Discover Irish Art at the National Gallery of Ireland

Circa ◽  
2000 ◽  
pp. 53
Author(s):  
Conn O'Donovan ◽  
Marie Burke ◽  
Síghle Bhreathnach-Lynch
Keyword(s):  
2000 ◽  
Vol 25 (3) ◽  
pp. 21-24 ◽  
Author(s):  
Catríona Cannon

The National Gallery of Ireland Library has recently re-opened to internal and external readers after a number of years. The concentration so far has been on reader services, while a major revision of the cataloguing and classification procedures is being undertaken. New projects to organise the Gallery’s Archives and make them more accessible for research, and to open a sponsored Centre for the Study of Irish Art in 2002-3, show the Library’s revived interest in reaching its potential users.


2020 ◽  
Vol 45 (2) ◽  
pp. 55-60
Author(s):  
Andrea Lydon

In 2017 the National Gallery of Ireland was awarded funding from the Department of Culture, Heritage and the Gaeltacht (DCHG) for the development of an online resource, focusing on its Irish art research collections. Entitled Source – Uncovering Stories of Art in Ireland, this multi-annual project aims to catalogue and digitise the collections in the ESB CSIA and ensure that these valuable collections relating to Ireland's artistic history and memory are preserved and can be easily accessed by researchers. Now in its penultimate year, Source will be launched in 2021.


Author(s):  
Imre Pozsgai ◽  
Klara Erdöhalmi-Torok

The paintings by the great Hungarian master Mihaly Munkacsy (1844-1900) made in an 8-9 years period of his activity are deteriorating. The most conspicuous sign of the deterioration is an intensive darkening. We have made an attempt by electron beam microanalysis to clarify the causes of the darkening. The importance of a study like this is increased by the fact that a similar darkening can be observed on the paintings by Munkacsy’s contemporaries e.g Courbet and Makart. A thick brown mass the so called bitumen used by Munkacsy for grounding and also as a paint is believed by the art historians to cause the darkening.For this study, paint specimens were taken from the following paintings: “Studio”, “Farewell” and the “Portrait of the Master’s Wife”, all of them are the property of the Hungarian National Gallery. The paint samples were embedded in a polyester resin “Poly-Pol PS-230” and after grinding and polishing their cross section was used for x-ray mapping.


Vox Patrum ◽  
2013 ◽  
Vol 60 ◽  
pp. 93-109
Author(s):  
Ryszarda Maria Bulas

A particularly interesting question in medieval Irish literature, is decorating Psalters. Since the Biblical psalms were very popular among the Anglo-Saxons, they were often copied and decorated also in Ireland. Initially, the decoration was limited to ornamentation letters. Later there were elements depicting scenes from the life of David, which had its origins, according to F. Henry, in the Carolingian art. In this article, the author presents in chronological order all decorated Irish and Anglo-Saxon Psalters, which show visible influence of the Irish art (Cathach, Durham Cassiodorus, Psalter of Cantorbury, Cotton Psalter, Southampton Psalter, Ricemarcus’ Psalter, Liber hymnorum, Psalter of the St. Caimin).


2007 ◽  
Vol 32 (2) ◽  
pp. 101-123
Author(s):  
Catherine Marshall
Keyword(s):  

1966 ◽  
Vol 48 (1) ◽  
pp. 115
Author(s):  
Dwight C. Miller ◽  
A. E. Popham ◽  
K. M. Fenwick

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