Long-Term Outcomes of an Abstinence-Based, Small-Group Pregnancy Prevention Program in New York City Schools

2000 ◽  
Vol 32 (5) ◽  
pp. 237 ◽  
Author(s):  
Lisa D. Lieberman ◽  
Heather Gray ◽  
Megan Wier ◽  
Renee Fiorentino ◽  
Patricia Maloney
Addiction ◽  
2007 ◽  
Vol 102 (5) ◽  
pp. 778-785 ◽  
Author(s):  
Don C. Des Jarlais ◽  
Kamyar Arasteh ◽  
Theresa Perlis ◽  
Holly Hagan ◽  
Douglas D. Heckathorn ◽  
...  

2017 ◽  
Vol 139 (2) ◽  
pp. AB220
Author(s):  
Elizabeth J. Feuille ◽  
Cheryl Lawrence ◽  
Caroline Volel ◽  
Scott H. Sicherer ◽  
Julie Wang

2015 ◽  
Vol 43 (8) ◽  
pp. 839-843 ◽  
Author(s):  
Alison Levin-Rector ◽  
Beth Nivin ◽  
Alice Yeung ◽  
Annie D. Fine ◽  
Sharon K. Greene

Last Subway ◽  
2020 ◽  
pp. 124-156
Author(s):  
Philip Mark Plotch

This chapter recounts how New York City Transit Authority rail service planners Peter Cafiero, Chuck Kirchner, Glenn Lunden, and Jon Melnick resurrected the Second Avenue subway in 1988. Even though the Transit Authority was in the early stages of its 1987–91 capital program, the planners' bosses wanted to start getting ready for the next program, which would run from 1992 to 1996. The first step would be to create a document that assessed the authority's long-term needs and identified projects that would rehabilitate the subway system, increase ridership, improve productivity, and expand system capacity. One proposal the planners wrote to address the Lexington Avenue's problems was an idea that the MTA planner Bob Olmsted had first championed in 1975—a Second Avenue subway north of 63rd Street. As the Second Avenue subway proposal moved up the Transit Authority hierarchy, the authority's president, David Gunn, agreed that the time was right to begin thinking about expanding the subway system. Before he could devote significant resources to advancing the Second Avenue subway, however, it would have to compete with other potential megaprojects under discussion at the MTA's agencies.


Author(s):  
Laura Braden

The 1913 Armory Show was the first comprehensive exhibition of modern art to take place in the United States and served as America’s introduction to modernism in the visual arts. Formally titled the International Exhibition of Modern Art—but informally designated the "Armory Show," given its location at the 69th Infantry Regiment Armory in New York City—the exhibition was organized by the Association of American Painters and Sculptors (AAPS), a small group of American artists, with the goal of offering a survey of modern art from Impressionism to Cubism and to spur the establishment of modern art in the United States. The exhibition ran for four weeks (February 17–March 15, 1913) and offered more than 1,300 works by 308 artists who hailed from twenty-five nations (though American artists composed more than half of this total).


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