Love in the Time of Victoria: Sexuality and Desire among Working-Class Men and Women in Nineteenth-Century London

1998 ◽  
Vol 41 ◽  
pp. 308
Author(s):  
Beverly Young ◽  
Francoise Barret-Ducrocq ◽  
John Howe
2013 ◽  
Vol 19 (2) ◽  
pp. 128-140
Author(s):  
Kathryn Harvey

This paper aims to reconstruct some of the causes and the context of wife-battering in Montreal between the years 1869-1879. It seeks to determine what the immediate causes were as well as the underlying factors that shaped these conflicts. It also describes how the individuals involved responded, what the role of neighbours was and how this problem was viewed by the society at large. At a broader level, this research seeks to insert one largely ignored aspect of women's lived experience into the historical record while furthering our knowledge of relationships between men and women and working-class family life in general in the mid nineteenth century.


2008 ◽  
Vol 59 (1) ◽  
pp. 77-112 ◽  
Author(s):  
Bernard Aspinwall

Catholics in Scotland and their historians have recounted their past in several ways. We have many celebrations of the faithful Irish immigrant steadfastness while their Scottish-born brethren have had at best negligible recognition.2 At the other extreme the Banffshire-born conservative priest Rev. Aeneas Dawson airbrushed the Irish from his massive nineteenth-century history: even Daniel O'Connell did not merit a mention. On the other side, the pioneering lay activist James Walsh virtually ignored native-born Scots in his monumental study.3 In more recent times several historians have begun to capture something of the complexity of the Catholic experience.4 The independent-minded Catholic laity, restless Irish-born clergy and working class leaders have received consideration. Highlanders, Italians, Lithuanians, Belgians, Poles, English, converts and religious orders of men and women have received some long overdue attention.5 Some leading clerical and lay figures who tried to create and sustain a sense of community now have their biographers.6


2018 ◽  
Vol 6 (3) ◽  
Author(s):  
Alawiye Abdulmumin Abdurrazzaq ◽  
Ahmad Wifaq Mokhtar ◽  
Abdul Manan Ismail

This article is aimed to examine the extent of the application of Islamic legal objectives by Sheikh Abdullah bn Fudi in his rejoinder against one of their contemporary scholars who accused them of being over-liberal about the religion. He claimed that there has been a careless intermingling of men and women in the preaching and counselling gathering they used to hold, under the leadership of Sheikh Uthman bn Fudi (the Islamic reformer of the nineteenth century in Nigeria and West Africa). Thus, in this study, the researchers seek to answer the following interrogations: who was Abdullah bn Fudi? who was their critic? what was the subject matter of the criticism? How did the rebutter get equipped with some guidelines of higher objectives of Sharĩʻah in his rejoinder to the critic? To this end, this study had tackled the questions afore-stated by using inductive, descriptive and analytical methods to identify the personalities involved, define and analyze some concepts and matters considered as the hub of the study.


Costume ◽  
2018 ◽  
Vol 52 (2) ◽  
pp. 261-284 ◽  
Author(s):  
Lucy Johnston

This article will consider how dress, textiles, manuscripts and images in the Thomas Hardy Archive illuminate his writing and reveal the accuracy of his descriptions of clothing in novels including Far from the Madding Crowd and Tess of the D'Urbervilles. Rural clothing, fashionable styles, drawings and illustrations will shed new light on his writing through providing an insight into the people's dress he described so eloquently in his writing. The textiles and clothing in the Archive are also significant as nineteenth-century working-class dress is relatively rare. Everyday rural clothing does not tend to survive, so a collection belonging to Hardy's family of country stonemasons provides new opportunities for research in this area. Even more unusual is clothing reliably provenanced to famous people or writers, and such garments that do exist tend to be from the middle or upper classes. This article will show how the combination of surviving dress, biographical context and literary framework enriches understanding of Hardy's words and informs research into nineteenth-century rural dress.


Author(s):  
Jonathan A. Stapley

Early Mormons used the Book of Mormon as the basis for their ecclesiology and understanding of the open heaven. Church leaders edited, harmonized, and published Joseph Smith’s revelation texts, expanding understandings of ecclesiastical priesthood office. Joseph Smith then revealed the Nauvoo Temple liturgy, with its cosmology that equated heaven, kinship, and priesthood. This cosmological priesthood was materialized through sealings at the temple altar and was the context for expansive teachings incorporating women into priesthood. This cosmology was also the basis for polygamy, temple adoption, and restrictions on the participation of black men and women in the church. This framework gave way at the end of the nineteenth century to a new priesthood cosmology introduced by Joseph F. Smith based on male ecclesiastical office. As church leaders expanded the meaning of priesthood to comprise the entire power and authority of God, they struggled to integrate women into church cosmology.


Author(s):  
Stefan Collini

This chapter argues that accounts of ‘the reading public’ are always fundamentally historical, usually involving stories of ‘growth’ or ‘decline’. It examines Q. D. Leavis’s Fiction and the Reading Public, which builds a relentlessly pessimistic critique of the debased standards of the present out of a highly selective account of literature and its publics since the Elizabethan period. It goes on to exhibit the complicated analysis of the role of previous publics in F. R. Leavis’s revisionist literary history, including his ambivalent admiration for the great Victorian periodicals. And it shows how Richard Hoggart’s The Uses of Literacy carries an almost buried interpretation of social change from the nineteenth century onwards, constantly contrasting the vibrant and healthy forms of entertainment built up in old working-class communities with the slick, commercialized reading matter introduced by post-1945 prosperity.


1996 ◽  
Vol 37 (2) ◽  
pp. 23-66
Author(s):  
Elizabeth Reitz Mullenix

On 29 December 1845, Charlotte Cushman did an extraordinary thing at the Haymarket theatre: she convincingly transformed herself into a man. Audience members who witnessed this performance were captivated by “the transmuting power” of Cushman's “genius” as she became Romeo. This production (and Cushman's Romeo in general) continues to fascinate both contemporary theatre historians and feminist scholars, who are equally impressed with Cushman's seeming ability to create an unsettling paradox. In a recent article, Anne Russell discusses the positive reception that Cushman's Romeo received and questions how the cross-dressed actress could have been so successful “in a period when dominant gender ideologies assumed clearly delineated separate spheres for men and women, when stage reviewers as a manner of routine assessed the ‘womanliness’ or ‘manliness’ of characters and performers.” As Russell explains, the nineteenth-century audience member, critic, and/or commentator read the human figure on stage as either male or female; indeed, such antithetic thinking was pervasive throughout nineteenth-century culture. Cushman was unique, however, in that she repeatedly defied such categorization, both in her theatrical performances and in her “private” life.


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