Dancing with Death and Salvaging Jewish Culture inAusteriaandThe Dybbuk

Slavic Review ◽  
2000 ◽  
Vol 59 (4) ◽  
pp. 761-781 ◽  
Author(s):  
Gabriella Safran

Jerzy Kawalerowicz told reporters that he made his 1982 film,Austeria(The inn) to commemorate the Polish-Jewish people and culture destroyed in the Holocaust. This non-Jewish Polish director, known best in the west for hisMother Joanna of the Angels(a depiction of death and possession at a medieval French convent), grew up among Jews in the eastern part of Poland. He had been struck by the Polish-Jewish author Julian Stryjkowski's 1966 novella,Austeria,a haunting depiction of Jewish life in Galicia at the beginning of the twentieth century. Kawalerowicz—with Stryjkowski—immediately decided to turn the book into a movie. After the Six-Day War in 1967 sparked an “anti-Zionist campaign” in Poland, however, the Polish government found the Jewish topic of their screenplay “politically unacceptable.” In 1981, the film was granted permission and funding. It was completed in 1982, following the crackdown on Solidarity and the imposition of martial law. The authorities allowed its distribution, having determined that it displayed “humanitarian values” and that it did not represent a political threat. In the capacity of a quasiofficial expression of Polish regret at the passing of the Jews, and perhaps as a demonstration of liberalism aimed at the western critics of the new regime,Austeriawas widely promoted and exported to film festivals abroad.

Author(s):  
Jonathan Webber ◽  
Chris Schwarz ◽  
Jason Francisco

The present-day traces of the Jewish past in Poland are complex. Jewish life lay in ruins after the Holocaust. Much evidence of ruin remains, but there are also widespread traces that bear witness to the elaborate Jewish culture that once flourished there, even in villages and small towns. One also sees places where Jews were murdered by the Germans in the war: not only in death camps and ghettos, but also in fields, forests, rivers, and cemeteries. After the war, forty years of communism suppressed even the memory of the destroyed Jewish heritage. Today, by contrast, the historic Jewish culture of Poland is increasingly being memorialized, by local Poles as well as by foreign Jews. Synagogues and cemeteries are being renovated, monuments and museums are being set up. There are festivals of Jewish culture, hasidic pilgrims, and Jewish tourists; and local people who rescued Jews during the war are being honoured. In rediscovering the traces of memory one also finds clear signs of a local Jewish revival. This extensively revised second edition includes forty-five new photographs and updated explanatory texts. Together they suggest how to make sense of the past and discover its relevance for the present. This book will appeal to everyone concerned with questions of history, memory, and identity.


Author(s):  
Jonathan Webber ◽  
Chris Schwarz ◽  
Jason Francisco

This chapter talks about the people who are creating and maintaining projects that memorialize both the Jewish life that existed in Polish Galicia for centuries and the enormity of the Holocaust during which it was destroyed. It discloses the public acknowledgment of the Jewish heritage that has been ongoing since Poland regained its democratic freedom in 1989, which led to the revival of Jewish life. It also describes the main Holocaust memorial in Kraków, which is comprised of symbolic abandoned chairs scattered through an entire city to highlight the Jewish absence. The chapter mentions non-Jewish Poles who have become aware of the past in Poland that included Jews and Jewish culture. It details post-Holocaust Poland in the 1970s that was severely restricted and in danger of facing extinction as 90 percent of Holocaust survivors had emigrated.


2016 ◽  
Vol 52 (3) ◽  
pp. 519-545 ◽  
Author(s):  
Jason Lustig

Who are to be the successors of European Jewry? This question faced Jewish leaders after the Holocaust, in terms both legal – inheriting heirless property – as well as spiritual – carrying forward Jewish culture. Looted Jewish property was never merely a matter of inheritance. Instead, disputes revolved around the future of Jewish life. While Jewish restitution organizations sought control of former communal property to use around the world, some German-Jewish émigrés and survivors in Germany sought to establish themselves as direct successors to former Jewish communities and institutions. Such debates set the stage and the stakes for mass archival transfer to Israel/Palestine in the 1950s. The fate of the German Jewish communal archives highlights the nature of postwar restitution debates as proxy for the issue of the continuation of Jewish culture and history, calling into question the nature of restitution itself. As opposed to policies of proportional allocation to meet the needs of radically diminished Jewish communities, wholesale transfer of archives reflected a belief in a radical rupture in German Jewish existence as well as Israel’s position as successor to European Jewry. The fate of the archives, which broke with archival practices of provenance, concretized and validated the historical rupture represented by the Holocaust.


