Under the Palace Portal: Native American Artists in Santa Fe

2005 ◽  
Vol 36 (2) ◽  
pp. 236
Author(s):  
Molly Mullin ◽  
Karl A. Hoerig
2008 ◽  
Vol 10 (5) ◽  
pp. 453-466 ◽  
Author(s):  
Naho U. Maruyama ◽  
Tsu-Hong Yen ◽  
Amanda Stronza

2015 ◽  
Vol 9 (1-2) ◽  
pp. 204-205
Author(s):  
Jenny Tone-Pah-Hote

This work is a book review considering the title Women and Ledger Art: Four Contemporary Native American Artists by Richard Pearce.


Author(s):  
Thomas W. Cutrer

Deals with the Union’s attempt, during a greater civil war in the East, to retain control of the Western frontier and, in particular, the Santa Fe Trail and other routes to California, in the face of Native American—particularly Apache and Navajo—resistance.


2021 ◽  
pp. 165-171
Author(s):  
Sabrina V. Pratt

Abstract The City of Santa Fe, New Mexico's Creative Tourism Initiative ran from 2009 to 2015. It began as a result of Santa Fe's membership in the United Nations Educational and Scientific and Cultural Organization (UNESCO) Creative Cities Network. Santa Fe joined the network in 2005, and that same year a UNESCO representative involved in forming the Creative Cities Network brought up the concept of creative tourism as an economic development tool. Santa Fe, population 84,683 (US Census Bureau, 2019), is known for its history, arts, and culture in a southwestern US state that shares a border with Mexico. As a crossroads for Native American, Spanish, Mexican, and European culture, plus a beautiful desert and mountainous landscape, tourism is one of New Mexico's primary industries. The Creative Tourism Initiative, led by the City of Santa Fe, developed a robust selection of creative tourism experiences and promoted them. The City assigned staff members of its Arts Commission, the city's arts agency, to design and implement the programme. This study tackles how CTI promotes Santa Fe, in terms of training, their website, and other marketing channels.


Author(s):  
Frank Graziano

This chapter opens with detailed analysis of deculturation policy during the Spanish, Mexican, and American governance of New Mexico and the Pueblos. In the more recent history it includes discussion of the Code of Indian Offenses, the General Allotment Act (Dawes Act), the Carlisle Indian School, the Canton Asylum for Insane Indians (Hiawatha Asylum), and the evolving policies of the Archdiocese of Santa Fe. These introductory remarks are followed by analyses of a 1935–1940 conflict at Santo Domingo (Kewa) Pueblo, when Archbishop Rudolph Gerken attempted to change traditional practice of Catholicism and to house a resident priest and sisters at Santo Domingo; and of a conflict at Isleta Pueblo that culminated when Monsignor Frederick Stadtmueller was removed in handcuffs by the pueblo governor in 1965. The Native American ministry of the archdiocese and native resistance to dogma are also considered more generally. Visiting information for Kewa and Isleta is included.


2008 ◽  
Vol 33 (2) ◽  
pp. 34-38
Author(s):  
Marilyn Russell ◽  
Thomas E. Young

This review of selected paper and electronic resources on Native American art describes what is available at the Haskell Indian Nations University Library and Archives in Lawrence, Kansas; the Institute of American Indian Arts Library and Archives in Santa Fe, New Mexico; the H.A. & Mary K. Chapman Library and Archives at the Philbrook Museum of Art in Tulsa, Oklahoma; and the Billie Jane Baguley Library and Archives at the Heard Museum Library in Phoenix, Arizona. These four institutions develop and maintain resources and collections on Native American art and make the information they contain about indigenous groups available not only to their users and other scholars but also to the wider world.


Sign in / Sign up

Export Citation Format

Share Document