The First Part of the Countess of Montgomery's Urania, Lady Mary Wroth.

1997 ◽  
Vol 28 (1) ◽  
pp. 272
Author(s):  
Catherine R. Eskin ◽  
Josephine A. Roberts
Keyword(s):  
Lady Mary Wroth

Lady Mary Wroth. poems: a modernized edition

1997 ◽  
Vol 4 (2) ◽  
pp. 297-311
Author(s):  
Ceri Sullivan
Keyword(s):  
Lady Mary Wroth

Did Lady Mary Wroth have Nonsuch in Mind?

2019 ◽  
Vol 66 (4) ◽  
pp. 524-526
Author(s):  
Martin Biddle
Keyword(s):  
Lady Mary Wroth

'I Exscribe Your Sonnets': Jonson and Lady Mary Wroth

1997 ◽  
Vol 44 (4) ◽  
pp. 526-528
Author(s):  
R. E. Pritchard
Keyword(s):  
Lady Mary Wroth

scholarly journals “The True Forme of Love”: Transforming the Petrarchan Tradition in the Poetry of Lady Mary Wroth (1587–1631)

2016 ◽  
Vol 5 (1) ◽  
pp. 9-26
Author(s):  
Tomáš Jajtner
Keyword(s):  
Gender Roles ◽  
Early Modern ◽  
English Literature ◽  
Historical Context ◽  
Early Modern England ◽  
Power Struggle ◽  
Lady Mary Wroth ◽  
Female Poets

Abstract The following article deals with the transformation of the Petrachan idea of love in the work of Lady Mary Wroth (1587-1631), the first woman poet to write a secular sonnet sequence in English literature, Pamphilia to Amphilanthus. The author of the article discusses the literary and historical context of the work, the position of female poets in early modern England and then focuses on the main differences in Wroth’s treatment of the topic of heterosexual love: the reversal of gender roles, i.e., the woman being the “active” speaker of the sonnets; the de-objectifying of the lover and the perspective of love understood not as a possessive power struggle, but as an experience of togetherness, based on the gradual interpenetration of two equal partners.

The Lady Mary Wroth

1893 ◽  
Vol s8-IV (80) ◽  
pp. 29-29
Author(s):  
W. C. W.
Keyword(s):  
Lady Mary Wroth
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