Turin 1564-1680: Urban Design, Military Culture and the Creation of the Absolutist Capital.

1992 ◽  
Vol 23 (4) ◽  
pp. 831
Author(s):  
William V. Hudon ◽  
Martha D. Pollak
Keyword(s):  
Urban Design ◽  
Military Culture ◽  
The Creation

The Missing Dimension in the Built Environment: A Challenge for the 21st Century

1990 ◽  
Vol 3 (1) ◽  
pp. 49-66
Author(s):  
Leo R. Zrudlo
Keyword(s):  
Built Environment ◽  
Urban Design ◽  
21St Century ◽  
Modern Architecture ◽  
Major Focus ◽  
Spiritual Dimension ◽  
Unity In Diversity ◽  
The Creation ◽  
City Design

This article addresses architects, planners, and developers but should also interest any other professionals involved in the creation of the built environment. It begins by stating that the built environment is principally made up of buildings and groupings of buildings. Therefore, architecture and urban design are the major focus of the article. Definitions of architecture are then presented from a variety of authors and architects. An argument is made that there actually is a missing dimension in the built environment illustrated by quotations from architects, architectural theorists, amid critics. It becomes evident that architecture is unable to satisfy the emotional and aesthetic needs of people and also that the profession itself, which admits that modern architecture has created bleak and insensitive environments, is in profound disagreement on how to rectify the situation. Under the heading “Architecture–The Object” arguments for and against different architectural movements or stylistic tendencies are highlighted by quotations from the proponents of tile various styles and theories. A similar approach is taken for cities under the heading “Urban Design–The Juxtaposition of Objects.” The fact that something is missing from architectural and city design is concluded, and examples of a preoccupation for the spiritual aspect of architecture and urban design are used to illustrate this growing concern for a dimension that has been much neglected in tile previous several decades. The notion of “spiritual” is then defined, followed by a list of spiritual qualities. Two important principles, unity in diversity and consultation are discussed before presenting some concluding thoughts on how the designers of the built environment can begin finding ways of infusing their designs with a spiritual dimension.

A Crowdsourcing Approach in Urban Design

2019 ◽  
pp. 1-24 ◽  
Author(s):  
Hisham Abusaada ◽  
Abeer Elshater
Keyword(s):  
Content Analysis ◽  
Urban Planning ◽  
Urban Design ◽  
Social Economic ◽  
Planning And Design ◽  
Urban Planning And Design ◽  
The Creation

This chapter examines the problem of excessive similarity when designing new cities. It focuses on the generating of innovative ideas through urban design paradigms. The purpose of this work is to support the efforts of planners and designers toward the creation of new cities based on the concept of cities of singularity. This chapter is a bibliographic review of some conventional Western paradigms in urban planning and design. Based on this work, the three initial singularities of cities can be sketched as being architecturally singular (artwork-like/artistic and organic), societally singular (social, economic, and transcultural), or technologically and informationally singular (smart) in nature. The analytical reading depends on content analysis—which follows the potentiality of exploring the meaning of singularity and its characteristics, indicators, and principles. It collects the interrelationships of the old and new paradigms. The outcomes provide a framework for creating ‘cities of singularity' based on a crowdsourcing approach.

Telematic Sound Body: A trajectory of intimacy and defiance

2021 ◽  
Vol 26 (3) ◽  
pp. 317-326
Author(s):  
Maria Papadomanolaki
Keyword(s):  
Collective Action ◽  
Case Studies ◽  
Urban Design ◽  
Porous Space ◽  
The Creation ◽  
Selection Of

This article reflects on telematic soundwalking by initially considering the network as it is experienced in response to the COVID-19 pandemic. It uses learnings and writings about our networked lives (during COVID) to generate a framework in order to understand the artist’s pre-pandemic work; more specifically, in the context of a series of telematic soundwalking performances titled A Certain Geography, of which two case studies are presented here. The network is analysed through a diverse and cross-disciplinary selection of ideas and writings on networked cultures, experimental radio, listening, philosophy, anthropology and urban design. This cluster of diverse theoretical notions become important for the creation of a type of networked listening where the authorship of I often collapses into a polyphonic intimacy of voices and soundings affected by all that is taking place in between, including the distortions created by the materiality of technologies, the different layers of ecologies at stake, the words and voices of those who sound and listen remotely and site-specifically. It proposes an incomplete reception loop where the aspiration of walking on a planned trajectory is constantly contested and destabilised. The network becomes a porous space where the I constantly morphs into a convivial-collective action.

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