Cultural Pluralism in Malaysia. Polity, Military, Mass Media, Education, Religion and Social Class.

1978 ◽  
Vol 51 (2) ◽  
pp. 329
Author(s):  
H. E. Wilson ◽  
John A. Lent
Author(s):  
Bill Yousman

This chapter argues that the United States faces a crisis of representation, for while crime rates remain stable, the TV and other corporate-controlled mass media bury viewers beneath an avalanche of fear-based spectacles in which crime and violence are portrayed as escalating, even life-threatening crises. It then outlines a new program of media education that enables consumers of mass media to develop more informed and empowering views of the complexities of crime and violence. Focusing on prime-time dramatic television as the most prevalent source of fictional images of violence, crime, and incarceration, the chapter addresses the distorted narratives and images that saturate popular television dramas. Drawing upon interviews with ex-prisoners, it also shows how media representations of imprisonment, though inaccurate and misleading, shape the perceptions even of those who have themselves been incarcerated.


Comunicar ◽  
2008 ◽  
Vol 15 (30) ◽  
pp. 125-130
Author(s):  
Susana Herrera-Damas

Everybody agrees. Although we lived in the so-called Information Society, traditional systems do not enable people to make a critical consumption of mass media. For that reason, the traditional spaces must be completed by the intervention of other actors. One of them is the newsombudsman. The aim of this article is to describe the singularity of this mechanism and to specify his instruments in his educational task. Ya casi nadie lo duda. A pesar de que vivimos en la denominada «sociedad de la información », muchas veces los sistemas tradicionales no capacitan a la audiencia para que realice un consumo crítico de los medios. Por eso, los espacios tradicionales deben ser completados por la intervención de otros actores. Uno de ellos es el defensor de la audiencia. El objetivo de este artículo es describir la singularidad de este mecanismo y especificar los instrumentos de los que dispone en su tarea formativa.


Comunicar ◽  
2008 ◽  
Vol 16 (31) ◽  
Author(s):  
Alfonso Gutiérrez-Martín

Changes taking place in the current media scenery will affect the television as mass media decisively. Maybe students and the rest of the people should be educated not only as critical viewers, but also as creators and producers of audiovisual messages, as users of interactive media, as part of audiovisual experiences in cyberspace. In this paper the author revises the key aspects of media education (including television, of course), explores to what extent they are still valid nowadays and what new changes are required in the digital age Los cambios que se están produciendo en el panorama comunicativo actual van a afectar decisivamente a la televisión como medio de comunicación de masas. Tal vez la mirada que tengamos que educar no sea sólo la del receptor, sino también la del creador de mensajes audiovisuales, la del usuario de un medio interactivo, la de partícipe de una experiencia audiovisual en el ciberespacio. En la comunicación que proponemos pretendemos referirnos a los aspectos clave de de la educación para la televisión y los medios en general. Se tratará de ver hasta qué punto siguen siendo válidos hoy día y qué modificaciones requieren en la era digital


2020 ◽  
pp. 146-161
Author(s):  
Mariia Viktorovna Zhizhina

Three main areas of media psychology are analyzed: media analysis, media education, and media therapy in the crisis conditions of the pandemic. Today, media psychology faces a number of completely new, unexplored problems and practice-oriented tasks in a radically changing media environment, including in conditions of social distancing. Thus, the author emphasizes the increased practical significance of using the psychotherapeutic potential of the media in order to reduce and minimize the negative effects not only of the mass media itself, but also of the consequences of crisis situations.


2020 ◽  
Vol 9 (9) ◽  
pp. e814998075
Author(s):  
Bernadette Jenny Halim

The film's capabilities segment various social classes, realizing the experts whose films have the potential to affect the audience of its connoisseurs. The ability of film which could penetrate various social class segment, realizing the experts about film as part of mass media, could influence their audiences by spreading the hidden message. This study aims to determine if film attractiveness and electronic word of mouth are factors which can influence visit intention and decision to Sumba in Susah Sinyal movie. This research uses online questionnaire with purposive sampling technique that distributed to 150 respondents who have watched Susah Sinyal movie and have visited Sumba. After the data is analysed using multiple regression models with SPSS program, the result shows that film attractiveness have an influence on visit intention while electronic word of has no influence on visit intention. It concluded that there is an influence between the attractiveness of the film towardsvisit intention.


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