2015 ◽  
Vol 7 ◽  
pp. 11-20
Author(s):  
Ruth G. Biro

Recent personal documentary works about major historical events of the twentieth century, e.g., World War II, the Holocaust and the 1956 Hungarian Revolution, offer their readers a rich and multifaceted narrative, or a history that is also "his story," "her story" and that of entire families, cohorts and communities. Often, these works are accompanied by visual artifacts such as photographs, family tress, maps etc., or supported by concise historical surveys. Thus these memoirs complete the work of historians with the lived experiences of the few that represent many. Such is the case with two 2013 books by Charles Farkas and Nick Barlay depicting their mid-twentieth century Hungarian families, one Christian and one Jewish, through two World Wars and the anti-communist uprising, culminating in their escape to the West and in the two authors looking back upon the Hungarian past of their families.


Author(s):  
Jason Lustig

A Time to Gather: Archives and the Control of Jewish Culture examines Jewish archives in Germany, the United States, and Israel/Palestine and argues that historical records took on potent value in modern Jewish life as both sources of history and anchors of memory, precisely because archives presented one way of transmitting Jewish culture and history from one generation to another. Creating archives was one means for Jews to take control of their history, especially after the Holocaust, when efforts at archive restitution removed looted archives from the hands of perpetrators. Such efforts also raised complex questions of who could actually “own” this history. This book contends that twentieth-century Jewish archival efforts served as a proxy for wide-ranging struggles over the meaning and control of Jewish culture: whether in Israel’s claims to be a successor to European Jewry, the reality of American Jewry’s rising prominence, or the question of the continued vitality of Jewish life in Germany after the Holocaust, gathering archives was a means to assert dominance over Jewish culture by making claims of ties to the past and constituting a kind of “birth certificate” or legitimization of communal life. A Time to Gather presents archive making as a metaphor with the dispersion and gathering of documents falling in the context of the Jews’ long diasporic history. In the end, a rising urgency of archival memory in Jewish life and the importance of history’s traces meant archives were powerful but contested symbols of control of the past, present, and future.


2018 ◽  
Vol 51 (1) ◽  
pp. 104-107
Author(s):  
Lionel Blue

Abstract In the recent past all Jewish life has been so overshadowed by the tragedy of the holocaust and the hope of Israel that we could only cry or act. Now a new time has come. Israel has solved every problem except the Arab problem and that is the only important problem now worth solving. A dialogue with the Islamic world is long overdue. We were hounded out of Europe, and we were one of the factors which pushed or helped to push another people out of Palestine. This was a sin – whether knowingly or unknowingly. Israel and Arabs are political entities. Behind them stand two other and greater beings – Judaism and Islam. It is possible that the goodness inherent in them can achieve what the politicians cannot. Unfortunately, neither is spiritually efficient, as all religion has been perverted in our society. The Israel problem poses the crucial test for Judaism itself. As for Islam, it is almost an unknown religion to most Jews. It has also encountered the full onslaught of the West in a short time, and like us, many of its adherents also failed to see the moral wood for the halachic and legalist trees. We can help each other, for we have much in common; and, God willing, we may yet find even more common ground.


