of the Army, is one of the many projects throughout the country which will soon obliterate information relating to the prehistory of North America. This particular project is located on the East Fork of the Trinity River in Collin County, Texas, 21 miles northeast of Dallas. It was scheduled for completion in January, 1952.The Trinity River is one of several major rivers flowing in a southeasterly direction across the state of Texas. It heads in four branches north and northwest of the city of Dallas and flows into Galveston Bay and thence into the Gulf of Mexico, approximately 40 miles due east of the city of Houston. The East Fork (and its principal tributary, Pilot Grove Creek) is the easternmost of the headwater branches. It rises in Grayson County and enters the main stream in southwestern Kaufman County.

2019 ◽  
Vol 2 (1) ◽  
Author(s):  
Alwi Musa Muzaiyin

Trade is a form of business that is run by many people around the world, ranging from trading various kinds of daily necessities or primary needs, to selling the need for luxury goods for human satisfaction. For that, to overcome the many needs of life, they try to outsmart them buy products that are useful, economical and efficient. One of the markets they aim at is the second-hand market or the so-called trashy market. As for a trader at a trashy market, they aim to sell in the used goods market with a variety of reasons. These reasons include; first, because it is indeed to fulfill their needs. Second, the capital needed to trade at trashy markets is much smaller than opening a business where the products come from new goods. Third, used goods are easily available and easily sold to buyer. Here the researcher will discuss the behavior of Muslim traders in a review of Islamic business ethics (the case in the Jagalan Kediri Trashy Market). Kediri Jagalan Trashy Market is central to the sale of used goods in the city of Kediri. Where every day there are more than 300 used merchants who trade in the market. The focus of this research is how the behavior of Muslim traders in the Jagalan Kediri Trashy Market in general. Then, from the large number of traders, of course not all traders have behavior in accordance with Islamic business ethics, as well as traders who are in accordance with the rules of Islamic business ethics. This study aims to determine how the behavior of Muslim traders in the Jagalan Kediri Trashy Market in buying and selling transactions and to find out how the behavior of Muslim traders in the Jagalan Kediri Trashy Market in reviewing Islamic business ethics. Key Words: Trade, loak market, Islamic business


Author(s):  
Syed R. Qasim ◽  
Andrew T. Armstrong ◽  
John Corn ◽  
Betty L. Jordan

1971 ◽  
Vol 26 (2) ◽  
pp. 4-6

The South Carolina Capitol, which AEJ conventioners will see, was under construction when General Sherman's troops occupied Columbia in February 1865. Cannon balls were bounced off the walls from across the river before Northern troops entered the city, and the points of impact are clearly marked for inspection.


Author(s):  
Alexandra Wilson

La bohème is one of the most frequently performed operas in the world. But how did it come to be so adored? Drawing on an extremely broad range of sources, Alexandra Wilson traces the opera’s rise to global fame. Although the work has been subjected to many hostile critiques, it swiftly achieved popular success through stage performances, recordings, and filmed versions. Wilson demonstrates how La bohème acquired even greater cultural influence as its music and dramatic themes began to be incorporated into pop songs, film soundtracks, musicals, and more. In this cultural history of Puccini’s opera, Wilson offers a fresh reading of a familiar work. La bohème was strikingly modern for the 1890s, she argues, in its approach to musical and dramatic realism and in flouting many of the conventions of the Italian operatic tradition. Considering the work within the context of the aesthetic, social, and political debates of its time, Wilson explores Puccini’s treatment of themes including gender, poverty, and nostalgia. She pays particular attention to La bohème’s representation of Paris, arguing that the opera was not only influenced by romantic mythologies surrounding the city but also helped shape them. Wilson concludes with a consideration of the many and varied approaches directors have taken to the staging of Puccini’s opera, including some that have reinvented the opera for a new age. This book is essential reading for anyone who has seen La bohème and wants to know more about its music, drama, and cultural contexts.


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