Two Writers and the Cultural Revolution. Lao She and Chen Jo-hsi.

1981 ◽  
Vol 54 (1) ◽  
pp. 146
Author(s):  
Richard King ◽  
George Kao
1994 ◽  
Vol 22 (1) ◽  
pp. 89-101
Author(s):  
Britt E. Towery

This paper analyzes the distant though pertinent relationship the modern Chinese writer Lao She (1899–1966) had with the principle of self-supporting, self-governing, and self-propagating Chinese Christian churches. He became a Christian in Peking (Beijing) in 1922. This “people's artist” was hounded to his death by the Red Guards in the Cultural Revolution. A pioneer in modem Chinese literature, his work revealed the language, the joys, and the hurts of the common people of China. He believed his country and its Christianity needed to be Chinese-led, and not dependent upon the foreigner for funds and direction.


1981 ◽  
Vol 55 (2) ◽  
pp. 372
Author(s):  
James M. Hargett ◽  
George Kao

Asian Survey ◽  
1968 ◽  
Vol 8 (5) ◽  
pp. 349-363 ◽  
Author(s):  
Jurgen Domes

Asian Survey ◽  
1974 ◽  
Vol 14 (4) ◽  
pp. 372-395 ◽  
Author(s):  
Harvey W. Nelsen

1981 ◽  
Vol 3 (2) ◽  
pp. 36-46
Author(s):  
Ulf Haxen

The conquest of Spain by the Arabs, allegedly prompted by leaders of the Jewish population after the fall of the Visigothic regime, 711, opened up an era in Medieval European history which stands unmatched as far as cultural enlightenment is concerned. Philosophy, belles lettres and the natural sciences flourished in the academies established by the Arab savants in the main urban centres. In the wake of the cultural revolution, a new branch of scholarship came into being – Hebrew philology. From the midst of this syncretistic, Mozarabic, milieu a remarkable poetic genre emerged. The study of Mozarabic (from Arabic, musta’riba, to become Arabicized) poetry has proved as one of the most fertile and controversial fields of research for Semitist and Romanist scholars during the past decades.


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