The Enduring Black Jeremiad: The American Jeremiad and Black Protest Rhetoric, from Frederick Douglass to W. E. B. Du Bois, 1841-1919

1986 ◽  
Vol 38 (3) ◽  
pp. 481 ◽  
Author(s):  
David Howard-Pitney
2021 ◽  
pp. 136843102110679
Author(s):  
Joe P. L. Davidson ◽  
Filipe Carreira da Silva

In recent years, images of climate catastrophe have become commonplace. However, Black visions of the confluence of the Anthropocene and the apocalypse have been largely ignored. As we argue in this article, Black social thought offers crucial resources for drawing out the implicit exclusions of dominant representations of climate breakdown and developing an alternative account of the planet’s future. By reading a range of critical race theorists, from Frederick Douglass and W. E. B. Du Bois to Octavia Butler and Ta-Nehisi Coates, we propose a rethinking of the climate apocalypse. The African American theoretical and cultural tradition elaborates an image of the end of the world that emphasises the non-revelatory nature of climate catastrophe, warns against associating collapse with rebirth, and articulates a mode of maroon survivalism in which the apocalypse is an event to be endured and escaped rather than fatalistically expected or infinitely delayed.


Author(s):  
Cheryl A. Wall

This chapter discusses how black essayists worked through and around ideas of freedom to produce new variations of the genre of the essay. The author shows how the African American essay serves as the medium through which authors make crucial political, social, and artistic interventions. At the same time the author is attentive to formal changes in the essay. Through a series of representative examples from authors such as W.E.B. Du Bois, Frederick Douglass, and Zora Neale Hurston, this chapter charts the way the essay at its best expresses both a determination to be free and the “will to adorn.” Although the emphasis changes, black essayists use three rhetorical strategies to make these crucial interventions: democratic eloquence, troubled eloquence and vernacular process. Frederick Douglass utilizes democratic eloquence to make crucial interventions in anti-slavery discourse. W.E.B. Du Bois’ troubled eloquence marks a historical shift in which freedom becomes aligned as much with individual identity as with a people’s collective freedom. Zora Neale Hurston uses a “vernacular process” to fuse high and low styles in her meditation on freedom and racial identity. It is through the use of these strategies that African American authors make a mark on the genre itself.


1992 ◽  
Vol 69 (1) ◽  
pp. 204-213
Author(s):  
William S. Sullins ◽  
Paul Parsons

After founding a weekly newspaper in 1915, Roscoe Dunjee spent the next four decades taking leading stands on civil rights issues. He spoke out editorially, and he also took personal risks to test discriminatory laws. He supported others who fought to integrate public transportation and schools. An activist, he sought to use peaceful methods to encourage change. In World War II he pointed out the incongruity of condemning Nazism for its treatment of Jews when blacks suffered continuing discrimination. Such protest earned the attention of the FBI's J. Edgar Hoover, who was not able to get Dunjee prosecuted during the war. Dunjee is one of twelve black leaders, including W.E.B. Du Bois and Frederick Douglass, recognized as “giants in American journalism” by the National Newspaper Publishers Association.


2018 ◽  
Vol 4 (2) ◽  
pp. 121-142
Author(s):  
Hannah Jeffery ◽  
Hannah-Rose Murray

In 1967, the faces of black antislavery figures were woven into the fabric of the urban US environment to showcase radical black narratives and empower segregated black communities. Murals depicting the faces of Frederick Douglass, Nathaniel Turner and Ida B. Wells lined the streets alongside visualizations of self-emancipated figures slashing chains and unshackling bodies. Although these 1960s murals visualized subversive antislavery narratives in the streets for the first time, the cultural form of black protest murals was not new. In this paper, we trace the visual lineage of antislavery protest from the nineteenth century panorama to the modern antislavery mural.


Author(s):  
Sylvie Laurent

The first chapter defines the race and class framework as debated by Black America very early on, as it foreshadowed the tensions between activists engaged in the 1968 campaign. It is dedicated to exploring the analysis of Frederick Douglass and W.E.B. Du Bois, pioneers of a black radical egalitarianism much more relevant to King’s democratic socialism than usually assumed by historians. Their thoughts on will serve as a stepping stone for understanding King’s intellectual inheritance


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