2021 ◽  
Vol 20 (3) ◽  
pp. 55-77
Author(s):  
Krzysztof A. Tochman ◽  

The article presents Second Lieutenant Napoleon Segieda, alias Gustav Molin “Wera” or Jerzy Salski (after the war), born in the Zamość region, a resident of Pomerania, and a political courier to the government of the Polish Underground State (during the war), parachuted to the country on the night of 7th November 1941. The paper is the first attempt to show his biography and military achievements. He was a participant in the war of 1939 (the defense of Warsaw), and then, a prisoner of war in the German camps, whence, after many trials and tribulations, he arrived at the Polish Forces base in Great Britain. On completing his mission in the country (summer 1942), Segieda set off to London again with the first comprehensive report of the Polish Underground State to the Polish government-in-exile, London. As early as in 1942, being a witness to the extermination, he alerted the world to the Holocaust, to practically no effect, since the West was not particularly interested in the problem. From spring to summer 1942, Napoleon Segieda stayed in the city of Oświęcim where he collected information about the Concentration Camp Auschwitz. On 8th August 1942, he left Warsaw and, via Cracow and Vienna, reached Switzerland where, for unknown reasons, he got stuck on the way to London for a few months. His report was later distributed among many important and influential politicians of the allied community in Great Britain and the USA. It is worth mentioning that the messages on the Holocaust by Stefan Karboński (the head of the leadership of civil combat) also arrived in London during the summer 1942. After the war, Napoleon Segieda settled down in London, under the surname of Jerzy Salski, where he died completely forgotten.


SURG Journal ◽  
2013 ◽  
Vol 6 (2) ◽  
pp. 40-45
Author(s):  
Caitlin Vito

Gustav Meyrink’s novel Der Golem [The Golem], published in 1915, and Leo Perutz’s 1953 novel Nachts unter der steinernen Brücke [By Night under the Stone Bridge] communicate the authors’ image of the Jewish experience and treatment during the period of the twentieth century. Uncanny and fantastical elements are used throughout both texts to help portray the Jewish condition. Meyrink conveys the animosity between nationalistic Jews and middle-class assimilated Jews and highlights the rising anti-Semitism among Gentiles by associating Jews with the decay and corruption of modernity. At the same time, however, Jews are also depicted as a model of higher spirituality. Nachts unter der steinernen Brücke places the Holocaust within the greater context of Jewish history and conveys Perutz’s assessment that the tragedy of the Holocaust is one in a series of devastating events which have plagued the Jewish people. Moreover, the text casts doubt on the benevolence of Jewish and non-Jewish authority figures and even the mercifulness of God. The doubt raised in the novel regarding central Jewish beliefs mirrors the Jewish experience of disorientation and confusion following the horrors of the Holocaust. Perutz also conveys the need for Jewish history to be passed down to future generations as it is their past which helps form their Jewish identity. Keywords: Der Golem [The Golem] (Meyrink, Gustav); Nachts unter der steinernen Brücke [By Night under the Stone Bridge] (Perutz, Leo); Jewish experience (portrayal of); twentieth century; uncanny and fantastical literature; literary interpretation


2020 ◽  
pp. 264-290
Author(s):  
Adam Sutcliffe

This chapter reviews the question on what Jews are for. It talks about the anxiety over the long-term viability of Judaism that threatened to overwhelm the question across much of the Jewish world in the late twentieth century. It describes the European Jewish life in the aftermath of the Holocaust that was shadowed by a sense of dutiful traditionalism and anxiety over the continued presence of antisemitism. The chapter also analyzes the temptation and increasing ease of assimilation that was perceived as a threat to Jewish continuity in Europe, in the United States, and elsewhere in the New World. It points out how it was clear to some Jewish leaders, while faced with the prospect of a “vanishing diaspora,” that the postwar focus on communal survival lacked the inspirational power to renew Jewish life.


2021 ◽  
pp. 252-275
Author(s):  
Deborah Dash Moore

This chapter discusses the distinctive rise of American Jews as a new center of Jewish culture. It focuses on the conditions in the United States, especially separation of church and state, which encouraged religious creativity, and the genocide of the Holocaust that spurred the transfer of aspects of European religious and intellectual Jewish life. It argues that feminism encouraged women to contribute in vital ways to the creation of Jewish culture that had a profound impact throughout the Jewish world. America has exemplified a new Babylonia, one that would produce influential forms of Judaism shaped by women as well as men.


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