The SU Site, Excavations at a Mogollon Village, Western New Mexico, Third Season, 1946. Paul S. Martin and John B. Rinaldo. With chapter by Leonard G. Johnson. Field Museum of Natural History, Anthropological Series, Vol. 32, No. 3. Chicago, June 6,1947.

1948 ◽  
Vol 14 (2) ◽  
pp. 137-137
Author(s):  
Wesley R. Hurt
Keyword(s):  
New Mexico ◽  
Natural History ◽  
Field Museum

Examination of a historic collection of isolated cranial and appendicular hadrosaurid material from the lower Kirtland Formation of the San Juan Basin, New Mexico

2016 ◽  
Vol 90 (4) ◽  
pp. 763-770
Author(s):  
Mateusz Wosik ◽  
Merrilee F. Guenther
Keyword(s):  
New Mexico ◽  
Natural History ◽  
San Juan ◽  
San Juan Basin ◽  
Field Museum ◽  
Natural History Collection

AbstractThe Field Museum of Natural History collection contains several isolated hadrosaurid specimens collected by Charles H. Sternberg from the lower Kirtland Formation of the San Juan Basin, New Mexico, that have been previously overlooked. Cranial elements described herein consist of a dentary and three jugals while appendicular material is limited to two humeri and two pubes. Many of the specimens preserve taxonomically informative characters that show strong affinities with Kritosaurini but are distinct from Kritosaurus navajovius (Brown, 1910) suggesting that the saurolophine-dominated San Juan Basin diversity is greater than currently recognized. Future examination of currently unprepared material will add to our developing understanding of the ambiguous hadrosaurid diversity of the San Juan Basin.

John Conrad Hansen (1869–1952) and his scientific illustrations

2018 ◽  
Vol 45 (2) ◽  
pp. 233-244 ◽  
Author(s):  
Paul D. Brinkman
Keyword(s):  
Natural History ◽  
Representative Sample ◽  
Scientific Literature ◽  
The Other ◽  
Field Museum ◽  
Oil Paintings ◽  
Other Hand

Over the course of his 14-year career at Chicago's Field Museum of Natural History, artist and engraver John Conrad Hansen rendered hundreds of beautiful and accurate scientific illustrations of animals – mostly extinct fossil vertebrates. His principal media were oil paintings, pencil, pen-and-ink and wash drawings. Many of his illustrations have been published in the scientific literature. His oil paintings, on the other hand, were made for display alongside specimens in the Field Museum's exhibits. Despite the quality of Hansen's full-colour reconstructions, few of them have been seen outside the Museum. A small, representative sample of his work is reproduced here, along with a brief account of his troubled life and career.

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